Television Science

In September 1994, six friends sat down in their favorite coffee shop and began bantering about sex, relationships, jobs, and just about everything else. A quarter of a century later, new fans are still finding their way into the lives of Rachel, Ross, Joey, Chandler, Monica, and Phoebe, and thanks to the show’s immensely talented creators, its intimate understanding of its youthful audience, and its reign during network television’s last moment of dominance, Friends has become the most influential and beloved show of its era, and this is the story of how it all happened.

Darwin had his theory of evolution, and David Bianculli has his. Bianculli's theory has to do with the concept of quality television: what it is and, crucially, how it got that way. In tracing the evolutionary history of our progress toward a Platinum Age of Television - our age, the era of The Sopranos and Breaking Bad and Mad Men and The Wire and Homeland and Girls - he focuses on the development of the classic TV genres.

Four more thrilling soundtrack adventures from the early days of Doctor Who, featuring serials lost from the TV archive. The pictures may be lost, but each of these stories survives as a soundtrack recording. Remastered, and with additional linking narration, they can be enjoyed once more. In The Daleks' Master Plan, the Daleks have stolen the Time Destructor, and are threatening to destroy the fabric of time itself. In The Massacre, the TARDIS materialises in Paris, 1572. Also including The Celestial Toymaker and The Savages.

Five classic novelisations of exciting TV adventures set on the planet Earth! In Fury from the Deep, the Second Doctor, Jamie and Victoria discover sentient seaweed threatening a gas refinery on the South Coast of England. In Doctor Who and the Pyramids of Mars, the Fourth Doctor and Sarah arrive in 1920s England, where plans are being laid to free Sutekh the Destroyer from his prison on Mars. In The Stones of Blood, the Fourth Doctor, Romana and K9 confront an ancient villainess on Bodcombe Moor.

In his first memoir, Josh Widdicombe tells the story of a strange rural childhood, the kind of childhood he only realised was weird when he left home and started telling people about it. From only having four people in his year at school, to living in a family home where they didn't just not bother to lock the front door, they didn't even have a key. Using a different television show of the time as its starting point for each chapter, Watching Neighbours Twice a Day... is part-childhood memoir, part-comic history of '90s television and culture.

Luther formed a permanent party, defeated corrupt officials and forged alliances with new aliens, all while avoiding the attention of the Voltaxians. Everything is going perfectly. Fame, glory, and money are all his. When a man has been climbing the ranks as quickly as Luther, can he reach the summit before someone pulls him down? Twin opportunities arise to improve the party's standing, a unique battle challenge among the glittering excesses of Las Vegas and the exploration of a new dungeon in a frozen wasteland barely touched by humanity.

Ted Lasso and Philosophy explores the hidden depths beneath the vibrant veneer of AppleTV's breakout, award-winning sitcom. Blending philosophical sophistication with winsome appreciation of this feel-good comedy, the collection features original essays canvassing the breadth of the series and carefully considering the ideas it presents.

This audiobook tells the story of how Philo Farnsworth came up with the idea for electronic television at age 14, and later developed his idea into the technology for television that is still used today.

In the summer of 1921, Philo T. Farnsworth was not all that different from any other farmer's son in rural Idaho, until he came up with an idea that would change the world–and thrust him into a titanic struggle with one of the most monolithic monopolies in the world. Farnsworth's story of divine inspiration facing off against corporate avarice is a compelling–though seldom told–saga from the 20th century that is still relevant in the 21st.

From dungeon depths to the spotlight's glare, Luther Miller's rise as the league's new hero is as perilous as it is meteoric. Rookie sensation Luther Miller is disrupting the World Dungeon Exploration Association, vaulting from obscurity to stardom after his staggering win in the Ultimate Four.

The book that began the series that became the legend.... Now a major television series. Somewhere out there Ellie and her friends are hiding. They're shocked, they're frightened, they're alone. Their world has changed with the speed of a slamming door. They've got no weapons - except courage. They've got no help - except themselves. They've got nothing - except friendship. How strong can you be when the world is full of people trying to kill you?

In 1970, on a soundstage on Manhattan’s Upper West Side, a group of men, women, and Muppets of various ages and colors worked doggedly to finish the first season of a children’s TV program that was not yet assured a second season: Sesame Street. They were conducting an experiment to see if television could be used to better prepare disadvantaged preschoolers for kindergarten. What they didn’t know then was that they were starting a cultural revolution that would affect all American kids.

The untold stories of seven revolutionary teen shows (The Fresh Prince of Bel-Air, My So-Called Life, Dawson’s Creek, Freaks and Geeks, The O.C., Friday Night Lights, and Glee) that shaped the course of modern television and our pop cultural landscape forever.

Few American television series are as deeply entrenched in twentieth-century popular culture as M*A*S*H, a Korean War medical comedy characterized by its dark tone and finesse in tackling serious social and political issues. By the end of its run, M*A*S*H had been a mainstream hit for several seasons and won fourteen Emmys, leading it to be called, "the most popular pre-Seinfeld series in television history." In this comprehensive study of M*A*S*H, David Scott Diffrient analyzes the series' contextual issues such as its creation, reception, and circulation as well as textual issues like its formal innovations, narrative strategies, and themes.

Have you ever wondered what movie makers do when they want to know what a black hole looks like? Or how high people could jump on mars? In this interview, Mika McKinnon, movie science adviser, shares what it’s like to do research for movies and television.

Los Angeles in 1974 exerted more influence over popular culture than any other city in America. Rock Me on the Water traces the confluence of movies, music, television, and politics in Los Angeles month by month through that transformative, magical year. Ronald Brownstein reveals how 1974 represented a confrontation between a massive younger generation intent on change, and a political order rooted in the status quo. Brownstein shows how the voices resistant to change may win the political battle for a time, but they cannot hold back the future.

When aimless twenty-something Mara lands a job as the night-shift production assistant on her cousin’s ghost hunting/home makeover reality TV show Haunt Sweet Home, she quickly determines her new role will require a healthy attitude toward duplicity. But as she hides fog machines in the woods and improvises scares to spook new homeowners, a series of unnerving incidents on set and a creepy new coworker force Mara to confront whether the person she's truly been deceiving and hiding from all along—is herself.

Looking to stream your favorite shows to your TV? Amazon Fire TV is your answer. Hear more about the benefits of using Amazon Fire TV (instead of Roku and Google Chrome). Also learn about how to use Amazon Fire TV and all the special features.

Andy Griffith and Don Knotts met on Broadway in the 1950s. When Andy went to Hollywood to film a TV pilot about a small-town sheriff, Don called to ask if the sheriff could use a deputy. The comedic synergy between Sheriff Andy Taylor and Deputy Barney Fife ignited The Andy Griffith Show, elevating a folksy sitcom into a timeless study of human friendship, as potent off the screen as on.

In the tradition of Neil Postman's masterpiece Amusing Ourselves to Death, Audience of One shows how American media have shaped American society and politics, by interweaving two crucial stories. The first story follows the evolution of television from the three-network era of the 20th century, which joined millions of Americans in a shared monoculture, into today's zillion-channel, internet-atomized universe, which sliced and diced them into fractious, alienated subcultures. The second story is a cultural critique of Donald Trump.