Television Culture

Journalist Rick Bowers has contributed to Time, The Washington Post, and USA Today, and his fascinating Spies of Mississippi—about the spy network that tried to take down the Civil Rights Movement—earned a starred review from Booklist. Here, Bowers examines how, in the late 1940s, The Adventures of Superman radio show struck a powerful blow to the Ku Klux Klan when Superman aired episodes pitting the hero against the Klan in an effort to teach young listeners to stand up to bigotry.

The Naughty Nineties: The Triumph of the American Libido examines the scandal-strafed decade when our public and private lives began to blur due to the rise of the web, reality television, and the wholesale tabloidization of pop culture. In this comprehensive and often hilarious time capsule, David Friend combines detailed reporting with first-person accounts from many of the decade's singular personalities, from Anita Hill to Monica Lewinsky, Lorena Bobbitt to Heidi Fleiss, Jesse Jackson to key members of the Clinton, Dole, and Bush teams.

The image of the rolling hills is inextricably linked to Tuscany. Join us on a journey of discovery, charming cities invite you to take a stroll through history. Florence, Prato, Montecatini, Collodi, Lucca, Pisa, San Miniato, Vinci, Certaldo, Siena, Pienza and Montepulciano.

Andy Griffith and Don Knotts met on Broadway in the 1950s. When Andy went to Hollywood to film a TV pilot about a small-town sheriff, Don called to ask if the sheriff could use a deputy. The comedic synergy between Sheriff Andy Taylor and Deputy Barney Fife ignited The Andy Griffith Show, elevating a folksy sitcom into a timeless study of human friendship, as potent off the screen as on.

In February 1958, the Herrmann family began to experience strange events at their home in Seaford, New York. The first occurrences were harmless—just caps popping off of bottles. But soon things escalated. Dishes were smashed, bookshelves toppled over, and objects moved. Could these unexplained events have been the work of a devious poltergeist named Popper?

One of the most innovative comedic programs to air on television, Monty Python’s Flying Circus was a mix of the carnivalesque and the critical. The show has become famous for eschewing many of the conventions of situation comedy, the fully formed and coherent script, narrative closure, predictable characters, and the decorum associated with presentation.

In a story that is both of its time and timeless, Evan I. Schwartz tells a tale of genius versus greed, innocence versus deceit, and independent brilliance versus corporate arrogance. Many men have laid claim to the title "father of television," but Philo T. Farnsworth is the true genius behind what may be the most influential invention of our time. Driven by his obsession to demonstrate his idea, by the age of 20 Farnsworth was operating his own laboratory above a garage in San Francisco and filing for patents. The resulting publicity caught the attention of RCA tycoon David Sarnoff, who became determined to control television in the same way he monopolized radio.

Readers and listeners have followed Jen Lancaster through job loss, sucky city living, weight loss attempts, and 1980s nostalgia. Now Jen chronicles her efforts to achieve cultural enlightenment, with some hilarious missteps and genuine moments of inspiration along the way. And she does so by any means necessary: reading canonical literature, viewing classic films, attending the opera, researching artisan cheeses, and even enrolling in etiquette classes to improve her social graces.

The Rainbow Age of Television explores why queer people are so invested in—and conflicted by—the kinds of storytelling that TV has to offer. Above all, it's a celebration of the LGBTQIA+ shows, their characters, and their creators that define this new age in television.

Television is probably something we nowadays take for granted. There is a TV in almost every home, a TV in almost every public building - basically, where there is a signal, there is a TV. Found in millions of homes, it is probably difficult to imagine that the first television was created less than a century ago. In such a short time, we managed to go from silent moving images to 3D lifelike images on a flat screen.

For most of us, fond memories of the Christmas season are inseparable from television's holiday presentations. The world loves everything from iconic cartoons like How the Grinch Stole Christmas and A Charlie Brown Christmas to the groundbreaking Julia sitcom segment, "I'm Dreaming of a Black Christmas," Christmas in Rockefeller Center, and the 1992 television-remake of Christmas in Connecticut directed by Arnold Schwarzenegger. Christmas TV Memories: Nostalgic Holiday Favorites of the Small Screen embraces it all, offering a tinsel-decked traipse down memory lane.

Reality TV's influence is seismic: twenty-five years ago, the concept didn't exist. Yet today, it is one of the most powerful cultural forces on earth; a multi-billion-dollar machine. Despite that, it is often derided as "trash"; a cultural McDonalds not worthy of examination. The truth is that reality TV offers a profound insight into who we are as human beings, questioning the very nature of what we deem to be entertaining. Writer, broadcaster and reality TV-obsessive Jacques Peretti goes behind the scenes of a world that has entranced and consumed him for two decades.

Was It Yesterday? explores the impact of nostalgia in 21st-century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history.

Despite the high number of programs and their evident popularity, paranormal reality television has to date received little critical attention. Ghost Channels provides an overview of the paranormal reality television genre, its development, and its place in television history. Conducting in-depth analyses of over thirty paranormal television series, author Amy Lawrence suggests these programs reveal much about Americans' contemporary fears.

The Dead Don’t Need Reminding is a braided story of Julian Randall’s return from the cliff edge of a harrowing depression and his determination to retrace the hustle of a white-passing grandfather to the Mississippi town from which he was driven amid threats of tar and feather. Alternatively wry, lyrical, and heartfelt, Randall transforms pop culture moments into deeply personal explorations of grief, family, and the American way

Noir - as a style, movement, or sensibility - has its roots in hardboiled detective fiction by writers like Chandler and Hammett, and films adapted from their novels were among the first called "film noir" by French cineastes. But film isn't the only medium with a taste for a dark story. Hundreds of noir dramas have been produced for television, featuring detectives and femmes fatales, gangsters, and dark deeds, continuing week after week, with a new disruption of the social order. In TV Noir, television historian Allen Glover presents the first complete study of the subject.

Born in Ontario, Canada, in 1940, Alex Trebek grew up listening to the radio and hoping to one day become a broadcaster. His dream became a reality when he was hired as a reporter for the Canadian Broadcasting Corporation in 1961. Alex's composed nature and ability to skillfully improvise while on television eventually led to his role as the host of Jeopardy!, the biggest quiz game show in the United States.

This audiobook explores how the award-winning NBC drama offered a space for vibrant conversation about US politics, identity, and culture.

A Culturematic is a little machine for making culture. It’s an ingenuity engine. The Culturematic acts as a probe into the often-alien world of contemporary culture, to test the atmosphere, to see what life it can sustain, to see who responds and how. Culturematics start small but can scale up ferociously, bootstrapping themselves as they go. Because they are so inexpensive, we can afford to fire off a multitude of them simultaneously. This is evolutionary strategy, iterative innovation, and rapid prototyping all at once.

What happens when a 35-year-old average American woman spends one year following every piece of Oprah Winfrey's advice on how to "live your best life"? Robyn Okrant devoted 2008 to adhering to all of Oprah's suggestions and guidance delivered via her television show, her Web site, and her magazine. Living Oprah is a month-by-month account of that year.