Victorian Authors

Furious at being tricked into marrying a woman who keeps a hedgehog in her pocket, Derek couldn't get away from Eleanor fast enough after their vows were read. It's been a year since he's seen her, and he has no plans to change that anytime soon - until his scheming cousin shows up and declares the union a sham. Now Derek has exactly one month to woo a wife he never desired and consummate a marriage he never wanted.

The Victorian Plague is a satire on self-awareness, religion and philosophy. The title is an allegory to what eastern theology dubs the ego, its effect on the conditioning of the modern primate and civilization as it currently stands. It is the author's unfiltered zeitgeist and theory of reality. The author presents a deconstruction of our modern-day perception of what reality is, what it means to be alive and presents some subjective theories of the historical influences that led us to arriving at the awareness that we currently rest at.

Emma Cadbury had been an innocent, a whore, a charity worker, and a surgeon. She chose a life without love until she saved a dying soldier in a charity ward. Brandon Rohan had lost himself to drugs and degradation, wanting to die, and only one person could save him. But she’d disappeared. Now they’ve come together again, but he doesn’t remember, and she doesn’t want to. But someone is trying to kill her, and Brandon is the one man who can save her.

Hardy's work challenged sexual and religious conventions in a way that few other authors of the time dared. Though his modesty and kindness allowed some to underestimate him, or even to pity him, they did not prevent him from taking on the central themes of human experience: time, memory, loss, love, fear, grief, anger, death. This engrossing biography identifies the inner demons and the outer mores that drove Hardy and presents a complex portrait of one of the greatest figures in English literature.

Notorious rogue Lawrence Russell has no desire to marry - or, heaven forbid, fall in love. Although he enjoys his fair share of pleasure, Lawrence prefers to protect his heart. Yet when he comes to the rescue of a brave and passionate Persian princess, he discovers his heart may be at risk from the very thing he's always feared....

Lady Andromeda Barrington is the most unsuitable young lady in London. At least in the Duke of Granby’s opinion. Granby doesn’t care for bastard relatives or tainted pedigrees and Andromeda possesses both. Nor does he like opinionated young ladies who enjoy hurling insults in his direction. Andromeda is, in short, the most annoying creature he’s ever met. When she arrives, uninvited, to a house party given at his estate, Granby can’t decide whether to kiss Andromeda senseless or send her packing. Andromeda is the victim of infatuation and bad luck.

Leo Murphy believes in playing the odds, as long as the house wins. As the owner of Elysium, London’s most exclusive gambling hell, Leo’s existence depends on predicting his opponent’s next move. Rarely is he surprised. Until he meets the Lord Masterson's young bride losing at cards.

Lord Vaughn, Viscount Darlington, has a dark reputation for sinful pleasures, putting off even the most ardent mamas who crave his title for their unmarried daughters. They say he's dangerous enough to ruin a woman with just one look...but he can't resist the pleas of a woman who needs his help. This rogue might yet be redeemed. All of London adores Perdita Darby. She receives invites to every party and has eligible gentlemen willing to wait for her, but she has no desire to marry.

While 1858 in London may have been noteworthy for its broiling summer months and the related stench of the sewage-filled Thames River, the year is otherwise little remembered. And yet, historian Rosemary Ashton reveals in this compelling microhistory, 1858 was marked by significant, if unrecognized, turning points. For ordinary people, and also for the rich, famous, and powerful, the months from May to August turned out to be a summer of consequence.

Rhys Sheffield, the Duke of Worthington, has bet his friends an ungodly sum of money that despite his loftiness, he can pass himself off as a servant at the house party of the Season. But when his ex-flame arrives and recognizes Rhys pretending to be a groomsman, she realizes it's the perfect opportunity to pay him back for breaking off their engagement.

Making Oscar Wilde reveals the untold story of young Oscar's career in Victorian England and post-Civil War America. Set on two continents, it tracks a larger-than-life hero on an unforgettable adventure to make his name and gain international acclaim. Combining new evidence and gripping cultural history, Michele Mendelssohn dramatizes Wilde's rise, fall, and resurrection as part of a spectacular transatlantic pageant. With superb style and an instinct for storytelling, she brings to life the charming young Irishman who set out to captivate the US and Britain with his words.

Lady Theodosia Barrington is practically begging to be ruined. That’s the assumption of the Marquess of Haven after spying Theodosia at a house party given by the Duke of Granby. After his father left him little else but a title and a crumbling estate, Haven is in desperate need of an heiress.

All of London knows Beau Bellham as the marquess of Bellingham, but only a trusted few know he also works for the Home Office. His specialty? Scouting out traitors to the Crown. So, when one of his friends pretends to be a footman at a house party in order to find a wife, Beau decides posing as a valet at the same gathering will be the perfect cover for him to spy on the men he suspects of treason. What Beau doesn't count on, however, is butting heads with a far-too-certain-of-herself maid who gives him hell at every turn.

Although they are separated by more than 150 years, Nell finds herself drawn to the Victorian novelist by their shared experiences of unrequited love - Gaskell for an American critic she met in Rome, Nell for a soulful American screenwriter living in Paris. As Nell's romance founders and her passion for academia fails to materialize, she finds herself wondering if the indomitable Mrs. Gaskell might rescue her pursuit of love, family, and a writing career.

From the acclaimed biographer - the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: Can a novel kill?

The Victorians invented mass entertainment. As the 19th century's growing industrialized class acquired the funds and the free time to pursue leisure activities, their every whim was satisfied by entrepreneurs building new venues for popular amusement. Contrary to their reputation as dour, buttoned-up prudes, the Victorians reveled in these newly created "palaces of pleasure".

Tourists have sought out the landmarks, streets, and alleys of Charles Dickens's London ever since the death of the world-renowned author. Late Victorians and Edwardians were obsessed with tracking down the locations—dubbed "Dickensland"—that famously featured in his novels. But his fans were faced with a city that was undergoing rapid redevelopment, where literary shrines were far from sacred. Over the following century, sites connected with Dickens were demolished, relocated, and reimagined.

Unpublished at the time of her death, The Professor is the first novel written by Charlotte Brontë, and the seed of her later books, Jane Eyre and Villette. The narrator of the tale, William Crimsworth, tells a story of courage and ambition among jealousy and envy: Orphaned from a young age, William rejects life in the clergy, and then as a tradesman, to the chagrin of his cruel uncles and elder brother. Instead he pursues a career in education and ends up in Brussels where he meets student/teacher Francis Evans Henri, with whom he falls in love.

Charlotte Brontë is plunged into a perilous adventure and a passionate romance that leads her from the peaceful Yorkshire moors to the crime-infested streets of London, across the sea to the Continent, to the ports of Cornwall, the wilds of Scotland, and the palaces of Queen Victoria herself. Will Charlotte be able to stop a devious invisible villain whose schemes threaten her life, her family, and her country?

There are few labels not attached to Aphra Behn - playwright, poet, a spy, a scarlet woman condemned for loose morals. And yet, for all her notoriety Aphra Behn is an enigma. Born in around 1640, her early life isn't well recorded and facts about her are continually disputed. Her birth name may have been Eaffrey Johnson and she could have been the daughter of a Canterbury barber, although neither fact is certain. And, just after the Restoration she probably briefly lived in the English colony of Surinam in South America, where she was perhaps embroiled in political espionage.