Television Science

The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present.

Travel back in time to Southern California, where live TV coverage of breaking news was born. Thrilling true stories from the pages of Los Angeles history, in the words of people who were there. Written and narrated by former KTLA News at Ten anchor Terry Anzur.

Walter Veltroni denuncia la debolezza della politica di fronte al ricatto dell'opinione pubblica, il cedimento dell'etica e del pudore sotto i colpi della società delle immagini e della comunicazione totale, riportandoci con la memoria al giorno in cui il nostro sguardo perse l'innocenza. L'11 giugno del 1981, un grido disperato paralizza l'Italia davanti ai teleschermi. Alfredino Rampi, sei anni, è precipitato in un pozzo e sta chiamando disperatamente sua madre. Gli italiani ascoltano agghiacciati il suo lamento, mentre iniziano i tentativi di salvataggio.

This audiobook consists of 30 separate bumper quizzes that will test your knowledge of the hit TV show Friends, both on and off the show! Each quiz has 20 questions covering a full range of trivia, quotes, cameos, and hilarious situations, both on and off set. The first 10 quizzes are season specific. The following 20 quizzes comprise a mixture of questions across all seasons and less context is set to make it more challenging.

This audiobook explores how the award-winning NBC drama offered a space for vibrant conversation about US politics, identity, and culture.

How many meteorologists have ever gone viral for doing something positive? Not many, but Alan Sealls did! He was proclaimed “Best Weatherman Ever” by ‘the Internet’ in 2017 for his concise, coherent, enlightening and informative forecasts of Hurricane Irma, viewed millions of times around the world.

As television began to overtake the political landscape in the 1960s, network broadcast companies, bolstered by powerful lobbying interests, dominated screens across the nation. Yet over the next three decades, the expansion of a different technology, cable, changed all of this. 24/7 Politics tells the story of how the cable industry worked with political leaders to create an entirely new approach to television, one that tethered politics to profits.

In Fooling with the Amish, Dirk Eitzen examines the fakery in Amish Mafia and how actual viewers of the show responded to it to discover answers to two questions that have long puzzled media scholars: What is it about the so-called reality of reality shows that appeals to and gratifies viewers? How and why are people taken in by falsehoods in the media? Eitzen's ultimate answer to these questions is that, in taking liberties with facts, Amish Mafia works very much like gossip.

Der Wirecard-Skandal ist einmalig in der deutschen Wirtschaftsgeschichte - ein einziger großer Fake. Wie konnte es zu diesem filmreifen Bankrott eines Dax-Konzerns kommen? Wer sind die Köpfe hinter dem Betrug? Wer muss dafür büßen? Und warum ist das weltumspannende kriminelle Netzwerk erst nach so langer Zeit aufgeflogen? Die Journalisten Bettina Weiguny und Georg Meck - beide federführend an der UFA-Verfilmung des Wirecard-Skandals beteiligt - entwerfen das Psychogramm eines Jahrhundertskandals.

Australian and New Zealand crime and thriller writing is booming globally. Neighbours that are siblings in spirit, vastly different in landscape, antipodean authors offer readers and listeners a blend of exotic and familiar, seasoned by distinctive senses of place, outlook, and humour, and roots that trace to the earliest days of our genre. Southern Cross Crime is the first comprehensive guide to modern Australian and New Zealand crime writing.

A Culturematic is a little machine for making culture. It’s an ingenuity engine. The Culturematic acts as a probe into the often-alien world of contemporary culture, to test the atmosphere, to see what life it can sustain, to see who responds and how. Culturematics start small but can scale up ferociously, bootstrapping themselves as they go. Because they are so inexpensive, we can afford to fire off a multitude of them simultaneously. This is evolutionary strategy, iterative innovation, and rapid prototyping all at once.

Ruben Soto gives us an insightful and informative history of the leading Spanish-language television network in the United States. This book will show you how Univision changed American television from an all English-format to one that includes Spanish. You will also hear how Univision convinced advertisers that Hispanics had huge purchasing power.

The Dead Don’t Need Reminding is a braided story of Julian Randall’s return from the cliff edge of a harrowing depression and his determination to retrace the hustle of a white-passing grandfather to the Mississippi town from which he was driven amid threats of tar and feather. Alternatively wry, lyrical, and heartfelt, Randall transforms pop culture moments into deeply personal explorations of grief, family, and the American way

In this remarkably prescient audiobook, Gilder predicts how television will merge with other technologies and evolve into the telecomputer, a personal computer adapted for video processing and connected by fiber-optic threads to other personal computers around the world. This interactive system will change how we do business, educate our children, and spend our leisure time. It will imperil all large, centralized organizations, including broadcasting and cable networks, phone companies, government bureaucracies, and multinational corporations.

Amazon Echo - was hat es mit den neuesten Geräten aus dem Hause Amazon tatsächlich auf sich? Erleichtern Amazon Echo-Geräte tatsächlich den Alltag oder geht es um ein neuartiges und außergewöhnliches Spielzeug für Erwachsene, die mitunter keinen Partner haben, mit dem sie sich unterhalten können?

Amazon Echo - was hat es mit den neuesten Geräten aus dem Hause Amazon tatsächlich auf sich? Erleichtern Amazon Echo-Geräte tatsächlich den Alltag oder geht es um ein neuartiges und außergewöhnliches Spielzeug für Erwachsene, die mitunter keinen Partner haben, mit dem sie sich unterhalten können?

As a child in racially turbulent Detroit, Mort Meisner witnessed an attack on a Black boy as White parents shouted the n-word and threw rocks to protest bussing to integrate his elementary school in 1960. This - and the vicious beatings that his father inflicted on Mort inside their run-down home - instilled in him a deep disdain for hatred, violence, and discrimination. Enough to Be Dangerous chronicles Mort's against-the-odds success and his courageous quest to call out sexism and racism in newsrooms in St. Louis, Chicago, and Detroit throughout the 1980s and 1990s.

Amazon Echo - was hat es mit den neuesten Geräten aus dem Hause Amazon tatsächlich auf sich? Erleichtern Amazon Echo-Geräte tatsächlich den Alltag oder geht es um ein neuartiges und außergewöhnliches Spielzeug für Erwachsene, die mitunter keinen Partner haben, mit dem sie sich unterhalten können?

Wer sich in den letzten Monaten mit Amazon und den hauseigenen Geräten befasst hat, der wird unweigerlich auf die Echo Produkte gestoßen sein. Schlussendlich dreht sich seit geraumer Zeit alles um Alexa, die digitale Sprachassistentin, die zeitgleich auch zur größten Konkurrentin Siris wurde. Doch wer ist Alexa? Was hat es mit den Echo Geräten auf sich? Geht es hier nur um Unterhaltung oder gibt es mitunter einen tieferen Sinn?

This guide explains, without all the jargon, why music publishing is so important and how to go about achieving success through writing great songs, recording your music, and building a catalog to be proud of. It simplifies the matters of owning your master recording, copyrighting your work, and signing up with a PRO as well as how to interface with the music industry to sell your songs.