Urban Violence

Why is it so much easier for the Democratic Party to win the national popular vote than to build and maintain a majority in Congress? Why can Democrats sweep statewide offices in places like Pennsylvania and Michigan yet fail to take control of the same states' legislatures? Many place exclusive blame on partisan gerrymandering and voter suppression. But as political scientist Jonathan A. Rodden demonstrates in Why Cities Lose, the left's electoral challenges have deeper roots in economic and political geography.

Urban violence is one of the most divisive and allegedly intractable issues of our time. But as Harvard scholar Thomas Abt shows in Bleeding Out, we actually possess all the tools necessary to stem violence in our cities. Coupling the latest social science with firsthand experience as a crime-fighter, Abt proposes a relentless focus on violence itself.

On a warm spring evening in South Los Angeles, a young man is shot and killed on a sidewalk minutes away from his home, one of the thousands of Black Americans murdered that year. His assailant runs down the street, jumps into an SUV, and vanishes, hoping to join the scores of killers in American cities who are never arrested for their crimes. But as soon as the case is assigned to Detective John Skaggs, the odds shift.

Inner-city Black America is often stereotyped as a place of random violence; in fact, violence in the inner city is regulated through an informal but well-known code of the street. How you dress, talk, and behave can have life-or-death consequences, with young people particularly at risk. The most powerful force counteracting this code and its reign of terror is the strong, loving, decent family, and we meet many heroic figures in the course of this narrative.

America is an urban nation. More than two thirds of us live on the three percent of land that contains our cities. Yet cities get a bad rap: they're dirty, poor, unhealthy, crime ridden, expensive, environmentally unfriendly. Or are they? As Edward Glaeser proves in this myth-shattering book, cities are actually the healthiest, greenest, and richest (in cultural and economic terms) places to live.

Cassel always thought he was an ordinary guy, until he realized his memories were being manipulated by his brothers. Now he knows the truth - he’s the most powerful curse worker around. A touch of his hand can transform anything - or anyone - into something else. That was how Lila, the girl he loved, became a white cat. Cassel was tricked into thinking he killed her, when actually he tried to save her. Now that she’s human again, he should be overjoyed. Trouble is, Lila’s been cursed to love him. And if Lila’s love is as phony as Cassel’s made-up memories, then he can’t believe anything she says or does.

Chronicling Andrew Solomon's stint on the barricades in Moscow in 1991, when he joined artists in resisting the coup whose failure ended the Soviet Union; his 2002 account of the rebirth of culture in Afghanistan following the fall of the Taliban; his insightful appraisal of a Myanmar steeped in contradictions as it slowly, fitfully pushes toward freedom; and many other stories of profound upheaval, this book provides a unique window onto the very idea of social change.

In a world where magic is illegal, Cassel Sharpe has the most deadly ability of all: With one touch, he can transform any object - including a person - into something else entirely. And that makes him a wanted man. The Feds are willing to forgive all his past crimes if he’ll only leave his con-artist family behind and go straight. But why does going straight feel so crooked? For one thing, it means being on the opposite side of the law from Lila, the girl he loves.

The peace between humans and vampires balances on a knife's edge, ready to descend into murderous chaos at any moment. It's up to the Assembly to discreetly clean up conflicts and track down criminals before bloodshed becomes a cause for concern. That's where Miles Watson comes in. As an Arbiter, he has free reign to find, adjudicate against, and punish perpetrators. And he operates just far enough outside the law to make sure those who break it get what's coming to them.

All places are not created equal. In this groundbreaking book, Richard Florida shows that where we live is increasingly a crucial factor in our lives, one that fundamentally affects our professional and personal prospects. As well as explaining why place matters now more than ever, Who's Your City? provides indispensable tools to help you choose the right place for you.

A sweeping history of cities through the millennia - from Mesopotamia to Manhattan - and how they have propelled Homo sapiens to dominance.

Denim Mitchell is excited to learn that she’s been selected to tutor students after school. Not only will this earn her extra credit in her honors classes, but it will also look good on her college applications. Fourteen-year-old Julius Graham enjoys working with his new tutor, but when he becomes the only witness to a horrific crime in his neighborhood, Julius shuts down emotionally. He hasn’t told anyone what he saw, but with the detectives hanging around his house asking questions, he fears that it’s only a matter of time before the murderer comes looking for him.

We are living in a time of uprisings that routinely involve physical confrontation—burning vehicles, barricades, vandalism, and scuffles between protesters and authorities. Yet the Left has struggled to incorporate rioting into theories of change, remaining stuck in recurring debates over violence and nonviolence. Civil resistance studies have popularized the term “strategic nonviolence,” spreading the notion that violence is wholly counter-productive.

For one night a couple checks in to an upscale hotel. The pair seem unlikely companions, from opposing strata of society, but their attraction is palpable to all who observe them - or overhear their cries of passion. In the course of 12 hours, con games, erotic interludes, jealousy, violence, and murder swirl around them. Will they part ways in bliss, in sorrow, or in death?

A rogue master vampire hits town, and Anita gets caught in the middle of an undead turf war. Jean-Claude, the Master Vamp of the city, wants her for his own - but his enemies have other plans. And to make matters worse, Anita takes a hit to the heart when she meets a stunningly handsome junior high science teacher named Richard Zeeman. They're two humans caught in the crossfire - or so Anita thinks

Baby-faced teen Giovanni Macedo is desperate to find belonging in one of LA's most predatory gangs, the Columbia Lil Cycos—so desperate that he agrees to kill an undocumented Mexican street vendor. The vendor, Francisco Clemente, had been refusing to give in to the gang's shakedown demands. But Giovanni botches the hit, accidentally killing a newborn instead. The overlords who rule the Lil Cycos from a Supermax prison 1,000 miles away must be placated and Giovanni is lured across the border where, in turn, the gang botches his killing.

Adults don’t talk about the business of doing our business. We work on one assumption: The world of public bathrooms is problem - and politics-free. No Place to Go: How Public Toilets Fail Our Private Needs reveals the opposite is true. No Place to Go is a toilet tour from London to San Francisco to Toronto and beyond. From pay potties to deserted alleyways, No Place to Go is a marriage of urbanism, social narrative, and pop culture that shows the ways - momentous and mockable - public bathrooms just don’t work.

Shortly after a dismembered torso was discovered by a pond outside Philadelphia in 1887, investigators homed in on two suspects: Hannah Mary Tabbs, a married, working-class Black woman, and George Wilson, a former neighbor whom Tabbs implicated after her arrest. As details surrounding the shocking case emerged, both the crime and ensuing trial - which spanned several months - were featured in the national press. The trial brought otherwise taboo subjects such as illicit sex, adultery, and domestic violence in the Black community to public attention.

In the 18th century, Bridgetown, Barbados, was heavily populated by both enslaved and free women. Marisa J. Fuentes creates a portrait of urban Caribbean slavery in this colonial town from the perspective of these women whose stories appear only briefly in historical records. Combining fragmentary sources with interdisciplinary methodologies that include black feminist theory and critical studies of history and slavery, Dispossessed Lives demonstrates how the construction of the archive marked enslaved women's bodies, in life and in death.

Here's a tip: when you fall into Hell, seduce the devil. Not that the devil needs much seducing. He's seen all the twisted, blood-soaked things I've done on Earth, and he's already obsessed with me. A little too obsessed, if you ask me. I already have four mates, and they're more than enough trouble. But when the devil—I'm calling him Dev—gives me a chance to hit my psychopath father where it hurts and take out some of his minions, I jump at the chance. I'm not an assassin-for-hire, but if Eidolon keeps amassing power, he'll be even more dangerous.