South America Fiction

Gregorio y José Ignacio son dos niños que viven en San Miguel de Tucumán, en 1816. En medio del revuelo y la agitación que perciben en los adultos, estos dos niños viven divertidas aventuras y travesuras, al escaparse de su casa para investigar el misterioso enamorado de su prima Lucía y la desaparición de su preciado relicario. Un misterioso extraño, don Manuel, los ayudará a develar el misterio que finalmente se develará en la fiesta de la Independencia.

Fabio flies through the streets of Bogotá on his bicycle, the children of his neighborhood trailing behind him. It is there that life feels right - where the world of adults, and their lies, fades away. But then one day, he simply forgets. Forgets how to ride his bicycle. And Fabio will never be the same again.

Quince mil años antes de que los Europeos pisarán las Américas, la gente ya se había propagado de punta a punta y de costa a costa. Como todos los humanos, estos Nativos Americanos buscaban comprender su lugar en el universo, la naturaleza de su relación con lo divino, y el origen del mundo en el que habían emergido sus antepasados.Las respuestas se encuentran en sus historias sagradas.

Cuban-born eleven-year-old Oriol lives in Santa Barbara, California, where she struggles to belong. But most of the time that’s okay, because she enjoys helping her parents care for the many injured animals at their veterinary clinic. Then Gabriela Mistral, the first Latin American winner of a Nobel Prize in Literature, moves to town, and aspiring writer Oriol finds herself opening up. And when she discovers that someone is threatening the life of a baby elephant at her parents’ clinic, Oriol is determined to take action.

"La idea de salir a recorrer -y a contar- las grandes ciudades sudacas se me ocurrió cuando pensé que quería tratar de entender qué es hoy América Latina. Hace mucho que no lo intentamos y, en general, solemos conservar esa imagen rural, ecololó de una región que es, ahora mismo, la más urbana del mundo. Cuatro de cada cinco latinoamericanos viven en ciudades, pero no son ciudades como las que uno imagina cuando piensa en Barcelona o en París. Para saber cómo son -cómo es Latinoamérica- decidí volver a hacer eso que siempre me ha gustado hacer: ir, mirar, escuchar, pensar, contarlo." - Martín Caparrós

She's 17. She's been abused. She has a child. And she's HIV-positive. She is Ana, and this is her story. It begins the day she is born infected with HIV, transmitted from her young mother. Now she barely remembers her mama, who died when Ana was only three. From then on, Ana's childhood becomes a blur of faint memories and secrets: secrets about her illness and about the abuse she endures.

Maia, an orphan, can't wait to reach her distant relatives a thousand miles up the Amazon. She imagines a loving family with whom she will share great adventures. Instead she finds two spiteful cousins who see the jungle as the enemy and refuse to go outdoors.

The trouble started when Pepe the parrot fell in love with . . . a CAT! Hoping to win her paw, he invited her to his house for dinner. But within moments of arriving—with a gobble and a gulp—Carina swallowed that love-sick parrot whole! And he was just the appetizer!

Even for an experienced traveler like Charlie, Cuba is a place unlike any he has visited before - an island full of surprises, secrets, and puzzling contradictions.

Rosalba is a nine-year-old Mayan girl living in rural Mexico. Like her mother and grandmother, she weaves stories of her people onto blouses, ensuring that the age-old traditions continue. But new influences are entering her life. A ladina girl from the city, visiting with her scientist father, passes on the astonishing news that the Mayan calendar predicts the end of the world in 2012. Rosalba knows nothing about that, but her village is faced with a bulldozer tearing through the forest, dying wildlife, and cornfields in danger.

Ana Rosa is a blossoming young writer growing up in a poor seaside village in the Dominican Republic. At the young age of 12, she finds herself faced with turning points that will make up who she is, watching her brother's search for a future, learning to dance and to love, and finding out what it means to be a part of a community.

Diesmal bringt das magische Baumhaus Anne und Philipp an den Fuß eines Berges in Peru. In der Nähe lebende Bauern erzählen ihnen von einem gestohlenen Babylama, und die Geschwister versprechen, das Tier zu seinen Besitzern zurückzubringen. Doch der Weg ist tückisch: Die Suche nach dem Kleinen führt die Kinder in die geheimnisvolle Inka-Stadt Machu Picchu. Ob ihnen die Lama-Legende helfen kann, das junge Tier sicher nach Hause zu bringen?

From Juana Briones and Juan Ponce de León to 18th-century slaves and modern-day sixth graders, the many and varied people depicted here speak to the experiences and contributions of Latinos throughout the history of the United States, from the earliest known stories up to the present day. A portrait of a great, enormously varied, and enduring heritage, this is a compelling treatment of an important topic. Some voices are composite characters, not historical figures.

Set in 1981 Guatemala, a lyrical debut novel tells the powerful tale of a boy who must decide what it means to be a man during a time of war. Carlos knows that when the soldiers arrive with warnings about the Communist rebels, it is time to be a man and defend the village, keep everyone safe. But Mama tells him not yet - he’s still her quiet moonfaced boy. The soldiers laugh at the villagers, and before they move on, a neighbor is found dangling from a tree, a sign on his neck: Communist.

Set against the backdrop of the both optimistic and violent 1950s and 1960s, Affections traces the Ertls's slow and inevitable breakdown through the various erratic trajectories of each family member: Hans's undertakings of colossal, foolhardy projects and his subsequent spectacular failures; his daughter Monika, heir to his adventurous spirit, who joins the Bolivian Marxist guerrillas and becomes known as "Che Guevara's avenger"; and his wife and two younger sisters left to pick up the pieces in their wake.

Born into the household of a wealthy slave owner in Cuba in 1797, Juan Francisco Manzano spent his early years by the side of a woman who made him call her Mama, even though he had a mama of his own. Denied an education, young Juan still showed an exceptional talent for poetry. His verses reflect the beauty of his world, but they also expose its hideous cruelty.

Tavinho vivia viajando de avião com o pai. Mas aquela estava sendo uma grande novidade: era a primeira vez que Tavinho viajava em um avião pequeno, voando baixo sobre a floresta amazônica, pois o doutor Otávio estava interessado na compra de uma grande fazenda para exploração de borracha. Quando os dois sobrevoavam a floresta amazônica, o avião teve de fazer um pouso forçado no meio de uma aldeia de índios.

Rose and Nicolas loved their favourite Caribbean sorrel drink so much that the siblings decided to create a sorrel stand with the assistance of their parents. Their Sweet Sorrel Stand was a success in the neighbourhood.

Angélica ha pasado todo el verano en la República Dominicana con sus tías y primas, sus abuelos y con la cotorra de al lado. Pronto, tendrá que despedirse. El final del verano significa regresar a casa para volver a la escuela en la otra orilla. Antes de irse, su abuelo le da el regalo perfecto, algo con el poder de atraer multitudes y mover a la gente tan rápido como las alas de un picaflor: una güira. Angélica se enamora de esta lata sin fondo y peine de hojalata que mantiene el ritmo, aunque al principio nadie parece compartir su entusiasmo.

Angélica has spent the summer in the Dominican Republic with her tías and primas, her grandparents, and their parrot, but soon she’ll have to say goodbye. The end of summer means returning home to start school on another shore. Before she leaves, her grandfather gives her the perfect gift. It's something with the power to make people dance as fast as the wings of a hummingbird: a güira. Angélica falls in love with this musical instrument, though nobody shares her enthusiasm at first. “What is that sound,” they say, “pennies inside a tin cup?”