South African Literature

From the author of the beloved Hum If You Don't Know the Words comes a rich, unforgettable story of three unique women in post-Apartheid South Africa who are brought together in their darkest time and discover the ways that love can transcend the strictest of boundaries.

Trying to put past hurts behind you is hard when your ex is a fool, but buoyed by child support and alimony, Jo Walker is moving forward with her life, pursuing a career, raising her little girl, and trying to live in peace. She believes she has all the bases covered in her world. But what about her heart? Rap legend Everett "Big South" McClain is divorced, too, knows all about failed relationships, and has relegated his love life to casual connections rather than pursuing something real. That is, until he lays eyes on Jo.

In 1948 most White people in the North had no idea how unjust and unequal daily life was for the 10 million African Americans living in the South. But that suddenly changed after Ray Sprigle, a famous White journalist from Pittsburgh, went undercover and lived as a Black man in the Jim Crow South. Escorted through the South's parallel Black society by John Wesley Dobbs, a historic Black civil rights pioneer from Atlanta, Sprigle met with sharecroppers, local Black leaders, and families of lynching victims.

Khian "Khi" Prince has the ladies going crazy. He's a certified boss with what seems to be the weight of the world on his shoulders. After failing at love twice, Khi's not ready to give up yet, and when he runs into Cuba Lance, he's certain he has finally gotten it right. But when Cuba shatters his heart all over again, will Khi give up on love once and for all? Daelan "Dae" Prince is the ultimate bad boy. With the love of his life and their five-year-old son by his side, Dae seems to have his happily ever after. But things are never what they seem.

Philadelphia's South Street is a world of contradiction. The hardscrabble neighborhood is filled with prostitutes and gangsters; Working stiffs mingle with winos at Lightnin' Ed's bar. But the streetwalkers are nearing retirement, the gangsters are unemployed, and a community is thriving in and around a place written off by officials and politicians as blighted. Black poet Adlai Stevenson Brown makes his way to South Street in search of authenticity in the form of a neighborhood to save.

Daniel is a worldly and urbane journalist living in London. His relationships appear to be sexually fulfilling but sentimentally meager. A young gay man with no relationships outside of sexual ones, he can seem at once callow and, at times, cold to the point of cruel with his lovers. Emotionally distant from his elderly, senile father, Daniel nonetheless returns to South Africa to care for him during his final months. Following his father’s death, Daniel learns of an unusual clause in the old man’s will.

Abigail was the last keeper of the house, the last to know the Howland family's secrets. Now, in the name of all her brothers and sisters, she must take her bitter revenge on the small-minded Southern town that shamed them, persecuted them, but could never destroy them.

Rhea's neighborhood is fading away—the mom-and-pop shops of her childhood forced out to make space for an artisanal kombucha brewery here, a hot yoga studio there. And everywhere, the feeling that this place is no longer meant for her. Because while their little corner of South L.A. isn't perfect, to Rhea and her two best friends, it's something even more important—it's home. And it's worth protecting. But as more white people flock to their latest edgy, urban paradise, more of Rhea's friends and family are pushed out. Until Rhea decides it's time to push back.

Just as Martine is settling into life on the wildlife game reserve, she is whisked away on a school trip. Her class is going on an ocean voyage to witness the Sardine Run, a spectacular natural phenomenon, off the coast of South Africa. What begins as an exciting adventure quickly turns perilous when a storm blows up and Martine and her classmates are thrown overboard into shark-infested waters. They are saved by a pod of dolphins, only to end up marooned on a deserted island.

African-American reverend Joshua Clay welcomes the chance to minister in South Africa. Once there, however, he is caught between others' expectations and his own beliefs. Turning to God, Joshua must gather the strength to search for answers and bring some peace to a grief-stricken land.

In the Early settler days, the British did more than go to war. Many found the local folklore and beliefs fascinating, and collected them together. This is one of the first explorations of South African folk tales.

Returning to the city that inspired his first prize-winning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens.

In this powerful, edgy, and funny debut novel about making right and wrong choices, Bump gives us an unforgettable and lovable protagonist, Claude McKay Love. Claude is a young black man in search of a place where he can fit; born on the South Side of Chicago, he is raised by his civil rights-era grandmother, who tries to shape him into a principled actor for change. After a riot consumes his neighborhood, Claude decides to escape Chicago for another place, to go to college, to find a new life and identity. But he discovers, there's no escaping the people and places that made him.

Corinne LaMer defeated the wicked jumbie Severine months ago, but things haven't exactly gone back to normal in her Caribbean island home. Everyone knows Corinne is half-jumbie, and many of her neighbors treat her with mistrust. When local children begin to go missing, snatched from the beach and vanishing into wells, suspicious eyes turn to Corinne. To rescue the missing children and clear her own name, Corinne goes deep into the ocean to find Mama D'Leau, the dangerous jumbie who rules the sea.

Tales from the Eastern Cape, gathered in 1886.

Saesha is being raised as a Hindu girl in a patriarchal society during apartheid in the outskirts of Johannesburg, South Africa. She has no idea that apartheid even exists. Where do black South Africans live at night? Why does her dad take them through a separate entrance when they enter theme parks and picnic spots? These are just split second wonders that enter her mind when faced with it in the present.

She should be at her "perfect" sister's bedside, awaiting the arrival of the newest member of her family. But the thought of spending hours at the hospital with her suffocating relatives has Sophia hailing the first taxi she sees. Only to realize too late that the man at the wheel of her getaway car is the most unpleasant one she's ever had the misfortune to meet.

In cosmopolitan Johannesburg, three high-flying couples form the core of the elite Khula Society: part investment group, part social club, with meetings where the champagne flows, the dresses are designer and the one-upmanship is off the scale. Noma, Moshidi, Lerato and their husbands are living the dream—or so it appears from the outside. In reality, the cut and thrust of ‘keeping up with the Khulas’ is taking its toll on all three couples.

Set in Soweto, the urban heartbeat of South Africa, Innards tells the intimate stories of everyday Black folks processing the savagery of apartheid with grit, wit, and their own distinctive bewildering humor. Rich with the thrilling textures of township language and life, it braids the voices and perspectives of an indelible cast of characters into a breathtaking collection flush with forgiveness, rage, ugliness, and beauty.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.