Urban City

Young is a cynical yet fun-loving Korean student who pinballs from home to class to the beds of recent Tinder matches. He and Jaehee, his female best friend and roommate, frequent nearby bars where they push away their anxieties about their love lives, families, and money with rounds of soju and ice-cold Marlboro Reds that they keep in their freezer. Yet over time, even Jaehee leaves Young to settle down, leaving him alone to care for his ailing mother and to find companionship in his relationships with a series of men.

Asa: I come to Aspen to get away. I need to get away. My ex Christine is a true pill. She lets me know exactly why she cheated on me once again, and I just need something, anything to take this pain away. That's how this all starts with the girl I meet in Aspen. But she was never just a one off. Noni: My ex is a dick, an epic one and despite the urge to curl up with a tub of Häagen-Dazs and a chick flick, I give into my friend pushing this Aspen trip on me. I meet a guy there. I lose myself there, and though I don't know him, I need him.

In modern-day Manhattan where we lay our scene, two rival witch families fight to maintain control of their respective criminal empires. On one side of the conflict are the Antonova sisters—each one beautiful, cunning, and ruthless—and their mother, the elusive supplier of premium intoxicants, known only as Baba Yaga.

All is not well in the city that never sleeps. Even though the avatars of New York City have temporarily managed to stop the Woman in White from invading—and destroying the entire universe in the process—the mysterious capital "E" Enemy has more subtle powers at her disposal. A new candidate for mayor wielding the populist rhetoric of gentrification, xenophobia, and "law and order" may have what it takes to change the very nature of New York itself and take it down from the inside.

Stumbling upon a group of escaped demons changed everything, and the responsibility falls on me to protect Shadow City. As the battle rages on, a tug radiates from my soul, drawing me toward a sexy, mocha-eyed demon. Though he voluntarily surrenders, I don't trust him. He's become the catalyst for even more demon attacks, but I can't give him up. Every moment we'd spent together strengthened the bond between us, and now, I'll do whatever it takes to keep him safe. He's my enemy...my mate. And he's either destined to be my future...or to destroy it.

Just married, Lee and her husband, Detective Sergeant Pete Mondello, are settling into their new home when Lee is dubbed WICH-TV's new "Historical Documentary Chief Executive." Her first subject is the brand-new Salem International Museum, slated to be a location for traveling blockbuster exhibits, starting with "Seafaring New England." From research to collecting artifacts of Salem's long-ago days as a shipping capital, the project is a challenge—but when the driver of a truckload of antiquities turns up dead under a pile of fall leaves, it's not quite the kind of challenge Lee expected.

John Taylor is the name. I work the Nightside. Only in that dark heart of London where it's always three A.M., where human and inhuman can feed their darkest desires, do I feel at home. Probably because I was born there. What I do is find things - people, objects - and in this case, the truth about the origins of the Nightside. That's what Lady Luck has hired me to investigate. But the more I dig, the more I discover, not about the Nightside but about the great question in my life: exactly who - and what - was my long-vanished mother.

For centuries, generations of Everlys have seen their brightest and best disappear, taken as punishment for a crime no one remembers, for a purpose no one understands. Their tormentor, a woman named Penelope, never ages, never grows sick–and never forgives a debt. Violet Everly was just a child when her mother Marianne vanished on a stormy night, determined to break the curse. And when Penelope cannot find her, she issues an ultimatum: Violet has ten years to find Marianne, or she will take her place.

Chess Putnam has a lot on her plate. Mangled human corpses have started to show up on the streets of Downside, and Chess’ bosses at the Church of Real Truth have ordered her to team up with the ultra-powerful Black Squad agency to crack the grisly case.

In this eye-opening work of economic theory, Jane Jacobs argues that it is cities—not nations—that are the drivers of wealth. Challenging centuries of economic orthodoxy, in Cities and the Wealth of Nations the beloved author contends that healthy cities are constantly evolving to replace imported goods with locally produced alternatives, spurring a cycle of vibrant economic growth. Intelligently argued and drawing on examples from around the world and across the ages, here Jacobs radically changes the way we view our cities—and our entire economy.

I'm not supposed to push through the boundaries of reality without supervision. I'm definitely not meant to drag a cop Between with me. But stuff happens, you know? Hi. I'm Pet. Well, not Pet, exactly. I am a pet. Nothing too hard; I just cook and clean for the Behindkind who took over my house. Easy. But now one of my owners has gone missing. He's fae, so it shouldn't worry me, but if there's something out there that can kidnap fae, I don't wanna meet it. Good thing I've got another two owners and a spare cop up my sleeve....

In a captivating tour of cities famous and forgotten, acclaimed historian Ben Wilson tells the glorious, millennia-spanning story how urban living sparked humankind's greatest innovations.

Viennese ideas saturate the modern world. From California architecture to Hollywood Westerns, modern advertising to shopping malls, orgasms to gender confirmation surgery, nuclear fission to fitted kitchens—every aspect of our history, science, and culture is in some way shaped by Vienna. Richard Cockett gives us the entirety of an extraordinary story of how one city made the modern world—and how we all remain inescapably Viennese.

Segregation by Design draws on more than 100 years of quantitative and qualitative data from thousands of American cities to explore how local governments generate race and class segregation. Starting in the early 20th century, cities have used their power of land use control to determine the location and availability of housing, amenities (such as parks), and negative land uses (such as garbage dumps). The result has been segregation - first within cities and more recently between them.

Hawke's narrator is a young man in torment, disgusted with himself after the collapse of his marriage, still half hoping for a reconciliation that would allow him to forgive himself and move on as he clumsily, and sometimes hilariously, tries to manage the wreckage of his personal life with whiskey and sex. What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying - and narcissistic - Falstaff's of all time.

Blatantly relentless and twice as deadly, Greyson rules the pack and expands its territory, even though it’s already the largest in the region. I just wish he’d stop interfering with my life. He’s got enough trouble of his own with his incomplete mate bond, but he’s made it his hobby to tease and test me at every opportunity.

The promise of the so-called smart city has been at the forefront of urban planning and development since the early 2010s, and the tech industry that supplies smart city software and hardware is now worth hundreds of billions a year. But the ideas and approaches underpinning smart city tech raise tough and important questions about the future of urban communities, surveillance, automation, and public participation. The smart city era, moreover, belongs firmly in a longer historical narrative about cities.

The post-Katrina New Orleans of The City of Lost Fortunes is a place haunted by its history and by the hurricane's destruction, a place that is hoping to survive the rebuilding of its present long enough to ensure that it has a future. Street magician Jude Dubuisson is likewise burdened by his past and by the consequences of the storm, because he has a secret: the magical ability to find lost things, a gift passed down to him by the father he has never known - a father who just happens to be more than human.

Jane Finch wishes her problems ended with a bad commute and no coffee. But when she and her beloved Great Dane, Schrodinger, emerge from a locked room they discover a city changed for the undead. Zombies are everywhere. Some are endlessly cycling through their last actions, others have turned feral—and hungry. Jane and Schroddie's best chance for survival? Reaching her parents' bunker on the city's north shore. Not an easy commute on foot—when surrounded by zombies. Dodging stray bullets and feral zombies is one thing. But soon Jane realizes one of the zombies is following her.

Salsa is one of the most popular types of music listened to and danced to in the United States. Until now, the single comprehensive history of the music - and the industry that grew up around it, including musicians, performances, styles, movements, and production - was available only in Spanish.