Soviet Culture

To contain secrets, American and Soviet leaders created plutopias - communities of nuclear families living in highly subsidized, limited-access atomic cities. Fully employed and medically monitored, the residents of Richland and Ozersk enjoyed all the pleasures of consumer society while nearby, migrants, prisoners, and soldiers were banned from plutopia - they lived in temporary "staging grounds" and often performed the most dangerous work at the plant.

No nation is a stranger to war, but for Russians war is a central part of who they are. Their "motherland" has been the battlefield where some of the largest armies have clashed, the most savage battles have been fought, the highest death tolls paid. Having prevailed over Mongol hordes and vanquished Napoleon and Hitler, many Russians believe no other nation has sacrificed so much for the world.

In the early years of World War II, Josef Stalin issued an order that made the Soviet Union the first country in the world to allow female pilots to fly in combat. This is the story of Marina Raskova’s three regiments, women who enlisted and were deployed on the front lines of battle as navigators, pilots, and mechanics. It is the story of 1,000 young women who wanted to take flight to defend their country and the woman who brought them together in the sky.

In 20th-century America, no power - and no threat - loomed larger than the communist superpower of the Soviet Union. America saw in the dreams of the Soviet Union the overthrow of the US government, and the end of democracy and freedom. Albert Marrin examines a unique time in American history...and explores both how some Americans were lured by the ideals of communism without understanding its reality and how fear of communist infiltration at times caused us to undermine our most deeply held values.

A new, expanded collection of both new and previously published essays and articles from one of the mainstays of the Washington, DC underground rock-and-roll scene, The Psychic Soviet is the most complete collection of writings by Ian Svenonius. The selections are written in a scholarly yet engaging style, filled with parody and biting humor that subvert capitalist culture, and cover such topics as the ascent of the DJ as a star, the “cosmic depression” that followed the defeat of the USSR, and the status of rock and roll as a religion.