Tudor Fiction

Heather McCollum presents Book 3 in the Brothers of Wolf Isle series.

In the autumn of 1558, church bells across England ring out the joyous news that Elizabeth I is the new queen. But one woman hears the tidings with utter dread. Amy Dudley, wife of Sir Robert, knows that the peal of bells she hears will summon her husband once more to power, intrigue, and a passionate love affair with the young queen.

Jasper Tudor, son of Queen Catherine and her second husband, Owen Tudor, has grown up far from the intrigue of the royal court. But after he and his brother Edmund are summoned to London, their half brother, King Henry VI, takes a keen interest in their future. Bestowing earldoms on them both, Henry also gives them the wardship of the young heiress Margaret Beaufort. Although she is still a child, Jasper becomes devoted to her and is devastated when Henry arranges her betrothal to Edmund.

BROTHER TURNS ON BROTHER to win the ultimate prize, the throne of England, in this dazzling account of the wars of the Plantagenets. They are the claimants and kings who ruled England before the Tudors, and now Philippa Gregory brings them to life through the dramatic and intimate stories of the secret players: the indomitable women, starting with Elizabeth Woodville, the White Queen.

When Edward of York takes back the English crown, the Wars of the Roses scatter the Lancastrian nobility, and young Henry Tudor, with a strong claim to the throne, is forced into exile. Recently widowed and vulnerable, his mother, Lady Margaret Beaufort, forges an uncomfortable alliance with Edward’s Queen, Elizabeth Woodville. Swearing an oath of allegiance to York, Margaret agrees to marry the King’s shrewdest courtier, Lord Stanley. But can she tread the precarious line between duty to her husband, loyalty to her son, and her obligation to God and the King?

For the first time, John Sampson is on his own. The brilliant crime-solving duo of Washington, DC’s, Metro PD and the FBI has a proven MO: Detective Alex Cross makes his own rules. Detective John Sampson enforces them. When military-style attacks erupt, brutally sidelining Cross, Sampson is sent reeling. The patterns are too random—Sampson’s friend, his partner, his brother—have told him. Don’t trust anyone. As a shadow force advances on the nation’s capital, Sampson alone must protect the Cross family, his own young daughter, and every American, including the president.

Emma Bovary is beautiful and bored, trapped in her marriage to a mediocre doctor and stifled by the banality of provincial life. An ardent reader of sentimental novels, she longs for passion and seeks escape in fantasies of high romance, in voracious spending and, eventually, in adultery. But even her affairs bring her disappointment, and the consequences are devastating. Flaubert's erotically charged and psychologically acute portrayal of Emma Bovary caused a moral outcry on its publication in 1857.

At the height of the Middle Ages in the 14th century, King Edward III of England is determined to use any means necessary to expand his power and gain control of England's bitter rival, France. His own son, Edward, prince of Wales, is far from immune from his political plans. And when Joan of Kent, now free from exile, sees her chance for revenge, she takes it. A calculated plot to scandalize the royal family for revenge for her father's downfall and execution soon turns into the most surprising thing: love.

Cotton Malone and his fifteen-year-old son, Gary, are headed to Europe. As a favor to his former boss at the Justice Department, Malone agrees to escort a teenage fugitive back to England. But after he is greeted at gunpoint in London, both the fugitive and Gary disappear, and Malone learns that he’s stumbled into a high-stakes diplomatic showdown—an international incident fueled by geopolitical gamesmanship and shocking Tudor secrets.

The 12-year marriage of Henry and Katharine has declined from an idyllic union into an uneasy stalemate. The king's love for his aging queen has grown cold, and he is angry with her failure to give him the heir to the throne he desperately wants. When the seductive Anne Boleyn arrives at court, the king is captivated by her dark beauty and bold spirit and becomes obsessed by the desire to possess her.

Miranda MacDonnell is on the run. When she inherited a mysterious relic from her mother, she had no idea the dangers it would bring. Now hunted by a relentless foe who will stop at nothing to find her, she has one choice: stow away on the ship of the notorious privateer, Black Hawk. Rob Hawkins, the half-English privateer known as Black Hawk, has a mission from the Tudor king to find and kill the rogue commander, Sir Ralph Evers. To complete his quest, Hawk must find Miranda, a young woman Evers is pursuing.

An airport killer targeting pilots expands his scope. Alex Cross Must Die. “Drop whatever you’re doing, Detective Cross, and head to Reagan Airport,” DC Metro Police dispatch says. “A jet just crashed and exploded on the runway. The chief and the FBI want you and John Sampson there pronto.”

None of us ever agreed on the exact beginning. Was it when we started drawing the chalk figures, or when they started to appear on their own? Was it the terrible accident? Or when they found the first body?

In 1986, Eddie and his friends are on the verge of adolescence, spending their days biking in search of adventure. The chalk men are their secret code, stick figures they draw for one another as hidden messages. But one morning, the friends find a chalk man leading them to the woods. They follow the message, only to find the dead body of a teenage girl. In 2016, Eddie is nursing a drinking problem and trying to forget his past, until one day he gets a letter containing a chalk man — the same one he and his friends saw when they found the body.

A precise killer, he always moves under the cover of darkness, flawlessly triggering no alarms, leaving no physical evidence. Cross and Sampson aren’t the only ones investigating. Also in on this most intriguing case is the world’s bestselling true-crime author, who sees patterns everyone else misses. The writer, Thomas Tull, calls the Family Man murders the perfect crime story. He believes the killer may never be caught. Cross knows there is no perfect crime. And he’s going to hunt down the Family Man no matter what it takes.

In the winter of 1483, Francis Lovell is Richard III’s Lord Chamberlain and confidant, but the threat of Henry Tudor’s rebels has the king entrusting to Francis and his wife, Anne, his most crucial mission: protecting the young Richard of York, his brother’s surviving son and a threat to Henry’s claims to the throne.

Princess Yasaman has been blessed with rapturous beauty, fierce intelligence, and an innocent sensuality that captivates two formidable men—her scheming half-brother, Salim, and her loving husband, Prince Jamal. But her days of bliss and nights of steamy passion are shattered when Jamal is murdered, and Yasaman flees to England and the court of James I. Calling herself Jasmine, she is reunited with her beautiful mother, Velvet, and her grandmother, the legendary Skye O'Malley de Marisco.

England. 1535. Jane Seymour is 27 years old and increasingly desperate to marry and secure her place in the world. When the court visits Wolf Hall, the Seymour ancestral manor, Jane has the perfect opportunity to shine: her diligence, efficiency, and newfound poise are sure to finally attract a suitor. Meanwhile, King Henry VIII is 45 and increasingly desperate for an heir. He changed his country's religion to leave his first wife, a princess of Spain, for Anne Boleyn—but she, too, has failed to provide a son.

Max Tudor thought he'd left the world of deceit when he resigned from MI5 to become an Anglican priest. Then his bishop asks him to return to his Oxford college, St Luke's, to investigate the death of its chaplain, and Max realizes there's no leaving the past behind. At first, Max agrees with the official police verdict of death by natural causes. The Rev. Ace Graybill was as harmless a man as ever lived. It's difficult to see how he managed to cross anyone capable of murder.

1399: Constance of York, Lady Despenser, proves herself more than a mere observer in the devious intrigues of her magnificently dysfunctional family, the House of York. Surrounded by power-hungry men, including her aggressively self-centred husband, Thomas, and ruthless siblings, Edward and Richard, Constance places herself at the heart of two treasonous plots against King Henry IV. Will it be possible for this Plantagenet family to safeguard its own political power by restoring either King Richard II to the throne, or the precarious Mortimer claimant?