Urban Crime

Robyn and Aries are "The Murder Mamas", contract killers from Los Angeles who take no prisoners. It doesn't take them long to link up with Hollywood's biggest drug kingpin, who hires them to take out a snitch and a judge. But the plans backfire, and they complete only half the job. Robyn is caught and put on death row, and Aries goes on the run. She winds up in the islands, where she takes up a new life as a mother and wife and tries to forget who she once was.

Tayshawn Torres is a child born in the slums and cursed by the sins of his parents. His mother is a notorious drug addict and whore who's more concerned with getting her next high than she is with Tayshawn's well-being. His stepfather hates him so much, he literally treats him like an animal, forcing him to sleep in a cage and scavenge for scraps of food wherever he can find them.

My name is Mac Brennan, and that's the only thing I can remember about myself. Not why I woke up in a dumpster. Not why my right arm is as black as pitch and covered in glowing red tattoos, and certainly not why a vicious death cult is after me. Actually, that last part isn't true. I know why the death cult is after me. It's because I saved that damned girl from them. I didn't know who she was at the time, but I'd have done it anyway. I just don't like it when girls get beat up; call me old fashioned.

In the early 1990s, Demetrius "Big Meech" Flenory and his brother, Terry "Southwest T", rose up from the slums of Detroit to build one of the largest cocaine empires in American history: the Black Mafia Family. They socialized with music mogul Sean "Diddy" Combs, did business with New York's king of bling Jacob "The Jeweler" Arabo, and built allegiances with rap superstars Young Jeezy and Fabolous. Yet even as BMF was attracting celebrity attention, its crew members struck fear in a city.

After her world is brutally destroyed, Anari becomes the epitome of a good-girl-turned-bad. Consumed with a desire for revenge, she and her best friend, Monica, enter a life of drugs, fast money, and betrayal - adopting the very lifestyle that pushed them into the game in the first place. Hiding their true identities, they quickly rise to the top of New Jersey's dope game. Using everyone who crosses their paths, nothing - not betrayal or addiction - will stop them from dispensing their street justice.

In the second book in the Dead Jack series, the zombie detective hits rock bottom, bingeing on fairy dust and formaldehyde 24/7. Reluctantly, he sets out with a fellow zombie, the narcissistic Garry, to find his long-lost soul. But a new threat emerges: a neo-Nazi group that hunts down the depressed corpse, believing his sidekick Oswald has the power to capture all the souls in Pandemonium. Again, the wicked world needs saving, but this time can Jack also save himself?

At the Great New York Cookie Swap, pastry chefs bake up their very best for charity. Clare is in charge of the beverage service, and her famous Fa-la-la-la Lattes make the gathering even merrier. But her high spirits come crashing down when she discovers the battered body of a hard-working baker's assistant. Police suspect a serial attacker whose escalating crimes have become known as "the Christmas Stalkings". Clare'sboyfriend, NYPD detective Mike Quinn, finds reason to believe even more sinister forces are involved.

Eddie's on his way back from a routine investigation when his horse almost runs down a half-naked blonde in serious trouble. Against his better judgment, he promises to protect the frightened young woman, only to find himself waylaid by unknown assailants and left for dead beside her mutilated body.

Lynch mobs, chain gangs, and popular views of black Southern criminals that defined the Jim Crow South are well known. We know less about the role of the urban North in shaping views of race and crime in American society. Chronicling the emergence of deeply embedded notions of black people as a dangerous race of criminals by explicit contrast to working-class whites and European immigrants, this fascinating book reveals the influence such ideas have had on urban development and social policies.

Growing up on the cold, mean, inner-city streets of Baltimore is Netta, leader of an all-girl clique called the Pussy Pound. With no father and a dope fiend for a mother, Netta learns at an early age how to use her beauty and her body to get the things she wants: money, cars, and jewelry. Chasing the almighty dollar, she meets Black, a local drug dealer with a deep-seated hatred for New Yorkers who falls head over heels in love with her. With a broken heart, Black discovers that Netta is only after his money and seeks the ultimate revenge against her life.

When the road forks, how do you know which path is the right one? Raven Black hunts evildoers for fun, but her vigilante justice isn't the only reason she's hiding from the law. Half vampire, half mage, she's spent years living as a rogue to stay alive. When a Russian shifter offers her a job in his covert organization hunting outlaws, dignity and a respectable career are finally within her grasp.

Power hungry Don Jimmy Collucci is out to become the kingpin of Chicago's "Honored Society." His rise to the top can only be thwarted by one man - a man fueled by revenge who is hell-bent on bringing Collucci's infamous organization down: the "Black Warrior," Jessie Taylor. When ambitions collide, guns are drawn and blood is spilled. This gritty crime fiction tale is the original Mafia story.

Beginning in the mid-1990s, American cities experienced an astonishing drop in violent crime. By 2014, the United States was safer than it had been in 60 years. Sociologist Patrick Sharkey gathered data from across the country to understand why this happened. Sharkey puts forth an entirely new approach to confronting violence and urban poverty. At a time when inequality, complacency, and conflict all threaten a new rise in violent crime, and the old methods of policing are unacceptable, the ideas in this book are indispensable.

Some cases never leave you. For John Rebus, 40 years may have passed, but the death of beautiful, promiscuous Maria Turquand still preys on his mind. She was murdered in her hotel room on the night a famous rock star and his entourage were staying there, and Maria's killer has never been found. Meanwhile, the dark heart of Edinburgh remains up for grabs.

Since being taken from his home by his mother in the middle of the night, fighting for survival is all Antonias Lambrianu has ever known. He soon learns that money is power and sets his sights on what he sees as a better future. When his past finally catches up with him, it unexpectedly opens up new opportunities, but new threats come hand in hand with them. Antonias is determined that he will emerge triumphant, but there’s jeopardy everywhere and the stakes are high. Everyone, it seems, is playing dangerous games...Antonias most of all.

As a painter travels the world and creates his art, he also mourns the death of his queen, his wife. He is secluded from the world and finds an escape through the drawings in his work. Not until he gets an unexpected knock at his door does his life take a drastic turn. The guest presents a problem that traps them inside of a home for 72 hours and this quiet suburban estate becomes the devil’s playground. The painter is then thrown into a psychological game that has twists and turns, which leads to an unforeseeable ending.

Born to the game, the younger Santanas found themselves forced to fill their mothers’ shoes after the two sisters were indicted by the feds. Instead of sticking to the blueprints they inherited, they deviated far from the script. The money, power, and respect shot straight to their heads, and they used their status as a weapon. Now, their deadly display of violence and bloodshed has drawn heavy attention and heat to the family name.

Pierce Ambrose. That was the name of the man I'd been sent to kill. The man I'd failed to kill. I have one day left to make good on my contract before the thugs holding my sister and her son start sending me pieces of them. Pierce Ambrose. A man with a secret I didn't uncover until it was too late to turn back, too late to give up on trying to kill him. Now, if I want to see my sister and nephew again, I have to try one last time. My name is Mac Brennan, and this time I'm playing for keeps.

Detective Houser wants nothing more than his retirement, but when a murder case involving the WMM firm lands on his desk, he can’t avoid it. All of law enforcement knows that WMM Advertising, also known as We Make Millionaires, is one of the biggest and hardest-to-penetrate fraudulent telemarketing firms in the state of Georgia. A tape recording of a man’s death may finally help Houser make a case against the firm. Calling in Alexis Greenspan, a.k.a. Nina Coles, the top sales associate in the company, Houser is determined to use her to find out the company’s secrets.

Pappy tries to break out of the game before the head of his crew, Black, gets them all killed. Against his better judgment Pappy agrees to do one last job, but only because it’s the price of his freedom. He knows Black can’t be trusted. He knows his “brother” would rather see him dead than let him walk away. Yet he still agrees to do the job because Black isn’t the only one who can’t be trusted. Sometimes you have to kill for what you want. Further developing the stark realism and uncompromising streetwise narratives of his lyrics, H.N.I.C. cements Prodigy’s position as one of the foremost chroniclers of contemporary urban life.