Time Study

Now you can turn your daily commute into a renewing time with God. Whether you spend several hours a day in traffic or only a few minutes, the My Time with God for Daily Drives audio CD provides relief from life's traffic jams and detours. Each daily reading is 4 minutes or less and steers your heart to God with Scripture, devotional thoughts, and inspirational closings to help you apply Scripture to daily living. It's all set to music and is the perfect way to begin or end your daily commute.

Deine Seele hat mir einige Nachrichten für Dich übergeben, die direkt in Dein Herz führen. Erlaube mir Dich zum Sinn Deines Lebens und Deiner Befreiung zu leiten. Wenn Dein Leben keinen Sinn mehr macht, wenn Du die Liebe nicht findest, wenn Deine Seele verletzt ist und Du aufgehört hast zu leben, hier findest Du die Antworten, die Deine Seele mir übergeben hat.

In A Time for Action, Rafael Cruz presents a simple underlying message: For Christians, Jesus Christ should be the foundation of the lives they build, and they should be active in making a difference in the world around them. In practical terms, that means that we should strive for a free society that respects each of God's children; we should embrace the Judeo-Christian values of love, joy, and peace; and we should seek relationships with the living God.

Long before he was considered a top prospective presidential candidate for 2012, Governor Tim Pawlenty had already earned legendary status in conservative circles. In his hard-left-leaning home state of Minnesota, the man known as "T-Paw" somehow erased a $4.8-billion budget deficit while simultaneously reforming health care, creating jobs, improving education, and supporting renewable energy reform—all without raising taxes. In Courage to Stand, Pawlenty reveals for the first time how he found the resolve to get the job done.

In this audio summary of The Order of Time, theoretical physicist Carlo Rovelli explores the very nature of time, physics, humanity, and philosophy in a book that challenges our perceptions of the world around us.

Much of the contemporary discussion of the Jesus tradition has focused on aspects of oral performance, storytelling, and social memory, on the premise that the practice of communal reading of written texts was a phenomenon documented no earlier than the second century CE. Brian J. Wright overturns that premise by examining evidence that demonstrates communal reading events in the first century.

There are moments in our lives when we feel we have no control over a situation. The possibilities seem limited and we inevitably feel that the choices we make will only trap us in circumstances beyond our control. But you can control the possibilities in your life, shape the circumstances, and take control of the situation you are in when you use practical magic to shape the probabilities in your life.

The enemy of the ordinary man is ignorance and a lack of understanding of what must take place in the near future. Therefore, it is the desire of the writer to enlighten the individual and gain an understanding of the times and seasons of discontent. We have a choice. We are in the season of change, and you have the right to know and acquire insight that is gained through understanding, which must lead to the survival of the individual.

In Space/Time Magic Foundations, Taylor Ellwood has created a guide to how space/time magic works, where he walks you through how to apply the elements of time, space, memory, and imagination to your magical practice so you that can possibilities into realities. If you’ve struggled with results based magic, or just want to learn how space/time magic can become another part of your practical magic process, Taylor will show you how to turn time and space into your allies so that you can turn possibilities into reality.

The new exhibition at the National Gallery in London is entitled "Delacroix - And the Rise of Modern Art". In other words, Delacroix, one of the most important artists of the first half of the 19th century, is presented as being important, not so much for what he actually did as an individual creator, but because he in so many ways foreshadowed the kind of art that was made immediately after his demise - in particular by artists linked to Impressionism, Post-Impressionism and even Fauvism.

Of all the British poets of my generation, Ted Hughes, now nearly 20 years dead, left behind him both the grandest and most sulfurous reputation. The controversies he aroused rumble on, and the hurts, in certain quarters, are still keenly felt. Any life story that comprises not just two but actually three suicides, plus a murder, does wrap a cloak of darkness about itself.

British, even more than most countries, like to have a "boss" artist - an artistic figure who is indubitably the head of the profession. In the old days, this need was easily accommodated within the establishment structures of the time. The big boss could be Sir Joshua Reynolds, knighted by the monarch of the day, or Lord Leighton, given a peerage. Both of these were also presidents of the Royal Academy.

The new exhibition at Tate Britain celebrates one of the best loved of all British artists, the landscape painter, John Constable. In his own lifetime, Constable was constantly struggling to catch up with his great rival, J. M. W. Turner, whose astonishing fluency he could never match. Turner has maintained his fame, but, among the British at least, Constable is now more intimately loved.

The new exhibition at the National Gallery in London ought to be yet another triumph for an institution that is now running a very ambitious exhibition program. Yet this event makes a curiously uneasy effect. There are several, not just one, reasons for this. The first is that Rubens, of all great artists the one who enjoyed the greatest degree of worldly success, had distinctly uneasy beginnings. Of sound Flemish bourgeois stock, he was born in 1577 at Siegen in Westphalia.

Works of art have often been endowed by their audience with talismanic force. Their impact exceeds the visual impression they make. This seems natural enough when we consider the fact that the most ambitious works of art produced by ancient civilizations were religious. To those who originally encountered them, they seemed to speak directly from the gods. Their makers were very seldom recorded, though the names of those who ordered them to be made - pharaohs, emperors and kings - quite frequently survive.

The rate of change is accelerating, the future is increasingly unpredictable, and we're overwhelmed with mind-boggling complexity. We have less and less time to think, less and less time to get in sync with what's happening. We cannot trust conventional wisdom to guide us. We must resolve many long-standing paradoxes between long or short-term thinking, expedient or ethical choices, the individual or the collective. We must be prepared for whatever emerges.

Even a cursory glance at the news is enough to convince us that the world is falling into chaos. But we haven't seen anything that compares to what will happen in the final events leading to the second coming of Jesus Christ.

This booklet is packed with the clearest account of the 1st Thessalonians 4 rapture I have written to date, and I have written many books on the subject. Plus, I have included some simple, yet effective, tables showing why “those who are asleep” are none other than the “dead in Christ”. Paul states the timing of the “rapture sequence” in two different ways in order to comfort the bereaved that their dead will rise first. In addition, this study investigates why Paul selected such an unusual Greek word for “rapture”, and what that word actually means.

The Message for the Last Days explains the history and progression of end time prophecies found within and outside of the Bible. It reveals the original message compared to changes over time leading to modern interpretation. The Message for the Last Days explains how modern Christian culture has created numerous beliefs about end time events, while determining that there can only be one correct answer based upon the original intent.

Studebaker provides nine different ways to approach bible study (from historical to allegorical), but concentrates on the metaphysical interpretation. Contained within this informative, wise, and often humorous book is a guide to open hidden meanings and symbols in passages, as well as information on how to select a Bible; how to use Bible concordances, dictionaries, commentaries, atlases; how to create a study guide; and more.