Southern Literary Fiction

Self-educated and brown skinned, Cassie works full time in her grandmother's laundry in rural Mississippi. Illiterate and white, Judith falls for "colored music" and dreams of life as a big-city radio star. These teenage girls are half-sisters. And when they catch wind of their wayward father's inheritance coming down in Virginia, they hitch their hopes on a road trip together to claim what's rightly theirs. In an old junk car, with a frying pan, a ham, and a few dollars hidden in a shoe, they set off through the Deep South of the 1950s.

Jimmy is a kid growing up fast on the poorest street in town. He tries to do everything right and look out for his mum and his younger brother. His older brother is in jail, so it's up to Jimmy to hold things together. But small-town life is unforgiving if you're from the other side of the tracks.

Jean Louise Finch, dite "Scout", l'inoubliable héroïne de "Ne tirez pas sur l'oiseau moqueur", est de retour dans sa petite ville natale de l'Alabama, Maycomb, pour rendre visite à son père, Atticus. Vingt ans ont passé. Nous sommes au milieu des années 1950, et la nation se déchire autour des questions raciales. Confrontée à la société qui l'a façonnée mais dont elle croit s'être affranchie en partant vivre à New York, Jean Louise va découvrir ses proches sous un jour inédit...

Having justly earned her reputation as a master storyteller, Lee Smith's name evokes images of authentic country folk struggling through life's arduous tests. Saving Grace adds a stunning spiritual dimension. The daughter of a preacher who ignores his destitute family, Florida Grace doesn't think much of Jesus. He's the reason she's lived in squalor and He wasn't there for her through her failed marriage. But in one shining moment He calls out to her and she returns to her roots to heed His call.

Constantly moving, from South Africa to the Persian Gulf, to Rhodesia, to England, and ultimately to suburban New Jersey, the Laments are a quirky and lovable family who live by the motto "anywhere but here." The main character, Will Lament, whom the Laments take home from the hospital as a result of a bizarre mix-up, grows up feeling that he doesn't belong.

Leah is a child from Away, isolated from her peers because of her stutter. After her family moves to Mattingly, she begins painting scenes that are epic in scope, brilliant in detail, and suffused with rich, prophetic imagery. When the event foreshadowed in the first painting dramatically comes true, the town takes notice. Leah attributes her ability to foretell the future to an invisible friend she calls the Rainbow Man. Some of the townsfolk are enchanted with her. Others fear her. But there is one thing they all agree on—there is no such thing as the Rainbow Man.

Lee Smith, author of the acclaimed The Last Girls, delights with a tale of dry wit. Smith has won many prizes, including the Southern Book Critics Circle Award and the Academy Award in Literature.

Lee Smith, one of today's finest writers in the Southern literary tradition, has been compared to Eudora Welty and Flannery O'Connor. This collection of nine stories, ranging from poignant ballads to delightfully inventive forms, showcases Smith's celebrated talent. The stories will make you chuckle and leave you with a satisfying sense that no matter how unruly or warped life may seem, equilibrium can be found after all.

Although they come from different ways of life, both Bonnie and Ruth are experiencing drastic changes. After discovering that her husband has lost all of their money and has left her broke, Bonnie Duke Cullman is abandoning her comfortable life in Atlanta to teach at a community college in rural Alabama. Ruth Elkin just lost her sewing job at the Cherished Lady factory, and now she must attend college classes to get back on track.

Jim Byrd died. Technically. For a few minutes. The diagnosis: heart attack at age 30. Revived with no memory of any tunnels, lights, or angels, Jim wonders what—if anything—awaits us on the other side. Then a ghost shows up. Maybe. Jim and his new wife, Annie, find themselves tangling with holograms, psychics, messages from the beyond, and a machine that connects the living and the dead. As Jim and Annie journey through history and fumble through faith, they confront the specter of loss that looms for anyone who dares to fall in love.

The summer of 1966 burned hot across America but nowhere hotter than the cotton fields of Mississippi. Finding herself in a precarious position as a black woman living alone, Bernice accepts her brother Floyd’s invitation to join him as a servant for a white family, and she enters the web of hostility and deception that is the Kern plantation household.

A lush, glittering short story collection exploring female obsession and desire by an award-winning author Roxane Gay calls "a consummate storyteller." From Kentucky to the California desert, these 42 short stories - ranging from the '80s and '90s to present day - expose the hearts of girls and women in moments of obsessive desire and fantasy, wildness and bad behavior, brokenness and fearlessness, and more.

At 12, Emily Parmenter is left mostly to herself after her mother disappears and her beloved older brother dies. Emily has built a life around the faded plantation where her remote father and hunting-obsessed brothers raise hunting spaniels. It is a meager, masculine world, but to Emily it has magic. And then comes Lulu Foxworth, troubled daughter of a truly grand plantation, who has run away from her hectic Charleston debutante season.

With two biological sons and a promising career, Coleman Carter seems set to fulfill his promise as a resourceful trial lawyer, devoted husband, and dutiful father until his wife, Elizabeth, champions their adoption of a Korean orphan. This seemingly altruistic mission estranges Coleman's conservative parents and demands that he now embrace the unknown as fully as he has always entrenched himself in the familiar.

Aaron thinks genre fiction is an affront to the fiction-writing craft. He often quotes the essayist Arthur Krystal, who says literary fiction "melts the frozen sea inside of us". Ironically Aaron doesn't seem to realize that he's emotionally frozen. The vivacious Laurie, lover of flamingo-patterned attire and all things hot pink, is the one person who might be capable of melting him.

In 1931 in Carbon Hill, a small Alabama coal-mining town, nine-year-old Tess Moore watches a woman shove the cover off the family well and toss in a baby without a word. For the Moore family, focused on helping anyone in need during the Great Depression, the apparent murder forces them to face the darker side of their community and question the motivations of family and friends.

Rebecca’s boyfriend, Ezra, has gone missing, but when she notifies the police, they seem surprisingly unconcerned. They suspect he has been playing the “stranger game”, a viral hit in which players start following others in real life. As the game spreads, however, the rules begin to change, play grows more intense and disappearances are reported across the country. Curious about the game and hoping she might be able to track down Ezra, Rebecca tries the game. In playing the game, what may lead her closer to finding Ezra may take her further and further from the life she once lived.

Sarah Walters is a less-than-perfect debutante. She tries hard to follow the time-honored customs of the Charleston Camellia Society, as her mother and grandmother did, standing up straight in cotillion class and attending lectures about all the things that Camellias don't do. (Like ride with boys in pickup trucks).But Sarah can't quite ignore the barbarism just beneath all that propriety, and as soon as she can she decamps South Carolina for a life in New York City.

Four years ago, the Eternal Slumber Funeral Home put Chicken Teater in the ground. Now undertaker Emma Lee Raines is digging him back up. The whole scene is bad for business, especially with her granny running for mayor and a big festival setting up in town. But ever since Emma Lee started seeing ghosts, Chicken's been pestering her to figure out who killed him.

In this book, Jaime Harker uncovers a largely forgotten literary renaissance in southern letters. Anchored by a constellation of southern women, the Women in Print movement grew from the queer union of women's liberation, civil rights activism, gay liberation, and print culture. Broadly influential from the 1970s through the 1990s, the Women in Print movement created a network of writers, publishers, bookstores, and readers that fostered a remarkable array of literature.