Victorian English Mystery

In Scholarly Pursuits, the sixth full-length book in the USA Today best-selling Victorian San Francisco mystery series, Locke explores life in University of California, Berkeley campus, in 1881. Laura and her friends face the remarkably modern problems of fraternity hazings, fraught romantic relationships, and fractious faculty politics.

In this novella, Annie and Nate Dawson, the amateur sleuths from M. Louisa Locke's cozy Victorian San Francisco Mystery series, are visiting Nate's family at their ranch near San Jose, California. What was supposed to be a pleasant romantic interlude for the two of them, plus a chance for Annie to get to know Nate's family better, turns serious when a crime is uncovered. And, as in Locke's short stories from this series, Annie gets help in resolving the crisis from a very unexpected quarter.

Violet Veil wants nothing more than to prove her worth and become her father’s apprentice at Veil & Sons Undertakers. And one rain-soaked night she gets her chance when she meets a boy, Oliver, who is wandering around the graveyard. Only, the last time Violet saw Oliver, he was indoors and very much dead, waiting to be buried. Violet has just found her first case and it doesn’t get bigger than this: can she, with the help of her dog, Bones, help Oliver solve his own ‘murder’.

Cassandra Northrup had believed Nathaniel dead - until now. Once she had loved him, given herself to him in the hidden depths of the snow-covered Pyrenees. But then she had betrayed him. Relief at the sight of Nathaniel turns to darkest shame as Cassie sees the hate in his eyes.

November 1853. Inspector Field has summoned his friends Charles Dickens and Wilkie Collins to examine a body found in an attic studio, its throat cut. Around the body lie the lacerated fragments of canvas of a painting titled A Winter of Despair. Wilkie realises he recognises the victim, for he had been due to dine with him that very evening. The dead man is Edwin Milton-Hayes, one of Wilkie's brother Charley's artist friends. With his own brother under suspicion of murder, what secrets lie among the close-knit group of Pre-Raphaelite painters who is the killer in their midst?

Against a backdrop of activism and anarchy amongst those living in the squalor of Victorian London’s East End, Johnny’s cooperative is thriving. His main concern is for his 15-year-old son, Noah, who is showing signs of having inherited the family affliction. Noah is seeing beyond the surface world, and Johnny is anxious to prevent him from setting his eyes on evil. Meanwhile, William attempts to adapt to his new life in England and understand the deep mysteries of his family history. Mary is also hunting, but not for knowledge.

London, 1890. Mina Murray once lived an adventurous life, but after a tragedy in the forests of Transylvania, she left it all behind. Now she has settled into a quiet routine as a schoolteacher in London, engaged to the respectable solicitor Jonathan Harker, attempting to fit into the stuffy upper class London society to which he belongs. But when vampires abduct Jonathan, her dark past comes careening into her present.

When her soulmate, Jonathan August-Trelawney jilts her at the altar, Lily Pond is determined to live life on her own terms. Her friends aren’t afraid of giving their opinions, encouraging her to find someone else to marry, and swiftly. Lily has other ideas.

Raven looks out over the small town of Cogsworth and imagines a life beyond her grandmother's mansion. But Raven holds a dark secret that prevents her from leaving. Now an orphan, Raven must do her best to hide her gifts of sight if she's to survive the cruel Victorian society. However, when a ghost of a child comes to her for help, Raven finds herself in the gas-lit streets of London, on the trail of a female serial killer. As she tries to solve the string of murders, she realizes that the murders are almost identical to those from a case left unsolved years before she was born.

After the last shots of World War II were fired and the process of rebuilding Germany and Europe began, the Western Allies and the Soviet Union each tried to obtain the services of the Third Reich's leading scientists, especially those involved in rocketry, missile technology, and aerospace research. Naturally, this was a delicate affair due to the fact many of the German scientists were not only active Nazis but had helped the Nazi war machine terrorize the world. At the same time, near the end of the war, the Anglo-American Allies formed a clear picture of the Soviet state.

Private investigator Charles Maddox is surprised when he is approached by Edward Tulkinghorn for help. The feared and shadowy attorney offers Charles a handsome price he can't refuse to do some sleuthing for a client. Charles learns that Sir Julius Cremorne has been receiving threatening letters, and now Tulkinghorn wants him to find and stop whoever is responsible. But what starts as a simple open-and-shut case swiftly escalates into something bigger and much darker. As he cascades toward a collision with powerful forces, Charles will need all the assistance he can get…

Isobel Amsel is wasting away in an asylum. Mad with boredom, she recklessly risks her future wandering the countryside. When an excursion nearly turns deadly, Isobel fears one of her enemies is targeting her, but she quickly discovers something far more insidious. The lives of two boys are at stake, and she desperately wishes her partner were by her side.

"The good old days" aren't all they're cracked up to be...at least in Jeanne M. Dams's turn-of-the-century novels. Her woman on the spot, Hilda Johansson, a maid in the Studebaker household in South Bend, sees what's going on among the rich, suffers what's going on among the less fortunate...and has no trouble telling it like it is.

Clayton Barbour, the narrator, is a protected bourgeois son just weak enough to allow himself to be overwhelmed by a sly, dissembling force of evil, just strong enough to be constantly tormented by his weakness. Invited to a séance by a casual acquaintance, Moore, who sees in him a psychic force, he becomes the inadvertent victim of Moore's wife's contact with a channeled malignant force.

Civil war devastated the country and left Rachel Sawyer stranded in a dead-end job as a seamstress with no prospects for marriage. Men are thin on the ground in Massachusetts, so Rachel and her best friend travel west, to Seattle, with the handsome Talbot brothers. Jason Talbot, the eldest brother and wealthy owner of a lumber company, is so far beyond her reach that falling in love with him is the most non-sensical thing she could do. So, of course, she does. But after one sensual midnight encounter, Jason pushes her away.

When Indian Princess Alexandrina is left penniless by the sudden death of her father, the Maharaja of Brindor, Queen Victoria grants her a grace-and-favor home in Hampton Court Palace. Though rumored to be haunted, Alexandrina and her lady's maid, Pooki, have no choice but to take the Queen up on her offer. Aside from the ghost sightings, Hampton Court doesn't seem so bad. The princess is soon befriended by three eccentric widows who invite her to a picnic with all the palace's inhabitants, for which Pooki bakes a pigeon pie. But General-Major Bagshot dies after eating said pie....

Violet Veil is ready for her next big case, and with trouble afoot at the Grecian Theatre, Violet and her dog, Bones, are hot on the trail. But just who is the mysterious fortune-teller, Lady Athena, whose predictions keep coming true? Is it all just a case of smoke and mirrors? Or is there something more sinister going on?

Stetson has been fooling London for ten years while her fictitious alter-ego solves crimes. But could a criminal mastermind put her carefree days of sleuthing in jeopardy? Evelyn longs to be recognized for her talent; will her music prove to be the key in helping Stetson solve a mystery? While Jack the Ripper terrorizes London, Stetson closes in on the art thief she has been after for months; however, will catching him place her in an impossible position which threatens to expose her?

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.

Clara grew up believing that her mother's family had disowned them. But the grandmother Clara never knew is now entreating her to visit Thurnley Hall, the family seat in Yorkshire. The old lady is on her deathbed and anxious to disclose vital family secrets before it's too late - for Clara's unborn child may be cursed with a horrible fate.