Urban Fantasy Horror

John Birmingham is the master of alternate history adventure - and now he's mastered a new genre with the volcanically fast-paced and wildly inventive Dave Hooper urban fantasy series. The series is anchored by a thrilling high concept: An oil rig opens a rift deep in the ocean that unleashes terrifying monsters into the world. But perhaps its coolest asset is its hero, Dave Hooper, a tough, bleakly funny, down-on-his luck oil rig worker with an unlikely destiny as a monster-slayer and world savior.

In her 10th adventure, nothing can save vampire hunter Anita Blake from a twist of fate that draws her ever closer to the brink of humanity.

When fate knocks, answer the door. Unless it knocks three times. Then pretend you didn't hear it. Nora Ashcroft knows all too well that life is full of trouble when you can speak to the dead. When she accidentally lets in a dark entity to the house she shares with Ruby, it's up to her to banish the who-knows-what before the rest of Eastwind devolves into complete chaos. If she hopes to succeed, she'll need a special kind of assistance, and, unfortunately, the best man for the job is also the last witch in town she wants to spend time with...

Who would suspect that the same mind that created the most famous literary detective of all time also took on the eternally popular genre of vampires? Sir Arthur Conan Doyle, a contemporary of Bram Stoker, gave us some fascinating works of vampire fiction. From the bloodsucking plant in "The American's Tale" to the bloodsucking wife in "The Adventure of the Sussex Vampire," he reveled in the horror created by creatures who survived on the blood of men and women.

It’s no surprise to Betsy that her trip to Hell with her sister, Laura, landed them in hot water. Betsy isn’t exactly sorry she killed the Devil but it’s put Laura in a damnable position: assuming the role of Satan (she may not have the training but she looks great in red) - and in charge of billions of souls as she moves up in the world. Or is that down? But Betsy herself is in an odd new position as well - that of being a responsible monarch suddenly in charge of all things more earth-bound: like her vampire husband, Sinclair, who has gone from relieved to ecstatic to downright reckless now that he can tolerate sunlight.

In this seventh series installment, a ship that vanished (along with everyone on board) 25 years ago has reappeared. Hired to investigate, Seattle PI Harper Blaine soon uncovers evidence that a powerful being may be responsible. Meanwhile, local police detective Rey Solis attempts to solve the mystery of the death of a passenger’s wife.

The Earth is dying. Humanity - over-breeding, over-consuming - is destroying the very planet they call home. Multinational corporations despoil the environment, market genetically modified crops to control the food supply, and use their wealth and influence and private armies to crush anything, and anyone, that gets in the way of their profits. Nothing human can stop them. But something unhuman might. Once they did not fear the sun. Once they could breathe the air and sleep where they chose.

In the thralls of supernatural passion, Anita Blake faces a most human dilemma.

Charlie Hall has never found a lock she couldn’t pick, a book she couldn’t steal, or a bad decision she wouldn’t make. She's spent half her life working for gloamists, magicians who manipulate shadows to peer into locked rooms, strangle people in their beds, or worse. Gloamists guard their secrets greedily, creating an underground economy of grimoires. And to rob their fellow magicians, they need Charlie Hall.

Mechanic Mercy Thompson has friends in low places - and in dark ones. And now she owes one of them a favor. Since she can shape-shift at will, she agrees to act as some extra muscle when her vampire friend Stefan goes to deliver a message to another of his kind. But this new vampire is hardly ordinary - and neither is the demon inside of him.

The Movie Town Theater is holding its first ever Film Noir Festival, with Pen handling book sales for the guest speakers, including screen actress Hedda Geist. The legendary femme fatale has been out of the spotlight for decades. Unfortunately, the moment she steps back into it, she's nearly killed. Then other guests start to die, and Penelope wants to know why her little town's Film Noir weekend has taken a truly dark turn.

The deadly dimensions over London have been sealed, and the monsters have departed. But word has come to Sherlock Holmes and Dr. Watson of a more terrifying creature still - the great Cthulhu has been sighted off the waters of Innsmouth, Massachusetts. Only Holmes can defeat him. And in the muddy village of Innsmouth, surrounded by villagers who are more sea-monster than human, Holmes meets again his nemesis, Moriarty, and yet greater foes: Amelia Scarcliffe and Maria Fitzgerald, harbingers of Dagon, who have called forth Cthulhu.

When he was 19, James Stark was considered to be one of the greatest natural magicians, a reputation that got him demon-snatched and sent downtown - to Hell - where he survived as a gladiator, a sideshow freak entertaining Satan's fallen angels. That was 11 years ago. Now, the hitman who goes only by Stark has escaped and is back in L.A. Armed with a fortune-telling coin, a black bone knife, and an infernal key, Stark is determined to destroy the magic circle.

Ex-burlesque dancer and aspiring author Tamara Garvey just had her world turned upside down. Her best friend died and leaves her as guardian to a teenager. Now, not only is Tamara struggling with her new role but she is also charged with caring for the family home, the Ridaught Plantation known by the locals as the Dead House. To her surprise, the place is already occupied by an angsty ghost named Joey who has a penchant for wearing her clothes and a fascination for paranormal movies and television shows.

As a child, Henry Cadmus lived on Catalina Island, a scenic vacationland off the Southern California coast. But Henry's experiences were far from idyllic. Today, even though Henry has seen firsthand the horrors of war, the ghastly images that haunt his dreams are ones he associates with his childhood... and the island: a snarling pig-man holding a cleaver; a jackal-headed woman on a high balcony, dripping blood; strange occult rituals... and worse. If it was up to Henry, he would avoid the island entirely.

Afin d’accéder à une magie supérieure et éviter que son histoire familiale ne se répète, Diana Bishop va devoir se défaire de ses peurs et libérer toute l’ampleur de ses pouvoirs. Le grand retour d’une héroïne puissante et fascinante.

Hugh and his men are faced with fighting creatures only thought to live in legend but which have been brought to Earth by evil bent on annihilating all the realms. That is Hugh's life - and he loves it. At least he did until he found himself staring into the angelic, innocent face of Lady Mina of Stone Crest. In all the time he has led the Shields Hugh has trusted his instinct to keep his men alive, yet now he doesn't know what to believe. Everything points to Mina as the evil summoning the creatures, but she proclaims her innocence. He should be able to see through her lies, if she is indeed lying, but his attraction to her blinds him to even that.

Lestat speaks. Vampire-hero, enchanter, seducer of mortals - for centuries he has been a courted prince in the dark and flourishing universe of the living dead. Lestat is alone. And suddenly, all his vampire rationale - everything he has come to believe and feel safe with - is called into question. In his overwhelming need to destroy his doubts and his loneliness, Lestat embarks on the most dangerous enterprise he has undertaken in all the danger-haunted years of his long existence.

The award-winning artist Brom takes us on a haunting look at the true world of Peter Pan, in his first full-length novel. From modern day New York to the dying land of Faerie, The Child Thief reveals the world of Peter Pan through the eyes of an insecure runaway who is seduced by Peter’s charm. But any dreams of a fairy wonderland are quickly replaced by the reality of life and death survival as Peter’s recruits are forced into a lethal battle in which the line between good and evil is blurred.

Vitus Adamson is falling apart. As a pre-deceased private investigator, he takes the prescription Atroxipine hourly to keep his undead body upright and functioning. Whenever he is injured, he seeks Niko, a bombshell mortician with bedroom eyes and a way with corpses, to piece him back together. Decomposition, however, is the least of his worries when two clients posing his most dangerous job yet appear at his door looking for their lost son.