Urban Sociology

Every day, more than 45 million Americans attempt to survive below the poverty line. Every night, nearly 60,000 people sleep in New York City-run shelters, 40 percent of them children. In This Is All I Got, award-winning journalist Lauren Sandler brings this deeply personal issue to life, vividly depicting one woman's hope and despair and her steadfast determination to change her life despite the myriad setbacks she encounters.

The remarkable lengths Ruderman and Laker go to for the story - chasing down witnesses on the city's grimmest streets, sifting through archive boxes and hours of surveillance tape for crucial clues, and coaxing reluctant victims to come forward - put their determination to balance motherhood with the career they love to the ultimate test.

In Capital, Commonwealth Prize-winning author Rana Dasgupta examines one of the great trends of our time: The expansion of the global elite. Capital is an intimate portrait of the city of Delhi, which bears witness to the extraordinary transmogrification of India's capital. But it also offers a glimpse of what capitalism will become in the coming, post-Western world. The story of Delhi is a parable for where we are all headed.

This new South End Press edition makes available the full text of this out-of-print classic - along with a new foreword by Manning Marable, interviews with participants in DRUM, and reflections on political developments over the past three decades by Georgakas and Surkin.

In The Habit of Turning the World Upside Down, Howard Mansfield returns with thoughtful linked narratives examining a crucial and overlooked element of American identity: property.

Historic quarters in cities and towns across the middle of Europe were devastated during the Second World War—some, like those of Warsaw and Frankfurt, had to be rebuilt almost completely. They are now centers of peace and civility that attract millions of tourists, but the stories they tell about places, peoples, and nations are selective. They are never the whole story. Exploring seven old towns, from Frankfurt and Prague to Vilnius in Lithuania, Marek Kohn examines how they have been used since the Second World War to conceal political tensions and reinforce certain versions of history.

Last Subway is the fascinating and dramatic story behind New York City's struggle to build a new subway line under Second Avenue and improve transit services all across the city. With his extraordinary access to powerful players and internal documents, Philip Mark Plotch reveals why the city's subway system, once the best in the world, is now too often unreliable, overcrowded, and uncomfortable. Last Subway offers valuable lessons in how governments can overcome political gridlock and enormous obstacles to build grand projects.

The term gentrification has become a buzzword to describe the changes in urban neighborhoods across the country, but we don’t realize just how threatening it is. It means more than the arrival of trendy shops, much-maligned hipsters, and expensive lattes. The very future of American cities as vibrant, equitable spaces hangs in the balance. P. E. Moskowitz’s How to Kill a City takes listeners from the kitchen tables of hurting families who can no longer afford their homes to the corporate boardrooms and political backrooms where destructive housing policies are devised.

The North Will Rise Again covers the colourful adventures of its inhabitants, the expansiveness and optimism that defines Northern culture, and the recurrent sense of failure and despair that is at the heart of one of the West’s most impoverished regions. By telling the story of the North in the last few decades, Alex goes in search of answers to some of the big questions at the forefront of British politics and society today.

On October 27, 2018, a gunman killed 11Jews who were worshipping at the Tree of Life synagogue in Squirrel Hill - the most deadly anti-Semitic attack in American history. Many neighborhoods would be understandably subsumed by despair and recrimination after such an event, but not this one. Mark Oppenheimer poignantly shifts the focus away from the criminal and his crime, and instead presents the historic, spirited community at the center of this heartbreak.

Quando noi italiani pensiamo alla nazione che vorremmo diventare, cosa ci viene in mente? Probabilmente vorremmo avere un'economia in grande crescita e la piena occupazione: un paese in cui chiunque voglia lavorare possa farlo. Vorremmo avere le migliori università del pianeta e bellezze naturali adeguatamente valorizzate, prodotti culturali dall'influenza globale e la possibilità di definire «made in Italy» non solo un paio di scarpe ma anche un'app capace di costruire il futuro e un'idea che sappia cambiare il mondo.

Growing up in the shadow of Hollywood, the gay sons of immigrants featured in Brown and Gay in LA could not have felt further removed from a world where queerness was accepted and celebrated. Instead, the men profiled here maneuver through family and friendship circles where masculinity dominates, gay sexuality is unspoken, and heterosexuality is strictly enforced. For these men, the path to sexual freedom often involves chasing the dreams while resisting the expectations of their immigrant parents—and finding community in each other.

America is obsessed with Los Angeles. And America has been thinking about Los Angeles all wrong, for decades, on repeat. Los Angeles is not just the place where the American dream hits the Pacific. (It has its own dreams.) Not just the vanishing point of America's western drive. (It has its own compass.) Functionally, aesthetically, mythologically, even technologically, an independent territory, defined less by distinct borders than by an aura of autonomy and a sense of unfurling destiny - this is the city-state of Los Angeles.

Drew Philp, an idealistic college student from a working-class Michigan family, withdraws from the comforts of life on a university campus in search of a place to live where he can make a difference. He sets his sights on Detroit, the failed metropolis of abandoned buildings, widespread poverty, and rampant crime - a complicated source of national fascination, often stereotyped and little understood. Arriving with no job, no friends, and no money, Philp is naïvely determined to fix the huge, broken city with his own hands and on his own terms.

The remarkable and inspiring story of how London was transformed after the Great Fire of 1666 into the most powerful city in the world, and the men who were responsible for that achievement. Opening in the 1640s, as the city was gripped in tumult leading up to the English Civil War, The Phoenix charts the lives and works of five extraordinary men who would grow up in the chaos of a world turned upside down: the architect, Sir Christopher Wren; gardener and virtuosi, John Evelyn; the scientist, Robert Hooke; the radical philosopher, John Locke; and the builder, Nicholas Barbon.

Author, social critic, and “New York City’s career elegist” (New York Times), Jeremiah Moss felt alienated in a town that had become suburbanized and sanitized. Then lockdown launched an unprecedented urban experiment: What happens when an entire social class abandons the city? Out in streets made vibrant by New Yorkers left behind, Moss found a sense of freedom he never thought possible.

Exploring the power of naming to shape experience and our sense of place, Joshua Jelly-Schapiro traces the ways in which native Lenape, Dutch settlers, British invaders, and successive waves of immigrants have left their marks on New York City’s map. He excavates the roots of many names, from Brooklyn to Harlem, that have gained iconic meaning worldwide. He interviews the last living speakers of Lenape, visits the harbor’s forgotten islands, lingers on street corners named for ballplayers and saints, and meets linguists who study the estimated 800 languages now spoken in New York.

Urban violence is one of the most divisive and allegedly intractable issues of our time. But as Harvard scholar Thomas Abt shows in Bleeding Out, we actually possess all the tools necessary to stem violence in our cities. Coupling the latest social science with firsthand experience as a crime-fighter, Abt proposes a relentless focus on violence itself.

Street Farm is the inspirational account of residents in the notorious Low Track in Vancouver, British Columbia, one of the worst urban slums in North America, who joined together to create an urban farm as a means of addressing the chronic problems in their neighborhood. It is a story of recovery, of land and food, of people, and of the power of farming and nourishing others as a way to heal our world and ourselves.

Revealing how seemingly race-neutral urban sites contain hidden racial assumptions and imperatives, Lipsitz examines the ways in which urban space and social experience are racialized and emphasizes that aggrieved communities do not passively acquiesce to racism. He recognizes the people and communities that have re-imagined segregated spaces in expressive culture as places for congregation.