Television Culture

Flipping TVs is a business model that is often overlooked, but those who are getting involved and know what to look out for can make impressive additional incomes–with very little effort.

Born in Ontario, Canada, in 1940, Alex Trebek grew up listening to the radio and hoping to one day become a broadcaster. His dream became a reality when he was hired as a reporter for the Canadian Broadcasting Corporation in 1961. Alex's composed nature and ability to skillfully improvise while on television eventually led to his role as the host of Jeopardy!, the biggest quiz game show in the United States.

新型のAppleTVに触発された「くぼたつ」こと久保田達也氏が、これまでの知見をもとに、AppleTV的なものによってもたらされるであろう未来TVについて、いくつかの過去の事例を挙げながら、まだ実現していないけれどもこれから起こるであろうことも含めて語ります。第3話は、メディアと広告について語ります。久保田達也氏は、AppleTVで視聴できる映像等のコンテンツに広告が組み込まれると予想しています。また自分が作った広告を発表する舞台としても、AppleTVに大きな期待を寄せています。さらにAppleTVを含むインターネットTV的なものが、教育自体を大きく変えると語ります。(C)2011株式会社イッツ

新型のAppleTVに触発された「くぼたつ」こと久保田達也氏が、これまでの知見をもとに、AppleTV的なものによってもたらされるであろう未来TVについて、いくつかの過去の事例を挙げながら、まだ実現していないけれどもこれから起こるであろうことも含めて語ります。第1話は、ネットワークTVとは何かについて語ります。インターネットが日本に登場した時、ここまでの普及をどれだけの人が予測したのでしょうか?若い方々はインターネットがすでに社会に浸透した社会で仕事をするのですから、このネットワークTVを使って新ビジネスに挑戦してみて頂ければと思います。(C)2011株式会社イッツ

新型のAppleTVに触発された「くぼたつ」こと久保田達也氏が、これまでの知見をもとに、AppleTV的なものによってもたらされるであろう未来TVについて、いくつかの過去の事例を挙げながら、まだ実現していないけれどもこれから起こるであろうことも含めて語ります。第2話は、AppleTVはこんなことができるようになるだろうといことを語ります。まず挙げたのはニュース、自分がニュースを発信するためのツールになり得ると語ります。久保田達也氏は、そう遠くない時期にAppleTVでiOSアプリが動くようになると考えいて、これによる動画メディアの可能性、特に若い人達の積極的な発信力や創造力に期待を込めて語っています。(C)2011株式会社イッツ

This book features dozens of real-life action hero techniques, including Good Guy Skills, Love Skills, Paranormal Skills, Fighting Skills, and Escape Skills. This dynamic little handbook is everything you need to keep up with the Indiana Joneses. Good luck - we're counting on you.

A Culturematic is a little machine for making culture. It’s an ingenuity engine. The Culturematic acts as a probe into the often-alien world of contemporary culture, to test the atmosphere, to see what life it can sustain, to see who responds and how. Culturematics start small but can scale up ferociously, bootstrapping themselves as they go. Because they are so inexpensive, we can afford to fire off a multitude of them simultaneously. This is evolutionary strategy, iterative innovation, and rapid prototyping all at once.

With its bold depiction of four female friends navigating the pitfalls of Manhattan’s dating scene, Sex and the City, which aired on HBO from 1998 to 2004, was a unique television drama that evolved into a ubiquitous and widely debated cultural phenomenon. Deborah Jermyn’s Sex and the City investigates the program’s critical and popular success as well as its lasting cultural impact.

This audiobook explores how the award-winning NBC drama offered a space for vibrant conversation about US politics, identity, and culture.

What happens when a 35-year-old average American woman spends one year following every piece of Oprah Winfrey's advice on how to "live your best life"? Robyn Okrant devoted 2008 to adhering to all of Oprah's suggestions and guidance delivered via her television show, her Web site, and her magazine. Living Oprah is a month-by-month account of that year.

Despite the high number of programs and their evident popularity, paranormal reality television has to date received little critical attention. Ghost Channels provides an overview of the paranormal reality television genre, its development, and its place in television history. Conducting in-depth analyses of over thirty paranormal television series, author Amy Lawrence suggests these programs reveal much about Americans' contemporary fears.

Was It Yesterday? explores the impact of nostalgia in 21st-century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history.