Thriller Detective Serial

When Kristi Stewart inherits a property in the old part of Savannah, she knows it comes with stories of hauntings. But she doesn’t believe in ghosts, even while she runs seances for the guests of McLane House Bed-and-Breakfast. Until the inexplicable midnight appearance of one of her infamous ancestors. Terrified, she flees into the night - and right into the arms of Dallas Wicker.

When a body is pulled from the dank and dangerous fens on the outskirts of town, everybody assumes it was a tragic accident. But Detective Tara Thorpe, newly joined and determined to prove herself, suspects there’s more to the story. Tara is desperate to investigate further, but her supervisor Patrick Wilkins has other ideas. He would rather die than let this ambitious upstart show him up - even if it means some digging in Tara’s secret past to keep her under his thumb.

Spiritualism has captured the public’s imagination. Séances are all the rage, and Detective Ian Hamilton’s otherwise sensible aunt Lillian is not immune to their allure. But for Ian, indulging her superstitions has its limits. When members of Lillian’s circle of séance friends begin turning up dead, Ian doesn’t need a medium to tell him these aren’t freak accidents.

It was supposed to be a simple case: a young man arrested for armed assault. But it was just the beginning. As Rodney Middleton awaits trial, Detective Jack Warr is warned by his mentor DCI Ridley that they have only scratched the surface of the man's crimes. Then DCI Ridley is suddenly removed from his post. No one is to contact him - and no one will say why.

When Detective Karen Hart hears a scream echoing out of beautiful Lincoln Cathedral one snowy evening, she is the first officer on the scene. In the chapel a man lies murdered, a bloody cross carved into his forehead. A note to the police from the murderer, signed by "The Cleanser", confirms their worst fears: this sadistic slaying is the first of many. When early leads become dead ends, Karen starts to wonder if there’s a link to a rumoured conspiracy within police ranks - particularly when an abrasive new officer is assigned to the case.

Returning to the Broads after nearly two years at sea, John Tanner moors up next to a boat to find the body of a man whose five-year-old daughter is nowhere to be seen. As a torrent of unwanted memories begins flooding through his mind, an attractive Broads Ranger arrives at the scene with a disturbing tale; one of children being taken by a ghostly figure, standing at the helm of an old wooden boat.

Shortly before midnight, four teenagers broke into the old abandoned psychiatric hospital on Beacon Hill. Only three came out again. The missing girl—Riley Holt—is the seventeen-year-old daughter of the local police chief and she appears to have vanished into thin air. Called from Manhattan to take over the case, Detective Maria Miller and her partner Frankie Conroy uncover the sinister past of the abandoned hospital, which was once the hiding place of the notorious College Kid Killer, who never revealed the burial site of his final victim.

Daisy-Mae is now sure she’s awake. It’s not the cutting breeze or the musty smell that has her convinced, it’s the pain. You can’t dream pain. She is being held down, something tight over her arms, her chest too. She turns her head for a different view: a whitewashed wall, faded by time, scuffed to add to the impression of a building deserted in a hurry. But there is something in the room that looks fresh: graffiti. The letters spell out three words that are enough to have her retching again: DON’T WAKE UP. The next day Daisy-Mae’s friend also disappears.

When Detective Natalie Ward is called to the home of 14-year-old Roxy Curtis she can’t help but empathise with Roxy’s distraught mother Cathy. Roxy hasn’t come home, last seen heading next door for a sleepover with her best friend Ellie. As the mother of two teenagers herself, Natalie knows that this is every parent’s worst nightmare. But when Roxy’s body is found in the basement of a beautiful Victorian mansion on the other side of town, Natalie’s darkest fears are confirmed. What was Roxy doing there? Cathy seems evasive, and Ellie refuses to talk.

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

In the bleak countryside around Blithfield Reservoir, a serial murderer and rapist is leaving a trail of bloodshed. His savage calling card: the word ‘MINE’ carved into each of his victims. DI Kate Young struggles to get the case moving - even when one of the team’s own investigators is found dead in a dumpster. But Kate is battling her own demons. Obsessed with exposing Superintendent John Dickson and convinced there’s a conspiracy running deep in the force, she no longer knows who to trust.

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

When the body of mother Charlotte Brannon is discovered by her husband, Adam, in their bedroom, Detective Natalie Ward is first on the scene. The killer has left a chilling calling card: The word Why? written on the wall in blood. As Natalie begins to delve deeper into the couple’s lives, she discovers that Adam has a dark past he’s been hiding, and she’s sure that the Brannons' teenage babysitter, Inge, has secrets of her own.

DS Kat Ballantyne is still reeling from a revelation that turned life as she knew it upside down. But when a dog walker discovers the body of a woman among the standing stones known locally as the Three Sisters, there’s no time to focus on her own troubles. Kat is drawn back to work to investigate. At first, the death appears to be an accident. But then Kat discovers an infinity symbol branded onto the dead woman’s abdomen.

DCI Kate Young never meant to shoot Superintendent John Dickson at the reservoir that night—even if, as a scheming corrupt cop and head of the shady syndicate, he probably had it coming. But now Kate has photographic evidence that someone else knows her terrible secret… Tormented by guilt and the voices of the dead, Kate is desperate to unmask the rest of the corrupt officers before her own sins catch up with her. When DI Harriet Khatri, awaiting trial for the murder of Kate’s mentor, claims she was framed by Dickson’s syndicate, Kate reluctantly agrees to help in the hope of finding answers.

DI Kate Young has known for years that her boss, Superintendent John Dickson, is a violent and evil man. But when she finally confronts him and accidentally shoots and kills him, she’s forced to cover her tracks before anyone can pin his death on her. With revelations about his corruption soon to become public knowledge, Kate sets up a trail of evidence to make it seem that Dickson has conveniently vanished… But Kate knows the corruption doesn’t end with Dickson.

When the remains of a young woman are discovered on the edge of picturesque Saranac Lake, Detective Harlow Durant races to the scene. The victim is identified as 26-year-old Ellie Gordon - a seemingly normal girl, with no known enemies. Then, another body is discovered. The only connection, a man they used to date. With a small community reeling in shock, Harlow knows time is running out to piece together the only lead she has, before another woman loses her life. But soon, she is confronted by a woman who brings her face-to-face with the secret she's spent her life running from.

When a young man is found lying on a station platform with a hole in his head, DI Kate Young is called in to investigate the grisly murder. But the killing is no one-off. As bodies start to pile up, she is faced with what might be an impossible task - to hunt down a ruthless killer on a seemingly random rampage.

The first victim is discovered on the edge of the park. Young. Female. Beautiful. Or at least she was before her face was destroyed. Homicide detective Frank Bennett suspects that this is a first kill. And it won’t be the last. To stop a serial killer in the making, Frank will have to place his faith in his beautiful, dangerous partner Eden Archer - a cop who moonlights as a killer.... Eden knows the temptation of evil. Her intimate knowledge of the relentless forces that drive a killer gives her a unique edge.

A late summer heatwave seems to have triggered an unusually high number of suicides. As the dead bodies pile up, DS Jack Mackinnon and the rest of MIT realise things aren’t as straightforward as they seem, and when similar letters are found at the scene of each "suicide", Mackinnon is convinced they are dealing with a serial killer. A killer who is determined to deliver his own deadly justice.