Southern Literary Fiction

Lee Smith, author of the acclaimed The Last Girls, delights with a tale of dry wit. Smith has won many prizes, including the Southern Book Critics Circle Award and the Academy Award in Literature.

Lee Smith, one of today's finest writers in the Southern literary tradition, has been compared to Eudora Welty and Flannery O'Connor. This collection of nine stories, ranging from poignant ballads to delightfully inventive forms, showcases Smith's celebrated talent. The stories will make you chuckle and leave you with a satisfying sense that no matter how unruly or warped life may seem, equilibrium can be found after all.

Although they come from different ways of life, both Bonnie and Ruth are experiencing drastic changes. After discovering that her husband has lost all of their money and has left her broke, Bonnie Duke Cullman is abandoning her comfortable life in Atlanta to teach at a community college in rural Alabama. Ruth Elkin just lost her sewing job at the Cherished Lady factory, and now she must attend college classes to get back on track.

Four years ago, the Eternal Slumber Funeral Home put Chicken Teater in the ground. Now undertaker Emma Lee Raines is digging him back up. The whole scene is bad for business, especially with her granny running for mayor and a big festival setting up in town. But ever since Emma Lee started seeing ghosts, Chicken's been pestering her to figure out who killed him.

Eve Mann arrives in Ideal, Georgia, in 1972 looking for answers about the mother who died giving her life. A mother named Mercy. A mother who for all of Eve’s 22 years has been a mystery and a quest. Eve’s search for her mother, and the father she never knew, is a mission to discover her identity, her name, her people, and her home. Eve’s questions and longing launch a multigenerational story that sprawls back to the turn of the 20th century.

Minnie leaves boarding school to spend the summer at The Big House, her cherished Grandpa's home. She enjoys adventure, but she also learns of the dangers posed by the land and a river that can seduce the unwary. The arrival of Minnie's great-grandmother provides her with a fearless female role model as well as tales of the elderly woman's antebellum past and how she survived the Civil War.

Los Angeles TV journalist Beatrice Middleton has lost her job. With a possible employment offer in Atlanta, she heads home to Savannah, Georgia, to reconnect with her contentious African-American family, arriving to find that her 15-year-old nephew has been murdered. This begins the unraveling of a cloak of family secrets surrounding another devastating crime, one that shattered Bea's world when she was a teen. The traumatic memory has been buried so deep it almost feels like it never happened - almost.

Rebecca’s boyfriend, Ezra, has gone missing, but when she notifies the police, they seem surprisingly unconcerned. They suspect he has been playing the “stranger game”, a viral hit in which players start following others in real life. As the game spreads, however, the rules begin to change, play grows more intense and disappearances are reported across the country. Curious about the game and hoping she might be able to track down Ezra, Rebecca tries the game. In playing the game, what may lead her closer to finding Ezra may take her further and further from the life she once lived.

Jim Byrd died. Technically. For a few minutes. The diagnosis: heart attack at age 30. Revived with no memory of any tunnels, lights, or angels, Jim wonders what—if anything—awaits us on the other side. Then a ghost shows up. Maybe. Jim and his new wife, Annie, find themselves tangling with holograms, psychics, messages from the beyond, and a machine that connects the living and the dead. As Jim and Annie journey through history and fumble through faith, they confront the specter of loss that looms for anyone who dares to fall in love.

Sarah Walters is a less-than-perfect debutante. She tries hard to follow the time-honored customs of the Charleston Camellia Society, as her mother and grandmother did, standing up straight in cotillion class and attending lectures about all the things that Camellias don't do. (Like ride with boys in pickup trucks).But Sarah can't quite ignore the barbarism just beneath all that propriety, and as soon as she can she decamps South Carolina for a life in New York City.

In 1931 in Carbon Hill, a small Alabama coal-mining town, nine-year-old Tess Moore watches a woman shove the cover off the family well and toss in a baby without a word. For the Moore family, focused on helping anyone in need during the Great Depression, the apparent murder forces them to face the darker side of their community and question the motivations of family and friends.

Ava, 14 years old and totally on her own, has still not fully processed her mother’s death when she finds herself on a train heading to New Orleans, to stay with Lane, the grandmother she barely remembers. Lane is a well-known artist in the New Orleans art scene. She spends most of her days in a pot-smoke haze, sipping iced coffee, and painting. Her grip on reality is shaky at best, but her work provides a comfort. Ava’s arrival unsettles Lane. The girl bears an uncanny resemblance to her daughter, whom she was estranged from before her death.

Dr. Frederick Eichner, world-renowned dermatologist, is visited by the entrancingly irritating Felix Treevly who comes to him as a patient and stays as an obsession. Prosaic incidents blossom into bizarre developments with the sharpened reality of dreams as the spectral Mr. Treevly leads the doctor into a series of increasingly weird situations. With the assistance of a drunken private detective, a mad judge, a car crash, a game show called What’s My Disease, and a hashish party, Treevly drives Eichner to madness and mayhem.

In this book, Jaime Harker uncovers a largely forgotten literary renaissance in southern letters. Anchored by a constellation of southern women, the Women in Print movement grew from the queer union of women's liberation, civil rights activism, gay liberation, and print culture. Broadly influential from the 1970s through the 1990s, the Women in Print movement created a network of writers, publishers, bookstores, and readers that fostered a remarkable array of literature.

With this critically acclaimed debut collection, Frank Bill announces himself as an author of fiercely defined vision. In these vivid tales, Bill’s southern Indiana proves a literary destination of immense nuance, even as his mostly working-class characters cry out in voices that cannot be denied.

Today is Monday. The calls do not come as before. Weeks elapse between them, and when I answer the phone there is no overlap of voices, only my mother's. She spends much of the conversation avoiding mention of the pink elephant trumpeting in the middle of the room. The pink elephant would be my defection to Georgia. When I telephoned with the news of my imminent relocation, my father asked, "Georgia as in the Republic of Georgia by the Black Sea, or Georgia as in the Peach State?" He hoped I meant the former.

At 40, Ford Carson has forged a new life as a visual artist in the mountains of North Carolina. A chance meeting with Grace Burnett leads to a burgeoning love affair. But the romance is complicated by Grace’s estranged husband and the unexpected arrival of Ford’s own estranged son.

Lindbergh’s Pharmacy is an Athens, Georgia, institution—the type of beloved mom and pop shop that once dotted every American town but has mostly disappeared. But Lindbergh’s has recently become the object of attention of a local fourth grade teacher Tina Lamm (“Ms. Lamm to my students”). Tina is certain something very, very bad is happening behind its famous black door and she intends to do something about it. Her suspicions—and the drastic actions she plans—are the unlikely glue that will connect her to a group of six employees and customers inside the pharmacy one hot Georgia evening.

Marvin Spangler is a self-centered, ill-equipped teacher of high school history, tasked by his principal to form an auctioneering team that has a chance in hell of winning a Tennessee state championship. He assembles a team comprising three very different souls: Larry Jr., the damaged prodigy, is led by fate; Eric, the obsessed jock, by unrequited love; and Helen, the usually disinterested beauty, by an inexplicable fascination. Together they surrender to a journey that carries them to the cusp of the summit of their dreams...and the nightmares awaiting far down below.

La obra de una de las grandes maestras de la literatura norteamericana con prólogos actualizados. Los relatos más significativos de la singular y sutil narrativa de Carson McCullers, que han accedido ya a la consideración de clásicos de la moderna literatura norteamericana. Prólogo de Paulina Flores.