Southern High

On a Mississippi morning in 1859, Emily Matthews begs her father to save a slave, Nathan, about to be auctioned away from his family. Judge Matthews is an abolitionist who runs an illegal school for his slaves, hoping to eventually set them free. One, a woman named Ginny, has become Emily's companion and often her conscience - and understands all too well the hazards an educated slave must face. Yet even Ginny could not predict the tangled, tragic string of events set in motion as Nathan's family arrives at the Matthews farm.

The smog beast wafted into downtown Los Angeles on July 26, 1943. Nobody knew what it was. Secretaries rubbed their eyes. Traffic cops seemed to disappear in the mysterious haze. Were Japanese saboteurs responsible? A reckless factory? The truth was much worse - it came from within, from Southern California's burgeoning car-addicted, suburban lifestyle. Smogtown is the story of pollution, progress, and how an optimistic people confronted the epic struggle against airborne poisons barraging their hometowns.

The Powell brothers - Muir and Moody - are as different as Cain and Abel. Muir is an innocent, a shy young man with big dreams. Moody, the older and wilder brother - embittered by the death of his father, by years of fighting his mother, and by his jealousy of Muir's place in the family - takes to moonshine and gambling and turns his anger on his brother. Muir escapes by wandering, making his way around the country in attempts to find something - an occupation, a calling - to match his ambition.

Ask any self-respecting Louisianan who makes the best gumbo and the answer is universal: "Momma." The product of a melting pot of culinary influences, gumbo, in fact, reflects the diversity of the people who cooked it up: French aristocrats, West Africans in bondage, Cajun refugees, German settlers, Native Americans-all had a hand in the pot. What is it about gumbo that continues to delight and nourish so many? And what explains its spread around the world? A seasoned journalist, Ken Wells sleuths out the answers.

Eight-year-old Tessa Lee and her little brother, Travis, are left at a campground by their mother and her boyfriend, a crooked-nosed man named Goose. All the two children have is a tent, their bags of clothes, the firefly cloak they'd used for covers the night before, and a phone number printed in magic marker on Travis' back. Tessa Lee knows that her momma and Goose have skedaddled in a car with recently changed license plates. She just doesn't know why.

When he died suddenly at the age of 26, Otis Redding (1941-1967) had already become the conscience of a new kind of music. Sure, Berry Gordy might have built the first black-owned music empire at Motown, but Redding was doing something as historic: mainstreaming black music within the whitest bastions of the post-Confederate south. As a result, the Redding story - still largely untold - is one of great conquest but, sadly, grand tragedy.

Winchester, Virginia, is an emblematic American town. As the US economy and American culture have transformed in recent decades, the ground under centuries-old social codes has shifted, throwing old folkways into chaos. Homeplace teases apart the tangle of class, race, and family origin that still defines the town and illuminates questions that now dominate our national conversation - about how we move into the future without pretending our past doesn't exist, about what we salvage, and what we leave behind.

High Skies recounts the collision of devastating weather, Cold War suspicion, tense race relations, and the unintended consequences of good intentions in a small West Texas town in the 1950s, changing the futures of the families there and altering their perceptions of America. At the center of this perfect storm is Raymond “Flyboy” Seaker, a respected military veteran, now the vice principal of a school in which Troy, who tells the story, and his disabled friend Stevie will have their lives upended forever.