Urban Crime Fiction

Matt Turner's psychic ability has granted him a window into the entirety of Earth's intelligent beings - past and present - but this gift has also been his heaviest burden. A talent like Matt's can only be kept secret for so long, and ruthless individuals desiring lost and rare items viewed him only as a prized tool.

Holed up in prison, Mike Regan is offered a deal - his freedom in exchange for his firm taking down the gang that is supplying a new dangerous drug that has hit the streets. What starts as a game soon becomes a shocking revelation with devastating consequences. Meanwhile, Mike’s fiancé, Zara Ezra, has her own firm to run. But when the so-called Governor is out to take her down, she has her own decision to make - either fight, run, or write her own rule book....

In 2001, a woman’s skeleton was found in the woods overlooking Montreal’s Royal Victoria Hospital. Despite an audit of the hospital’s patient records, a forensic reconstruction of the woman’s face, missing-person appeals, and DNA tests that revealed not only where she had lived but how she ate, the woman was never identified. Assigned the name Madame Victoria, her remains were placed in a box in an evidence room and eventually forgotten. But not by Catherine Leroux, who constructs in her form-bending Madame Victoria 12 different histories for the unknown woman.

Carmen has gotten her wish. Renee is no longer queen. Being stripped of her title and the power that comes with it, Renee must start from scratch and rebuild what she once controlled. Having turned their backs on one another, Renee's once strong circle is now dismantled, and each individual is after what ripped them apart - Carmen. Carmen's making it hard for them to capture her and doing whatever she must to survive. Renee wants revenge along with everyone else, but will she achieve it, or will she die in battle without the help of Julian and Dane?

Thanks to James Johnson's ground-breaking technology, the drug game and oil exports are now on life support. His prophecy has been fulfilled. However, the Saudi Arabian Oil King, Shalik Khalid, has unleashed a vicious death squad on American soil. The message is clear, and now the surviving members of the Johnson clan must regroup, while the architect of their movement lies in critical condition. The reigns have been passed down and now there exists one logical decision for the heirs to the throne. "Bring to them what they brought to us!"

Promise and her best friend Mouse have fled Newark and are hiding out in New York City, wanted by the police—and the streets—for the death of B-Stone, leader of the Bloods. In the city, Promise has found work as a waitress at a hole-in-the-wall strip club. But one fateful night, she is forced to face her past when an up-and-coming rapper draws several shady characters into her orbit. Meanwhile, Asher has maneuvered himself into a position of great importance after B-Stone’s death, albeit with some help.

When elderly George Rainsford goes to investigate a suspicious noise one night, the last thing he expects to find is a bloodbath. A man has been killed and a woman brutally beaten, left for dead. The victims are Lois Craven and Kevin Hardaker - both married, but not to each other. Their spouses swear they knew nothing of the affair, and, besides, they both have alibis for the attack. With nothing else to link the victims, the investigation hits a dead end.

In a world where magic is illegal, Cassel Sharpe has the most deadly ability of all: With one touch, he can transform any object - including a person - into something else entirely. And that makes him a wanted man. The Feds are willing to forgive all his past crimes if he’ll only leave his con-artist family behind and go straight. But why does going straight feel so crooked? For one thing, it means being on the opposite side of the law from Lila, the girl he loves.

Las Vegas: a city built on obscene wealth and corrupt deals, cunning entrepreneurs, and the ruthless mob. The Cartel's plan to open a casino will rake in cash, but it comes with great sacrifice. The stakes have never been this high, and the rules of the game have never been this hard to manipulate. And when one dead girl, one scorned wife, and one hole in the desert launch a chain of catastrophic events, the Cartel is sent on a downward spiral as they battle the Arabian mob and fight traitors within their circle.

In a deserted tenement in an occupied city, two dead bodies lie on a dusty floor as if they have fallen out of the air. One corpse is cut in half, the other is utterly unmarked. One is human, the other isn’t. The city of Ambergris is half ruined, rotten, its population controlled by narcotics, internment camps, and acts of terror. But its new masters want this case closed, urgently. Detective John Finch has just one week to solve it or be sent to the camps. With no ID for the victims, no clues, no leads, and precious little hope, Finch’s fate hangs in the balance.

Since being taken from his home by his mother in the middle of the night, fighting for survival is all Antonias Lambrianu has ever known. He soon learns that money is power and sets his sights on what he sees as a better future. When his past finally catches up with him, it unexpectedly opens up new opportunities, but new threats come hand in hand with them. Antonias is determined that he will emerge triumphant, but there’s jeopardy everywhere and the stakes are high. Everyone, it seems, is playing dangerous games...Antonias most of all.

After the arrest of Chancellor King and the murder of his eldest son and heir, Ghost, the King family and the streets of New York City are thrown into chaos. Chancellor’s older brother, Chapman, takes the opportunity to usurp the crown, breaking the line of succession and stepping over his nephew Shadow. Chapman’s first act as the new king is to banish what remains of his broken family, branding them enemies of the crown. Stripped of all wealth and power, Maureen King places a seemingly impossible task on the shoulders of Shadow.

Written in reaction to what Bentley perceived as the sterility and artificiality of the detective fiction of his day, Trent's Last Case features Philip Trent, an all-too-human detective who not only falls in love with the chief suspect but reaches a brilliant conclusion that is totally wrong. Trent's Last Case begins when millionaire American financier Sigsbee Manderson is murdered while on holiday in England. A London newspaper sends Trent to investigate, and he is soon matching wits with Scotland Yard's Inspector Murth.

Atlantica - the forgotten isle, the glittering gem in the cesspool of humanity's future. Anything you do inside your own home is allowed. It is a dog-eat-dog world of millionaires and billionaires. The rest of society beneath them live in ignorance. Those at the top have money, tools, people, assassins, and murderers. One such assassin was a rumor, a myth, a ghost in the night. The Red Countess, the lady Valentina Winters. A player among the elite has something Valentina wants, and she is willing to do most anything to get it.

James Dual, inspired by the racially integrated punky ska revival in England, starts the ON Klub, a ska, soul, and reggae club at the rough and ready pre-gentrified Silver Lake end of Sunset Blvd. He and partner in crime, Drea Dresden, try their best to make the transition out of the '70s in one piece. A journalist friend brings a mob-related music man connected to Bob Marley to visit the club, who becomes obsessed with the charismatic young Jamaican singer Loraine Sulley, who is performing that night.

DCI Matilda Darke has returned to work after a nine-month absence. A shadow of her former self, she is tasked with reopening a cold case: the terrifyingly brutal murders of Miranda and Stefan Harkness. The only witness was their 11-year-old son, Jonathan, who was too deeply traumatised to speak a word. Then a dead body is discovered, and the investigation leads back to Matilda's case. Suddenly the past and present converge, and it seems a killer may have come back for more....

Detective Houser wants nothing more than his retirement, but when a murder case involving the WMM firm lands on his desk, he can’t avoid it. All of law enforcement knows that WMM Advertising, also known as We Make Millionaires, is one of the biggest and hardest-to-penetrate fraudulent telemarketing firms in the state of Georgia. A tape recording of a man’s death may finally help Houser make a case against the firm. Calling in Alexis Greenspan, a.k.a. Nina Coles, the top sales associate in the company, Houser is determined to use her to find out the company’s secrets.

Ryder Creed and his dogs have been making national headlines after intercepting several major drug stashes being smuggled through Atlanta's airport. But their newfound celebrity has also garnered some unwanted attention. When Creed and one of his dogs are called in to search a commercial fishing vessel, they discover a secret compartment. But the Colombian cartels' latest shipment isn't drugs.

D Hunter's investigation into his mentor's murder leads into a parallel history of hip hop, a place where renegade government agents, behind-the-scenes power brokers, and paranoid journalists know a truth that only a few hard-core fans suspect. This rewrite of hip-hop history mixes real-life figures with characters pulled from the culture's hidden world, including Jay Z, Kanye West, and Russell Simmons.

Pappy tries to break out of the game before the head of his crew, Black, gets them all killed. Against his better judgment Pappy agrees to do one last job, but only because it’s the price of his freedom. He knows Black can’t be trusted. He knows his “brother” would rather see him dead than let him walk away. Yet he still agrees to do the job because Black isn’t the only one who can’t be trusted. Sometimes you have to kill for what you want. Further developing the stark realism and uncompromising streetwise narratives of his lyrics, H.N.I.C. cements Prodigy’s position as one of the foremost chroniclers of contemporary urban life.