Urban Violence

He's touching the front of his coat, feeling the shape of the gun. Should have got rid of it. On any other night, any other job, he would. This isn't any other job. This, he intends, will be his last... It begins with two deaths: a money-man and a grass. Deaths that offer a unique opportunity to a man like Calum MacLean. A man who has finally had enough of killing. Meanwhile two of Glasgow's biggest criminal organisations are at quiet, deadly war with one another. And as Detective Michael Fisher knows, the biggest - and bloodiest - manoeuvres are yet to come...

Street Farm is the inspirational account of residents in the notorious Low Track in Vancouver, British Columbia, one of the worst urban slums in North America, who joined together to create an urban farm as a means of addressing the chronic problems in their neighborhood. It is a story of recovery, of land and food, of people, and of the power of farming and nourishing others as a way to heal our world and ourselves.

Here's a tip: when you fall into Hell, seduce the devil. Not that the devil needs much seducing. He's seen all the twisted, blood-soaked things I've done on Earth, and he's already obsessed with me. A little too obsessed, if you ask me. I already have four mates, and they're more than enough trouble. But when the devil—I'm calling him Dev—gives me a chance to hit my psychopath father where it hurts and take out some of his minions, I jump at the chance. I'm not an assassin-for-hire, but if Eidolon keeps amassing power, he'll be even more dangerous.

In the 18th century, Bridgetown, Barbados, was heavily populated by both enslaved and free women. Marisa J. Fuentes creates a portrait of urban Caribbean slavery in this colonial town from the perspective of these women whose stories appear only briefly in historical records. Combining fragmentary sources with interdisciplinary methodologies that include black feminist theory and critical studies of history and slavery, Dispossessed Lives demonstrates how the construction of the archive marked enslaved women's bodies, in life and in death.

Sixteen-year-old Sarah can't draw. This is a problem, because as long as she can remember, she has "done the art." She thinks she's having an existential crisis. And she might be right; she does keep running into past and future versions of herself as she wanders the urban ruins of Philadelphia. Or maybe she's finally waking up to the tornado that is her family, the tornado that six years ago sent her once-beloved older brother flying across the country for a reason she can't quite recall.

Deux jeunes gens se cherchent du regard dans un pub londonien, échangent quelques mots, se revoient. Lui tente de percer dans la photographie, elle est danseuse. Ils partagent la même ambition, les mêmes blessures et bientôt un amour aussi fusionnel que tendre. "Open Water" raconte ce que c'est d'être noir dans une ville qui tantôt vous acclame, tantôt vous rejette. Une ville où l'on vous regarde plutôt que l'on vous voit. Le racisme insidieux qui abîme et la peur qui étreint lorsqu'on sort de chez soi.

In the tradition of works like Random Family and Behind the Beautiful Forevers, Sudhir Venkatesh’s The Tomorrow Game is a deeply reported chronicle of families surviving in a Southside Chicago community. At the heart of the story are two teenagers: Marshall Mariot, an introverted video gamer and bike rider, and Frankie Paul, who leaves foster care to direct his cousin’s drug business while he’s in prison.

Social scientists have long argued over the links between crime and place. The authors of Communities and Crime provide an intellectual history that traces how varying images of community have evolved over time and influenced criminological thinking and criminal justice policy.

Cities and the Creative Class gathers in one place for the first time the research leading up to Richard Florida's theory on how the growth of the creative economy shapes the development of cities and regions. In a new introduction, Florida updates this theory and responds to the critics of his 2002 best seller, The Rise of the Creative Class.

Nikki Turner, Queen of Hip-Hop Lit, is back with one of her gutsiest female characters yet, a glamorous chick with a high-end hustle that can rival any man’s game. As the respected, renowned concierge for a luxury hotel chain, Beijing Lee caters to the wealthy and famous. Whether it’s securing a dinner reservation, a fleet of limos, or a record deal, or protecting her clients from the paparazzi, there’s nothing Beijing can’t do. She’s stacked up an impressive pile of IOUs from the world’s elite - and one day she decides it’s time to start cashing in.

Inspired by the real-life murder of a British army soldier by religious fanatics, and the rampant burning of mosques that followed, Guy Gunaratne’s In Our Mad and Furious City is a snapshot of the diverse, frenzied edges of modern-day London. A crackling debut from a vital new voice, it pulses with the frantic energy of the city’s homegrown grime music and is animated by the youthful rage of a dispossessed, overlooked, and often misrepresented generation.

Amid increasing hardship and limited employment options, poor urban youth are developing creative online strategies to make ends meet. Using such social media platforms as YouTube, Twitter, and Instagram, they're capitalizing on the public's fascination with the ghetto and gang violence. But with what consequences? Ballad of the Bullet follows the Corner Boys, a group of 30 or so young men on Chicago's South Side who have hitched their dreams of success to the creation of "drill music" (slang for "shooting music").

Iesha never dreamed of falling in love again after escaping her abusive relationship with Vaughn… until she meets Jamaica. The two of them start off strong and loving, but it doesn’t take long for their relationship to take a turn for the worse. Vowing to never let another man abuse her, Iesha decides to fight back. But when push comes to shove and they go their separate ways, one takes it better than the other and that’s when things really get interesting.

Urban survival focuses on keeping safe in your daily life as well as a crisis. It’s having a plan, and developing the skills needed to not just survive, but thrive in an urban environment. It is not a “prepper” mentality of waiting for a pending threat. It is accepting the fact that we live in turbulent times. Just watch the news. Every day there is a shooting, people being beaten, stabbed, pushed in front of oncoming subway trains, social unrest, and political threats. Forewarned is forearmed. Let’s get to that plan!

All Eddie wants is to find a way out of the dangerous life he's living, where his friends are lost in a world of drugs and violence. Even his aunt wants to give him a gun so he can avenge the death of her son. But no matter how hard he works, Eddie can't seem to pull himself away from the sweltering sadness of the city. It's as if giant onions had been buried beneath him, Eddie thinks, releasing shimmering vapors off the black asphalt all around.

One word binds us all: geography. We are all geographers, human beings who care about the places we think of as 'home' - our habitat. And yet we have lost touch with the connection between our actions and the state of the planet that we all share. We need a new myth, a new narrative that restores the connections between humanity and the Earth. We are being confronted by a daily barrage of geographical stories on climate change, geopolitics, population growth, migration, dwindling resources, polluted oceans and natural hazards. These are planetary concerns affecting all people and all places.

Beginning in the mid-1990s, American cities experienced an astonishing drop in violent crime. By 2014, the United States was safer than it had been in 60 years. Sociologist Patrick Sharkey gathered data from across the country to understand why this happened. Sharkey puts forth an entirely new approach to confronting violence and urban poverty. At a time when inequality, complacency, and conflict all threaten a new rise in violent crime, and the old methods of policing are unacceptable, the ideas in this book are indispensable.