Social Sciences Media Studies

In Finding Truth in Fiction, two media psychologists reveal that there's much more to our desire to seek out stories in film, TV, and books than simple diversion - fiction can help us find truth in our real lives. Whether you consider yourself a fan of popular media or whether you find yourself thinking of a particular fictional scene for inspiration, you are not alone. Though some assume that interest in a fictional world is a sign of psychological trouble, the authors enthusiastically disagree.

Hater begins from a simple premise: that it's good to hate things. Not people or groups or benign belief systems, but things. More to the point, it's good to hate the things everyone seems to like. Scan the click-baiting headlines of your favorite news or pop-culture website, and you're likely to find that just about everything is, supposedly, "what we need right now." We are the victims of an unbridled, unearned optimism. And our world demands pessimism. It's vital to be contrarian - now, as they say, more than ever.

In Sensible Politics, William A. Callahan uses his expertise in theory and filmmaking to explore not only what visuals mean, but also how visuals can viscerally move and connect us in "affective communities of sense." The book's rich analysis of visual images (photographs, film, art) and visual artifacts (maps, veils, walls, gardens, cyberspace) shows how critical scholarship needs to push beyond issues of identity and security to appreciate the creative politics of social-ordering and world-ordering.

Finding Normal explores how people are using the internet to find community, forge connections, and create identity in ways that challenge a variety of sexual norms. Based on a highly candid interview series conducted for New York magazine's human science column - "What It's Like" - each story in Finding Normal intimately immerses the listener in the world of a person who is grappling with a unique set of circumstances relating to sexuality.

Die Vereinigten Staaten befinden sich mitten in einem neuen Bürgerkrieg, der mit den Waffen der Mediengesellschaft ausgetragen wird - und erleben in der Weltkrise 2020 eine multiple Katastrophe. Klaus Brinkbäumer und Stephan Lamby berichten von den zahlreichen Fronten. Nach vier Jahren einer fatalen Präsidentschaft sind die USA eine wütende, nur noch im Hass vereinte Nation. Die unterschiedlichen politischen Lager haben ihre diplomatischen Beziehungen abgebrochen und stehen sich auf medialen Schlachtfeldern gegenüber.

What made the San Diego Comic-Con a Hollywood destination? How does the industry’s presence at Comic-Con shape our ideas about what it means to be a fan? And what can this single event tell us about the relationship between media industries and their fans, past and present? Only at Comic-Con answers these questions and more as it examines the connection between exclusivity and the proliferation of media industry promotion at the longest-running comic convention in North America.

The BBC is a central part of British life, shared culture and international standing. But the BBC is in peril as never before in its long history. It faces ever-increasing competition and threats from new technology and consumption trends. It suffers relentless attacks from a range of hostile players motivated by their own political and commercial interests. And it faces deep funding cuts. These pressures may even destroy it within a generation. We must not end up recognising what its value was only when it's gone.

There was a time when the news came once a day, in the morning newspaper. Times have changed. Now we’re inundated. We carry the news with us, getting instant alerts about events around the globe. Yet despite this unprecedented abundance of information, it seems increasingly difficult to know what’s true and what’s not. In Bad News, Rob Brotherton delves into the psychology of news, reviewing how the latest research can help navigate this supposedly post-truth world.

In Hunting Girls, Kelly Oliver examines popular culture's fixation on representing young women as predators and prey and the implication that violence - especially sexual violence - is an inevitable, perhaps even celebrated, part of a woman's maturity. In such films as Kick-Ass (2010), The Girl with the Dragon Tattoo (2011), and Maleficent (2014), power, control, and danger drive the story, but traditional relationships of care constrict the narrative. Even the protagonist's love interest adds to her suffering.

In March of 1827 the nation's first black newspaper appeared in New York City - to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper - and its ultimate decline - for more than 160 years until the end of the 20th century.

This book focuses on the constant tension between democracy and conspiratorial behavior in the new global order. It addresses the prevalence of conspiracy theories in the phenomenon of Donald Trump and Trumpism, and the paranoid style of American politics that existed long before, first identified with Richard Hofstadter. Hellinger looks critically at both those who hold conspiracy theory beliefs and those who rush to dismiss them.

To some, it is the voice of the nation, yet to others it has never been clearer that the BBC is in the grip of an ideology that prevents it reporting fairly on the world. Robin Aitken, who spent 25 years working for the BBC as a reporter and executive, argues that the Corporation needs to be reminded that what is 'fake' rather depends on where one is standing. This punchy polemic galvanises the debate over how our licence-fee money is spent and asks whether the BBC is a fair arbiter of the news, or whether it is a conduit for institutional liberal left-wing bias.

Tom Wolfe comandó una generación de escritores dispuestos a dinamitar las convenciones de la sociedad tradicional. Estaban allí para contarnos cosas de nosotros mismos de un modo hasta entonces inaudito. Se convirtieron en nuestros sabios orientadores, nuestros heraldos, incluso en nuestra conciencia moral: eran los nuevos periodistas.

En la prensa escrita y en la digital, en las redes sociales y en los medios tradicionales, un torrente de mentiras, propaganda e inexactitudes - motivadas por el afán de dinero, notoriedad o poder - se mezcla y confunde con el reporte de hechos reales. Jamás ha sido tan fácil ser engañado: a la censura y el espionaje se han sumado la sobreinformación y las fake news. En este escenario, que parece sacado de una distopía orwelliana, la ética periodística, la confirmación y el rigor parecen reliquias olvidadas.

Das Smartphone zählt unsere Schritte, die Smartwatch misst unsere Herzfrequenz, und das Smart Home detektiert Zigarettenrauch und Schimpfwörter. Endlich gibt es all diese klugen kleinen Helfer, die uns liebevoll behüten und umsorgen, unser Leben erleichtern. Falsch! Adrian Lobe zeigt, wie uns die Digitaltechnik geradewegs in ein Datengefängnis führt, das wir selbst gebaut haben und so bald nicht wieder verlassen werden.

Per la prima volta insieme, tutti gli scritti che Umberto Eco ha dedicato alla televisione: al suo linguaggio, alle forme di comunicazione che mette in gioco, alle tecnologie che le sostengono, all'immaginario che produce, ai suoi esiti culturali, estetici, etici, educativi e, soprattutto, politici.

Nesse sentido, há o forte investimento em analisar e refletir as rupturas, traduções, criações e transcrições presentes em produções televisivas exibidas ao longo dos primeiros anos deste século em televisão aberta. Cartografias da Teledramaturgia Brasileira é o resultado de uma longa e esforçada trajetória de pesquisa sobre o tema e se materializa em um rico e instigante trabalho analítico, discutindo obras como Hoje é dia de Maria, A pedra do reino, Capitu e Afinal, o que querem as mulheres?

Sagen Medien, was ist? Eindeutig: nein. Der Bruch mit der Wirklichkeit ist im Journalismus längst eine bestimmende Konstante. Immer wieder ist zu beobachten, wie Medien Wirklichkeit ignorieren, verdrehen, frisieren oder gar gleich erfinden. Die Wirklichkeit, die Medien uns vor Augen führen, ist oft so stark verzerrt, dass es gilt, sie grundlegend zu hinterfragen. Insbesondere in den Zentren der tonangebenden Medien ist ein Journalismus entstanden, der mehr und mehr Züge einer Glaubenslehre trägt. Häufig bedienen Journalisten zuerst die eigenen Glaubensüberzeugungen, dann kommen die Fakten.

Plattformen wie YouTube, Facebook, Twitter oder Amazon sind die neuen sozialen Magneten - Clanbildner einer sich anbahnenden globalen digitalen Stammesgesellschaft. Während die herkömmlichen sozialen Bindungskräfte von Familien, Institutionen, Parteien, Verbänden und Staaten zunehmend schwinden, entstehen um digitale Plattformen wimmelnde Kollektive, die sich wie Schwärme oder Horden ausnehmen. Ihre Benutzer sind "Follower", digitale Gefolgschaft hält die neuen Clans zusammen.

Taking listeners back to the days of TaB cola, dot matrix printers, and digging through the couch for just one more quarter, Alex Rubens combines his knowledge of the tech industry and experience as a gaming journalist to conjure the wild silicon frontier of the 8-bit ’80s. 8-Bit Apocalypse: The Untold Story of Atari's Missile Command offers the first in-depth, personal history of an era for which fans have a lot of nostalgia.