Social Sciences Media Studies

Few people watch sport for its politics. Yet what happens on the field of play often reflects the problems in our society. Such was the case in the '80s, when black footballers emerged from the dressing room to find bananas being hurled from the stands, and racially motivated attacks and police harassment were the norm. Today, things have improved. Crowds are less hostile and stars like Anthony Joshua and Sir Mohamed Farah are among our most revered sporting heroes. But for athletes of colour, success on the field seldom converts to power away from it.

Walter Veltroni denuncia la debolezza della politica di fronte al ricatto dell'opinione pubblica, il cedimento dell'etica e del pudore sotto i colpi della società delle immagini e della comunicazione totale, riportandoci con la memoria al giorno in cui il nostro sguardo perse l'innocenza. L'11 giugno del 1981, un grido disperato paralizza l'Italia davanti ai teleschermi. Alfredino Rampi, sei anni, è precipitato in un pozzo e sta chiamando disperatamente sua madre. Gli italiani ascoltano agghiacciati il suo lamento, mentre iniziano i tentativi di salvataggio.

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist, but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company.

Influencer – das ist für eine ganze Generation inzwischen ein ernsthafter Berufswunsch, wenn nicht sogar ein Traumberuf. Es klingt auch zu verlockend: Ein bisschen posieren vor der Kamera, ein paar Likes und schon kommen die gut bezahlten Werbekooperationen wie von selbst. Sie filmen sich beim Schminken, reisen an paradiesische Orte, halten sich fit mit Sport und teilen ihre Tipps mit Fans. Doch dahinter steckt ein profitorientiertes Business, das große Begehrlichkeiten und Abhängigkeiten auf der Seite der Nutzer schafft.

In this holistic history, Will Mari traces American journalism from the 1920s through the 1960s, a time of great change and controversy in the field; one in which journalism was produced in “news factories”, by workers with dozens of different roles, using the latest technology, and setting the stage for the emergence of the information economy. Told from an empathetic, omnivorous, ground-up point of view, The American Newsroom uses memoirs, trade journals, textbooks, and archival material to show how the newsroom expanded our ideas of what journalism could and should be.

Los charlatanes de la era digital se cuelan todos los días en la actualidad informativa y cada vez es más difícil discernir la verdad entre las mentiras y las medias verdades. "Bullshit" es el ensayo que necesitamos para desenmascarar a los que manipulan los datos y se sirven del lenguaje científico para construir un discurso que no se ajusta a la realidad.

Identitätspolitik zwischen Vernunft und Exzess. Wer gendert, das Z-Wort meidet und im Schlaf aufsagen kann, wofür die Buchstabenwürmer LGBTQIA* und BIPoC stehen, gilt in seinen Kreisen als "woke". Die Mehrheitsgesellschaft dagegen fragt: Haben wir keine anderen Sorgen? Petra Gerster und Christian Nürnberger führen durch das Minenfeld, das die deutsche Sprache durch identitätspolitische Forderungen geworden ist.

When the world's biggest and most moving events took place - World War II, the Moon landing, the death of Princess Diana, and many more - Time magazine was there to tell the story with passion and clarity. This book features pieces by Barbara Ehrenreich, Henry Anatole Grunwald, Maureen Dowd, Walter Isaacson, Bono and many other famous writers, and will provide listeners with a uniquely entertaining view of 85 years of Time's history.

The most powerful political tool of the modern presidency is control of the message and the image. In Republic of Spin - a vibrant history covering more than 100 years of politics - presidential historian David Greenberg recounts the rise of the White House spin machine, from Teddy Roosevelt to Barack Obama. His sweeping, startling narrative takes us behind the scenes to see how the tools and techniques of image making and message craft work.

For decades, women battered the walls of the male fortress of television journalism. After fierce struggles, three women - Diane Sawyer, Katie Couric, and Christiane Amanpour - broke into the newsroom’s once impenetrable “boys’ club”. These women were not simply pathbreakers, but wildly gifted journalists whose unique talents enabled them to climb to the top of the corporate ladder and transform the way Americans received their news.

Renyi Hong theorizes the notion of being "passionate about your work" as an affective project that encourages people to endure trying situations like unemployment, job change, repetitive and menial labor, and freelancing. Not simply a subject of aspiration, passion has been deployed as a means to build resilience and mend disappointments with our experiences of work. Tracking the rise of passion in nineteenth-century management to trends like gamification, coworking, and unemployment insurance, Hong argues that the ideal of passionate work sustains a condition of cruel optimism.

Locked away in refrigerated vaults, sanitized by gas chambers, and secured within bombproof caverns deep under mountains are America's most prized materials: the ever-expanding collection of records that now accompany each of us from birth to death. This data complex backs up and protects our most vital information against decay and destruction, and yet it binds us to corporate and government institutions whose power is also preserved in its bunkers, infrastructures, and sterilized spaces.

Patrick S. Washburn and Chris Lamb tell the full story of the past, the present, and to a degree, the future of American sports journalism. Sports Journalism chronicles how and why technology, religion, social movements, immigration, racism, sexism, social media, athletes, and sportswriters and broadcasters changed sports as well as how sports are covered and how news about sports are presented and disseminated.

Tyrants on Twitter is the first detailed analysis of how Chinese and Russian agents weaponize Facebook, Instagram, Twitter, and YouTube to subvert the liberal international order. In addition to examining the 2016 US election, David L. Sloss explores Russia's use of foreign influence operations to threaten democracies in Europe, as well as China's use of social media and other digital tools to meddle in Western democracies and buttress autocratic rulers around the world.

Long before the current preoccupation with "fake news", American newspapers routinely ran stories that were not quite, strictly speaking, true. Today, a firm boundary between fact and fakery is a hallmark of journalistic practice, yet for many readers and publishers across more than three centuries, this distinction has seemed slippery or even irrelevant.

In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market.

Seeking ways to understand video games beyond their imperial logics, Patterson turns to erotics to re-invigorate the potential passions and pleasures of play. Video games vastly outpace all other mediums of entertainment in revenue and in global reach. On the surface, games do not appear ideological, nor are they categorized as national products. Instead, they seem to reflect the open and uncontaminated reputation of information technology. Like literature and film before it, video games have become the main artistic expression of empire today.

Accidental Playboy is the hilarious, erotic, and provocative memoir of a sensitive post-modern man who stumbles into the dream job of a lifetime. When Playboy magazine tapped Leif Ueland to report on its nationwide search for the Playmate of the Millennium, he was the ultimate confused American male. A self-professed nice guy, he was the last man to be on Playboy's roving audition bus, never mind its official reporter. And yet, something deep within his psyche leapt at the opportunity.

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

Tom Wolfe comandó una generación de escritores dispuestos a dinamitar las convenciones de la sociedad tradicional. Estaban allí para contarnos cosas de nosotros mismos de un modo hasta entonces inaudito. Se convirtieron en nuestros sabios orientadores, nuestros heraldos, incluso en nuestra conciencia moral: eran los nuevos periodistas.