Travel Essays

"Epic" is a mountaineering term that evokes a sense of treacherous disaster. The climb that went wrong: fighting blinding snowstorms and horrific avalanches; days spent tentbound running low on food, water, and oxygen; surviving broken bones and shattered spirits. This program offers a collection of the most memorable accounts of legend-making expeditions to the world's most famous peaks, often in the worst possible conditions.

Dickens invites listeners on a vivid journey through 19th-century Italy, offering a series of lively and insightful snapshots of the country’s landscapes, cities, and people. Written during his travels, this travelogue captures not just the beauty and history of Italy, but also its complexities, contradictions, and the vibrant life that pulses through its streets.

A series of personal and reflective journeys through the streets of Victorian England, The Uncommercial Traveller explores the hidden corners of cities, the forgotten lives of ordinary people, and the quirks of everyday life. Written as a collection of loosely connected essays and travel pieces, it captures the essence of Dickens’ keen observational skills, as he paints portraits of people and places often overlooked by society.

In 1935, Fred A. Birchmore left the small American town of Athens, Georgia, to continue his college studies in Europe. In his spare time, Birchmore toured the continent on a one-speed bike he called Bucephalus (after the name of Alexander the Great's horse). A born wanderer, Birchmore broadened his travels to include the British Isles and even the Mediterranean. After a lengthy, unplanned detour in Egypt, Birchmore put his studies on hold, pointed Bucephalus eastward, and just kept going.

The conception and building of the Appalachian Trail is a story of unforgettable characters who explored it, defined it, and captured national attention by hiking it. From Grandma Gatewood—a mother of eleven who thru-hiked in canvas sneakers and a drawstring duffle—to Bill Bryson, author of the best-selling A Walk in the Woods, the AT has seized the American imagination like no other hiking path. The 2,000-mile-long hike from Georgia to Maine is not just a trail through the woods, but a set of ideas about nature etched in the forest floor.

Essays, observations and stories about Pattaya and Thailand - humorous, satiric, observational.

For more than a decade, Jay McInerney’s vinous essays, now featured in The Wall Street Journal, have been praised by restaurateurs (“Filled with small courses and surprising and exotic flavors, educational and delicious at the same time” —Mario Batali), by esteemed critics (“Brilliant, witty, comical, and often shamelessly candid and provocative” —Robert M. Parker Jr.), and by the media (“His wine judgments are sound, his anecdotes witty, and his literary references impeccable” — The New York Times).

As a young woman, Kate Betts nursed a dream of striking out on her own in a faraway place and becoming a glamorous foreign correspondent. After college—and not without trepidation—she took off for Paris, renting a room in the apartment of a young BCBG (bon chic, bon genre) family and throwing herself into the local culture. She was determined to master French slang, style, and savoir faire, and to find a job that would give her a reason to stay.

Between 1821 and 1826, the prolific writer and journalist William Cobbett travelled the countryside of the South of England on foot and horseback. Rural Rides is a fascinating account of his journeys, and depicts a way of life in transition, juxtaposing lyrical descriptions of the countryside with criticism of the poverty of agricultural workers. A man of radical politics who encouraged the rural rising of 1830, Cobbett went on to become MP for Oldham and sought to represent the interests of both industrial and agricultural workers. Above all, Rural Rides celebrates agrarian England.

Edward Abbey, who never much liked Alaska, called it "our biggest, buggiest, boggiest state." To others, it has been a cure for despair. When Michael Engelhard moved to Fairbanks more than three decades ago, he was a cheechako, a subarctic tenderfoot. Gathering skills and experiences the hard way, he attained "Sourdough" status while realizing there would always be more to learn, see, and do in the land of midnight sun and auroras.

Craig Carlson set out to do the impossible: open the first American diner in Paris. Despite never having owned his own business before - let alone a restaurant, the riskiest business of all - Craig chose to open his diner in a foreign country, with a foreign language that also happens to be the culinary capital of the world. While facing enormous obstacles, Craig and his diner, Breakfast in America, went on to be a great success - especially with the French.

In the 17 wide-ranging essays collected for the first time in Love and Other Ways of Dying, he brings his full literary powers to bear, pondering happiness and grief, memory and the redemptive power of human connection. In the remote Ukranian countryside, Paterniti picks apples (and faces mortality) with a real-life giant; in Nanjing, China, he confronts a distraught jumper on a suicide bridge.

Mairead Small Staid’s debut, The Traces, is a work of memoir and criticism that explores the nature of happiness in art, literature, and philosophy, structured around a season spent in Italy and a reading of Italo Calvino’s Invisible Cities. Poised between plummeting depressions, the author considers the intellectual merits of joy and the redeeming promise offered by the beauty, both natural and manmade, that surrounds her.

In The Last Empty Places, bestselling author Peter Stark takes the listener to four of the most remote, wild, and unpopulated areas of the United States outside of Alaska, and mainly not part of protected wilderness: the rivers and forests of Northern Maine; the rugged, unpopulated region of Western Pennsylvania, that lies only a short distance from the East's big cities; the haunting canyons of Central New Mexico; and the vast, arid basins of Southeast Oregon.

In his highly anticipated debut essay collection, Impossible Owls, Brian Phillips demonstrates why he's one of the most iconoclastic journalists of the digital age, beloved for his ambitious, off-kilter, meticulously reported essays. The eight essays assembled here go beyond simply chronicling some of the modern world's most uncanny, unbelievable, and spectacular oddities. Researched for months and even years on end, they explore the interconnectedness of the globalized world, the consequences of history, the power of myth, and the ways people attempt to find meaning.

Iceland is home to only 330,000 people but more than 265 museums and public collections, ranging from the intensely physical, like the Icelandic Phallological Museum, which collects the penises of every mammal known to exist in Iceland, to the vaporously metaphysical, like the Museum of Icelandic Sorcery and Witchcraft, which poses a particularly Icelandic problem: how to display what can't be seen?

Editor Eleanor Brown presents a collection of personal essays from 18 different authors about their experiences in the City of Light.

After more than 20 years away, Alda Sigmundsdottir returned to her native Iceland as a foreigner. With a native person's insight yet an outsider's perspective, Alda quickly set about dissecting the national psyche of the Icelanders. This second edition, from 2018, contains new and updated chapters from the original edition, reflecting the changes in Icelandic society and among the Icelandic people since the book was first published in 2012.

Called a “chronicler of a world on the move” by The New York Review of Books, Anna Badkhen seeks what separates and binds us at a time when one in seven people has left their birthplace, while a pandemic dictates the direst season of rupture in humankind’s remembering. Her new essay collection, Bright Unbearable Reality, comprises 11 essays set on four continents—roving everywhere from Oklahoma to Azerbaijan—and united by a common thread of communion and longing.

In Sightlines, Kathleen Jamie reports from the field - from her native Scottish "byways and hills" to the frigid Arctic in 14 enthralling essays. She dissects whatever her gaze falls upon - vistas of cells beneath a hospital microscope, orcas rounding a headland, the aurora borealis lighting up the frozen sea. In so doing, she questions what, exactly, constitutes "nature", and upends the idea that it is always picturesque. Written with precision, subtlety, and wry humor, Sightlines urges the listener: "Keep looking, even when there's nothing much to see."