Social Sciences Media Studies

Une plongée sans précédent dans les eaux troubles du "quatrième pouvoir" ! Aude Lancelin, ancienne directrice adjointe de L'Obs et de Marianne, raconte de l'intérieur un système médiatique français à la dérive... et en miroir, une gauche en pleine déliquescence qui a perdu tous ses repères. Un an avant une élection présidentielle, la "numéro deux" du plus célèbre hebdomadaire de la gauche française est brutalement licenciée.

Generoso Pope, Sr., an Italian immigrant, arrived in New York in 1906 with only pennies in his pocket. He got a job shoveling sand, but through his intelligence, he worked his way up to become the biggest provider of cement, just as it was becoming the key material for building. Gene Pope, Jr., was his father’s choice to inherit and run the business, but Gene’s mother and two brothers forced him out, and he found himself penniless and on his own. With a loan from his godfather, mobster Frank Costello, Gene bought the New York Enquirer. He renamed it the National Enquirer.

Just Like Us tells the story of four high school students whose parents entered this country illegally from Mexico. All four of the girls have grown up in the United States, and all four want to live the American dream, but only two have documents. As the girls attempt to make it into college, they discover that only the legal pair see a clear path forward. A coming-of-age story about girlhood and friendship, as well as the resilience required to transcend poverty, Just Like Us is also a book about identity.

La vida es una y tiene límites. La lectura de novelas los revienta y lo que era una se convierte en mil, infinitas. Ése es el mayor poder de la literatura y este libro nos hace participar de él. Lolita, Muerte en Venecia, El extranjero, Manhattan Transfer, Trópico de Cáncer y El tambor de hojalata son solo algunas de las obras del siglo XX de las que nos habla Mario Vargas Llosa en estas páginas. Revela con sus palabras la íntima relación de su lectura con las posibilidades de ampliar nuestra experiencia vital.

En estas páginas se asoman las profundas divisiones dentro del gremio periodístico, la servidumbre voluntaria, el espionaje o la vigilancia a la que ha sido sometido, su precariedad laboral y no pocas dificultades o conflictos para obtener información. Prensa inmunda es también un repaso por la compleja historia de la prensa mexicana, desde aquellos años de control total de la información hasta nuestros días, con una relación tirante como la que AMLO ha establecido con los medios.

Accomplished feminist activist and executive Latanya Mapp Frett delivers a powerful and practical exploration of the factors that make a feminist social movement impactful in its place and time. In the book, you'll discover popular and not-so-popular social movements and the leaders, art, research, and narratives that drove them. The author explains what made these social movements so effective and explains the steps that organizations, nonprofits, and social impact professionals can take to replicate that success on the ground and in the present.

In The Marketplace of Attention, James Webster explains how audiences take shape in the digital age. Webster describes the factors that create audiences, including the preferences and habits of media users, the role of social networks, the resources and strategies of media providers, and the growing impact of media measures - from ratings to user recommendations. He incorporates these factors into one comprehensive framework: the marketplace of attention.

Discover the seven secrets women can use to get ahead in the world! This audiobook from consultant-coach Amanda Owen (author of The Power of Receiving) presents self-improvement strategies for women and a radically different approach to helping them achieve their goals, reduce stress, and create better health and happiness by using the power that already exists within them.

Though people frequently use mobile technologies for news consumption, evidence from several fields shows that smaller screens and slower connection speeds pose major limitations for meaningful reading. In News and Democratic Citizens in the Mobile Era, Johanna Dunaway and Kathleen Searles demonstrate the effects of mobile devices on news attention, engagement, and recall, and identify a key cognitive mechanism underlying these effects: cognitive effort.

In Editor Missing, veteran journalist Ruben Banerjee attempts to provide clarity on the state of Indian media at a time when there is consensus only on the lack of it. The media mirrors society, and Banerjee is best placed to tell its contested story in contemporary India. As a top editor for various publications, he has had a ringside view for years of the decline in its standards, quality and objectivity. His own experiences reflect the time we live in.

In Finding Truth in Fiction, two media psychologists reveal that there's much more to our desire to seek out stories in film, TV, and books than simple diversion - fiction can help us find truth in our real lives. Whether you consider yourself a fan of popular media or whether you find yourself thinking of a particular fictional scene for inspiration, you are not alone. Though some assume that interest in a fictional world is a sign of psychological trouble, the authors enthusiastically disagree.

Hater begins from a simple premise: that it's good to hate things. Not people or groups or benign belief systems, but things. More to the point, it's good to hate the things everyone seems to like. Scan the click-baiting headlines of your favorite news or pop-culture website, and you're likely to find that just about everything is, supposedly, "what we need right now." We are the victims of an unbridled, unearned optimism. And our world demands pessimism. It's vital to be contrarian - now, as they say, more than ever.

In Sensible Politics, William A. Callahan uses his expertise in theory and filmmaking to explore not only what visuals mean, but also how visuals can viscerally move and connect us in "affective communities of sense." The book's rich analysis of visual images (photographs, film, art) and visual artifacts (maps, veils, walls, gardens, cyberspace) shows how critical scholarship needs to push beyond issues of identity and security to appreciate the creative politics of social-ordering and world-ordering.

Finding Normal explores how people are using the internet to find community, forge connections, and create identity in ways that challenge a variety of sexual norms. Based on a highly candid interview series conducted for New York magazine's human science column - "What It's Like" - each story in Finding Normal intimately immerses the listener in the world of a person who is grappling with a unique set of circumstances relating to sexuality.

Die Vereinigten Staaten befinden sich mitten in einem neuen Bürgerkrieg, der mit den Waffen der Mediengesellschaft ausgetragen wird - und erleben in der Weltkrise 2020 eine multiple Katastrophe. Klaus Brinkbäumer und Stephan Lamby berichten von den zahlreichen Fronten. Nach vier Jahren einer fatalen Präsidentschaft sind die USA eine wütende, nur noch im Hass vereinte Nation. Die unterschiedlichen politischen Lager haben ihre diplomatischen Beziehungen abgebrochen und stehen sich auf medialen Schlachtfeldern gegenüber.

What made the San Diego Comic-Con a Hollywood destination? How does the industry’s presence at Comic-Con shape our ideas about what it means to be a fan? And what can this single event tell us about the relationship between media industries and their fans, past and present? Only at Comic-Con answers these questions and more as it examines the connection between exclusivity and the proliferation of media industry promotion at the longest-running comic convention in North America.

The BBC is a central part of British life, shared culture and international standing. But the BBC is in peril as never before in its long history. It faces ever-increasing competition and threats from new technology and consumption trends. It suffers relentless attacks from a range of hostile players motivated by their own political and commercial interests. And it faces deep funding cuts. These pressures may even destroy it within a generation. We must not end up recognising what its value was only when it's gone.

There was a time when the news came once a day, in the morning newspaper. Times have changed. Now we’re inundated. We carry the news with us, getting instant alerts about events around the globe. Yet despite this unprecedented abundance of information, it seems increasingly difficult to know what’s true and what’s not. In Bad News, Rob Brotherton delves into the psychology of news, reviewing how the latest research can help navigate this supposedly post-truth world.

In Hunting Girls, Kelly Oliver examines popular culture's fixation on representing young women as predators and prey and the implication that violence - especially sexual violence - is an inevitable, perhaps even celebrated, part of a woman's maturity. In such films as Kick-Ass (2010), The Girl with the Dragon Tattoo (2011), and Maleficent (2014), power, control, and danger drive the story, but traditional relationships of care constrict the narrative. Even the protagonist's love interest adds to her suffering.

In March of 1827 the nation's first black newspaper appeared in New York City - to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper - and its ultimate decline - for more than 160 years until the end of the 20th century.