Television Drama

In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how dramas like Black Mirror captivate US audiences....

From the Emmy Award-winning Squid Game to streaming sensations like The Glory and Crash Landing on You, Korean television has emerged onto the global pop culture scene as compelling television—but what exactly makes these shows so irresistibly bingeable? And what can we learn about our societies and ourselves from watching them? From stand-up comedian and media studies PhD Grace Jung comes a rollicking deep dive into the cultural significance of Korean television.

The Sopranos. Oz. The Wire. Deadwood. The Shield. Lost. Buffy the Vampire Slayer. 24. Battlestar Galactica. Friday Night Lights. Mad Men. Breaking Bad. These 12 shows, and the many more they made possible, ushered in a new golden age of television, one that made people take the medium more seriously than ever before. Alan Sepinwall became a TV critic right before this creative revolution began, was there to chronicle this incredible moment in pop culture history, and along the way changed the nature of television criticism.

Sports fans see Joe Buck everywhere: broadcasting one of the biggest games in the NFL every week, calling the World Series every year, announcing the Super Bowl every three years. They know his father, Jack Buck, is a broadcasting legend and that he was beloved in his adopted hometown of St. Louis. Yet they have no idea who Joe really is. Or how he got here. In Lucky Bastard, Joe takes the listener into the broadcast booth and into his childhood home. Hilarious and occasionally heartbreaking, this is a book that any sports fan will love.

It’s winter break at Treemeadow College, and theater professors and spouses Nicky Abbondanza and Noah Oliver, their best friends Martin and Ruben, and their sons, Taavi and Ty, are starring in a television pilot for the Nicky and Noah Mysteries series based on their first caper, Drama Queen. More is shot than footage as cast members drop like giant, flat-screen TVs mounted by an intoxicated carpenter. Once again, our favorite thespians will need to use their drama skills to catch the killer before they get cancelled.

Der Wirecard-Skandal ist einmalig in der deutschen Wirtschaftsgeschichte - ein einziger großer Fake. Wie konnte es zu diesem filmreifen Bankrott eines Dax-Konzerns kommen? Wer sind die Köpfe hinter dem Betrug? Wer muss dafür büßen? Und warum ist das weltumspannende kriminelle Netzwerk erst nach so langer Zeit aufgeflogen? Die Journalisten Bettina Weiguny und Georg Meck - beide federführend an der UFA-Verfilmung des Wirecard-Skandals beteiligt - entwerfen das Psychogramm eines Jahrhundertskandals.

Noir - as a style, movement, or sensibility - has its roots in hardboiled detective fiction by writers like Chandler and Hammett, and films adapted from their novels were among the first called "film noir" by French cineastes. But film isn't the only medium with a taste for a dark story. Hundreds of noir dramas have been produced for television, featuring detectives and femmes fatales, gangsters, and dark deeds, continuing week after week, with a new disruption of the social order. In TV Noir, television historian Allen Glover presents the first complete study of the subject.