Southern Literary Fiction

In West Texas in the summer of 1937, Cottonwood tells the story of two families thrown together by tragedy and the bounds of racial injustice. Sheriff Rube Whitlock is faced with raising his two young sons after the death of his infant daughter leaves his wife too grief stricken to care for them. Overwhelmed with the responsibility, Rube hires Esther, a local black woman whose husband has just purchased his second mule and ignited a stirring of dissonance and contempt within the usually quiet community.

Growing up in Erob, Alabama, Nina Little Bit Barnes Enloe lived in the shadow of her imposing and harsh grandmother, Nina Biggie Barnes Enloe. If she wasn't being bossed around by Biggie, then the task fell to her best friend Win…who did win…at everything.

Carly Castillo has only ever known Fish Village. Her grandmother claims that they descend from the Karankawas, an indigenous Texas people once believed to be extinct, thereby tethering them to Galveston. But as Carly ages, she begins to imagine a life elsewhere, undefined by her family’s history. Meanwhile, her boyfriend and all-star shortstop turned seaman, Jess, treasures the salty, familiar air. He’s gotten chances to leave Galveston for bigger cities with more possibilities. But he didn’t take them then, and he sure as hell won’t now.

Pauline Smith, a retired insurance processor, is comfortable in her habits and her home. She is a born worrier with strong opinions and believes in family taking care of family. When her mother is injured in a fall, Pauline and her sister Perk must move Mama from their childhood home in Roanoke, Virginia to an assisted living complex in Richmond, where they live. As she is confronted with her mother's frail health, Pauline struggles to confront her own fear of death and the grief she's harbored since her father died when she was a child.

When Cuban fisherman first spotted the Key West lighthouse floating in Florida waters, they called her Stella Maris, Star of the Sea. It’s a beacon that draws people from everywhere seeking the end-of-the-line bohemian oasis that can still be found amidst the condo share towers, chain stores, and Redneck Riviera clientele. And it’s a mecca for gay men and the women who love them. Sue Kaufman Prize-winning author Michael Carroll knows the territory intimately. His stories wind in and out of the bars and guesthouses and lives of this singular paradise.

The gravy train hasn’t stopped in the hollers of western Virginia for more than 30 years when Stony Shelor starts his junior year at Jubal Early High. Class divides and racism are still the hardened norms as the Eisenhower years draw to a close. Violence lies coiled under the calm surface, ready to strike at any time.

A northern white couple has relocated to the South to operate a vineyard on a North Carolina plantation. There, they pass their idle hours listening to the stories of one Uncle Julius, who has a deep knowledge of the land. These stories, however, are more than mere entertainments. They all have their time and place, and they offer not only a quiet commentary on the events of the day but also a deeper reckoning with the plantation’s disturbing past.

The last thing Sandy Coker needs is love. In the 1990s, she's one of very few women tapped by the Arkansas Highway and Transportation Department to be a lead inspector in the lonesome, cutthroat world of heavy construction. Contractors she minds are transforming the rugged Ozarks and driving new interstate through mountains, treacherous and wild. She holds the key to millions of dollars in compensation for work that can cost not only livelihoods, but lives. When she meets dirt foreman Wayne Sheridan of Missouri, stars collide and, for both of them, the timing could not be worse.

Aaron thinks genre fiction is an affront to the fiction-writing craft. He often quotes the essayist Arthur Krystal, who says literary fiction "melts the frozen sea inside of us". Ironically Aaron doesn't seem to realize that he's emotionally frozen. The vivacious Laurie, lover of flamingo-patterned attire and all things hot pink, is the one person who might be capable of melting him.

Through events small and large, thirteen-year-old Harold Stevens grows up during a pivotal summer in the red-dirt backcountry of West Texas. With his friend C.K. Crow, the black field hand who works for Harold’s father, he shoots deer and quail, fishes for catfish, mends fences, grows and learns about marijuana, and tests his emerging manhood against bullies, bulls, and the irresistible charms of his horse-riding older cousin.

In this glittering triptych novel, Suzette, Maple and Agnes, three Black women with albinism, call Shreveport, Louisiana home. At the bustling crossroads of the American South and Southwest, these three women find themselves at the crossroads of their own lives. A searing meditation on grief, female strength, and self‑discovery, Nobody's Magic is a testament to the power of family—the ones you're born into and the ones you choose. And in these three narratives, among the yearning and loss, each of these women may find a seed of hope for the future.

In Kentucky, back in 1933, Carol's daddy lost his 13-year-old daughter in a game of cards. Award-winning author Simon Van Booy's spellbinding novel spans decades as he tells the story of Carol and the people in her life. Incidents intersect and lives unexpectedly change course in this masterfully interwoven story of chance and choice that leads home again to a night blessed with light.

Beth is a creative, contemplative soul and a loving mom. She is at a crossroads in her marriage and without a clear sense of her gifts and inherent worth. When her spirited Aunt Ro falls while turning to toss a coin in the Trevi Fountain in Rome, Beth embarks on a journey that leads to her ancestral village in Italy, the discovery of a family secret, and a new understanding of herself.