Victorian English Mystery

Pembrokeshire, Wales, 2020. Serious illness has forced Eleanor Wilder to leave her life in London, close her antique shop and return to the family farm in Pembrokeshire. Her instinct is to hide from the world but when her parents bring her to a family reunion at the nearby house, Cliffside, she is transfixed by a set of old family photographs. One of the images is of a woman in theatrical dress, labelled ‘Esme Blood'—a name that is familiar to Eleanor through a set of Victorian tarot cards and diaries that she found through her shop.

England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly remarried to a war-traumatised husband and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex where she is to photograph the contents of the house for auction. She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to re-create the evening.

After almost a year of marriage, amateur sleuths Lord William and Lady Amy have put aside their investigating skills to prepare for their first child. It would be an easy thing, except dead bodies are once again popping up.

Legendary thriller writer David Morrell transports listeners to the fogbound streets of London, where a killer plots to assassinate Queen Victoria. The year is 1855. The Crimean War is raging. The incompetence of British commanders causes the fall of the English government. The empire teeters. Amid this crisis comes opium-eater Thomas De Quincey, one of the most notorious and brilliant personalities of Victorian England. Along with his irrepressible daughter, Emily, and their Scotland Yard companions, finds himself confronted by an adversary who threatens the heart of the nation.

No one in 1840s New York likes fires, copper star Timothy Wilde least of all. After a blaze killed his parents and another left him with a terrible scar, he has avoided flames of all kinds. So when a seamstress turned arsonist threatens Robert Symmes, a corrupt tycoon high in the Tammany Hall ranks, Timothy isn’t thrilled that Symmes consults him. His dismay escalates when his audacious and charismatic older brother, Valentine, himself deeply politically entrenched, decides to run against the incumbent, who they suspect is guilty of assault and far darker crimes.

Straddling the worlds of the ton and the working class, as an ex-solider turned railroad magnate, Zach hunts killers for the Metropolitan Police by day and dutifully attends balls at night. In neither world has he met a woman with the brazenness to mock him. So when a saucy governess blows him a kiss he is determined to catch her, never expecting that when he does he will find an intelligent, quirky woman hiding more than her true name. As Zach peels back the layers of Emily’s lies, he falls for the street-wise woman who handles a dagger like a pro and kisses like a mistress.

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.

1850: Charles Dickens is in Manchester, performing at the Queen's Theatre with his acting group. But his career on the stage is cut short when a man is shot dead - on set. With Dickens himself caught with the gun in his hands, he is immediately arrested. Along with the help of his good friend Superintendent Sam Jones, Dickens must do all he can to find the real killer, before he is locked up for a crime he didn't commit. Can Dickens convince the authorities of his innocence? Will he unmask the true assassin?

The death of Callie Scott's fashionable father left her with nothing - except an inquisitive mind not even her grandmother's puritanical upbringing could quash. An adventurous spirit doesn't get her much in New York City, however, except an abysmal position as a ladies maid. Things are looking up when she lands a trial job in a library. Her benefactor's offer of wine before noon should have signaled something amiss.

Paris, 1899. Abigail Wilson has received an invitation from Professor Alphonse Flamand, a prominent French Professor of Archaeology, to join him on an archaeological dig in Egypt. Overjoyed to be presented with such an opportunity, Abigail and her husband, Daniel, travel to Paris to meet the professor at his office in the Louvre to discuss plans. However, when Abigail goes to the appointment, she finds Flamand dead with a knife in his chest. In a whirl of confusion and despite her pleas of innocence, Abigail is arrested.

An ill-fated grave-robbery unearths a corpse with a most disturbing symbol on it. The very same sign is daubed in blood on the walls of Edinburgh's lunatic asylum, on the night that one of the patients is murdered. The mark in question? The mark of the devil. The prime suspect: Amy McGray, the asylum's most infamous inmate, a young woman who has grown up behind bars after she killed her parents many years ago. Her brother, Detective 'Nine-Nails' McGray, knows the evidence is stacked against her. To prove her innocence, he needs the help of an old friend.

The year is 1831. Down the murky alleyways of London, acts of unspeakable wickedness are taking place, and no one is willing to speak out on behalf of the city's vulnerable poor as they disappear from the streets. Out of these shadows comes Hester White, a bright young woman who is desperate to escape the slums by any means possible. When Hester is thrust into the world of the aristocratic Brock family, she leaps at the chance to improve her station in life under the tutelage of the fiercely intelligent and mysterious Rebekah Brock.

Charlotte Brontë is plunged into a perilous adventure and a passionate romance that leads her from the peaceful Yorkshire moors to the crime-infested streets of London, across the sea to the Continent, to the ports of Cornwall, the wilds of Scotland, and the palaces of Queen Victoria herself. Will Charlotte be able to stop a devious invisible villain whose schemes threaten her life, her family, and her country?

Welcome to the bizarre and dangerous world of Victorian London, a city teetering on the edge of revolution. Its people are ushering in a new era of technology, dazzled each day by unfamiliar inventions. Airships soar in the skies over the city, while ground trains rumble through the streets and clockwork automatons are programmed to carry out menial tasks in the offices of lawyers, policemen, and journalists.

Anastasia is a completely average almost-eleven-year-old. That is, UNTIL her parents die in a tragic vacuum-cleaner accident. UNTIL she's rescued by two long-lost great-aunties. And UNTIL she's taken to their delightful and, er, "authentic" Victorian home, St. Agony's Asylum for the Criminally Insane. But something strange is going on at the asylum. Anastasia soon begins to suspect that her aunties are not who they say they are. So when she meets Ollie and Quentin, two mysterious brothers, the three join together to plot their great escape!

A Study in Scarlet was the very first Sherlock Holmes novel. Here, in the most remarkably precise manner, Doyle produced two of the most well-known characters in English fiction. Their individual traits and their relationships, their ambitions and foibles are introduced against the backdrop of an exciting story of revenge and persistence, which starts in Victorian England but moves to the American West, and the environment of the early Mormon communities.

1865. A passenger train stands in York station. Jack Follis, the guard, patrols the platform to make sure that everyone is safely aboard. Returning to the brake van to load a box into it, he is alarmed by a smell of burning. Before he can find the cause, there is an explosion and the van is engulfed in flames. Responding to summons from the North-Eastern Railway, Robert Colbeck and Victor Leeming are sent to investigate. The two are split on whether a murder has taken place. Although the information they received was scant, Colbeck is convinced this is a murder case.

When famous bounty hunter, Thad McIntyre, and lonely widow, Jessie Alderman, meet, a fiery romance flares between them, but terrible events threaten their happiness. A mysterious stranger also arrives in Echo Canyon. Is he friend or foe?

Recently widowed, Charlotte Pennyworth is relishing her independence and it rankles to have to rely on a man to help her with a sinister stalker. Former Yardman, Elliot Baker, is reluctant to take on Charlotte''s case but despite himself and his history with another woman, he is drawn to the bright, attractive widow. Sparks smolder between the PI and his client but neither is looking to form an attachment. Elliot thinks Charlotte is hiding something. Charlotte has no desire to marry again, especially to a private investigator, no matter how handsome, brave and kind he is.

1887, the Cornwall coast. For years, rumors have flown through the village of Suttonsbury about Ashthorne Hall—that its occupants hoard pirate treasure, that a ghost walks its halls—but botanist Hyacinth Bell only cares about the estate’s extensive one-of-a-kind orchid collection. As an independent woman, she is eager to focus on her career, even if it means waiting to pursue a romantic relationship. After all, love—like an orchid—must be nurtured and tended before it can bloom. What she doesn’t expect is to be swept away by Lucas Harding, the manor’s caretaker, upon their first meeting.