Victorian Ghost

In India, Colvin used to be friends with an Englishman named Broughton. They both moved back to England, where Broughton settled down, married and moved into Thurnley Abbey, an ancient manor that was rumoured to be haunted. These rumours were fed by the previous owner, who hated people. Broughton doesn’t fully believe in the ghost, and even if it exists, he seems unworried.

Weigall remembers talking with Wyatt about the soul and afterlife. Wyatt states, 'If I had my way, I should stay inside my bones until the coffin had gone into its niche, that I might obviate for my poor old comrade the tragic impersonality of death.' The characters wonder about death and the destination of the human soul when it occurs. Weigall does not believe that the marshy bog, the Strid, has taken his friend, but when he sees a hand raised above the surface of the water, he knows it must be him and he desperately and quickly saves him.

In the story, a young, scientifically minded college professor finds an old bronze whistle while exploring the ruins of a Knights Templars' preceptory. That night, he blows on the whistle and a vision comes to him of a dark expanse with a lonely figure in its midst. The sound also appears to call up a gust of wind, but the sensible professor dismisses it as a coincidence. More strange incidents follow, however, to shake his disbelief in the supernatural.

Extracts from a diary report first-hand the uncovering of a tomb and the nightly wanderings of the vampire previously encased within. Attempts to lay her to rest are about as successful as you might expect.... The Tomb of Sarah is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Daniel, a young man and son of the late bailiff with rather superior ways of a gentleman but no money to back them up, becomes involved in a love triangle. Engaged to Maria, a plain-looking girl but with proper manners, Daniel begins stepping out on the sly with a pretty young woman from France called Harriet (really Henriette, but a name too difficult for the villagers to remember). Maria decides to have it out with him, so she follows him one night.

In this well-known classic, a school inspector travelling to the village of Pit End wonders whether the things he’s seeing are products of his imagination or something supernatural. There’s a rational answer, but is it the right one? Was It an Illusion is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Being awoken by noises in the night is disturbing enough, but the chilling voice heard one night during Mr Browne’s Italian travels was enough to make insomnia preferable. No Living Voice is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Anne Rice lures us once again into the seductive world of vampires with her short story, The Master of Rampling Gate. In 1888, siblings Richard and Julie are drawn to the beautiful but foreboding 400-year-old family mansion. What was the "unspeakable horror" their father saw in the luxurious home they are so drawn to? Available in audio exclusively from Audible.

This collection of tales transports the listener to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind—or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each comes to life in this vivid rendition.

England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly remarried to a war-traumatised husband and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex where she is to photograph the contents of the house for auction. She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to re-create the evening.

In Victorian London, a select group of writers, led by Arthur Conan Doyle, Bram Stoker, and Henry James, held an informal dining club, the price of entry to which was the telling of a story by each invited guest. These are their stories, containing tales of revenant loved ones, lost cities, weird science, spectral appearances, and mysteries in the fog of the old city, all told by some of the foremost writers of the day. In here you'll find Verne and Wells, Tolstoy and Checkov, Stevenson and Oliphant, Kipling, Twain, Haggard, and Blavatsky alongside their hosts.

It’s 1888, and the sordid Bowery District of New York City is a lonely and dangerous place for any young woman to live, especially one who can see ghosts. An impoverished Irish seamstress, Maggie O'Connor, wishes that the otherworldly entities would leave her alone to concentrate on her worldly ambitions: putting food on the table and buying her own dress shop one day, but the quirky ghosts have other plans.

Australia, 1857. Life is brutal on the goldfields of Castlemaine. With death around every corner, people are all too willing to believe in ghosts and embrace the spiritualism movement finding its way across the seas. For Lucy Earnshaw and her husband Tom, their arrival in Australia is marred by unimaginable grief. In the wake of her loss, and amid a failing marriage, Lucy is drawn into the world of spiritualism and theater—and into the path of dashing young playwright, Will Browning. Lucy’s new obsession leads her into the dark underbelly of the goldfields.

Mary hoping to leave the hardships and loneliness of her past behind embarks on a new life running a bar in a remote Australian town. The occupants are all driven by fear, striving to survive both mentally and physically in the harsh environment. She dreams of returning to England but that would require a small fortune. After a period of success, the news of a gold strike leaves the town and farms deserted except for old women and teetotallers. Mary’s business is in danger of collapse and what’s worse her son William has disappeared also overcome with gold fever.

This novel has been in the works since its beginning in 2005 when a century and half old colonial style home was restored by the author and his wife, Barbara. For over twelve months, the house did an amazing transformation, the third time since its original construction in 1845. The first time it was restored was 1861. The second time in 1932 and the last time in 2005.

Make sure your doors are locked, then draw up a chair next to the fire. Here are three atmospheric Victorian ghost stories that will bring a winter's chill to your bones. Adapted and read by much-loved and widely respected British actress Philippa Urquhart. Contents: "The Phantom Coach", by Amelia B Edwards; "The Cold Embrace", by Mary Elizabeth Braddon; and "The Ghost Child", by Bernard Capes.

Maisie Thomas spends every summer at Grange House, a hotel on the coast of Maine ruled by the elegant Miss Grange. In 1896, when Maisie turns 17, her visit marks a turning point. On the morning after her arrival, local fishermen make a gruesome discovery: drowned lovers, found clasped in each other's arms. It's only the first in a series of events that casts a shadow over Maisie's summer. As she considers the attentions of two very different young men, Maisie also falls under the gaze of Miss Grange, who begins to tell her disturbing stories of her past.

Captain Stuart Monroe returns home from the Revolutionary War to find Thornton Hall threatened by a peacetime foe: debt. He knows the location of a treasure amassed to pay for the capture of Benedict Arnold that would restore his manor to its former glory. The catch: It's hidden in the graveyard and coveted by old enemies. Hettie Fairfax inherited the Sight from her Cherokee ancestors, and her otherworldly visitors warn her, and Stuart, away from the buried treasure. Half-dead from fever, she delivers a message: The treasure is cursed.

For most of her life, Juliet Emerline has subsisted, isolated by deafness, making hats in the solitude of her home. Now she's at risk of losing her sanctuary to Lord Nicolas Thornton, a mysterious and eccentric architect with designs on her humble estate. When she secretly witnesses him raging beside a grave, Juliet investigates, finding the name "Hawk" on the headstone and an unusual flower at the base. The moment Juliet touches the petals, a young English nobleman appears in ghostly form.

Celia Renton, a poor relation, is summoned to Sorrowmoor, a gloomy estate owned by her cousin, Connall Rothwell. But all is not well at the house. A mysterious death of the master's brother, a master with demons, and a deadly enemy await Celia. Even as her heart is torn with mistrust of the master of the house, danger lurks behind handmade dolls and treacherous smiles. Will Celia live to learn the secrets of Sorrowmoor?