Victorian Ghost

Anne Rice lures us once again into the seductive world of vampires with her short story, The Master of Rampling Gate. In 1888, siblings Richard and Julie are drawn to the beautiful but foreboding 400-year-old family mansion. What was the "unspeakable horror" their father saw in the luxurious home they are so drawn to? Available in audio exclusively from Audible.

Maria likes to be alone with her thoughts. She talks to animals and objects, and generally prefers them to people. But whilst on holiday she begins to hear things that aren’t there—a swing creaking, a dog barking—and when she sees a Victorian embroidered picture, Maria feels a strange connection with the 10-year-old Harriet, who stitched it.

England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly remarried to a war-traumatised husband and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex where she is to photograph the contents of the house for auction. She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to re-create the evening.

In Victorian London, a select group of writers, led by Arthur Conan Doyle, Bram Stoker, and Henry James, held an informal dining club, the price of entry to which was the telling of a story by each invited guest. These are their stories, containing tales of revenant loved ones, lost cities, weird science, spectral appearances, and mysteries in the fog of the old city, all told by some of the foremost writers of the day. In here you'll find Verne and Wells, Tolstoy and Checkov, Stevenson and Oliphant, Kipling, Twain, Haggard, and Blavatsky alongside their hosts.

It’s 1888, and the sordid Bowery District of New York City is a lonely and dangerous place for any young woman to live, especially one who can see ghosts. An impoverished Irish seamstress, Maggie O'Connor, wishes that the otherworldly entities would leave her alone to concentrate on her worldly ambitions: putting food on the table and buying her own dress shop one day, but the quirky ghosts have other plans.

Australia, 1857. Life is brutal on the goldfields of Castlemaine. With death around every corner, people are all too willing to believe in ghosts and embrace the spiritualism movement finding its way across the seas. For Lucy Earnshaw and her husband Tom, their arrival in Australia is marred by unimaginable grief. In the wake of her loss, and amid a failing marriage, Lucy is drawn into the world of spiritualism and theater—and into the path of dashing young playwright, Will Browning. Lucy’s new obsession leads her into the dark underbelly of the goldfields.

Mary hoping to leave the hardships and loneliness of her past behind embarks on a new life running a bar in a remote Australian town. The occupants are all driven by fear, striving to survive both mentally and physically in the harsh environment. She dreams of returning to England but that would require a small fortune. After a period of success, the news of a gold strike leaves the town and farms deserted except for old women and teetotallers. Mary’s business is in danger of collapse and what’s worse her son William has disappeared also overcome with gold fever.

Make sure your doors are locked, then draw up a chair next to the fire. Here are three atmospheric Victorian ghost stories that will bring a winter's chill to your bones. Adapted and read by much-loved and widely respected British actress Philippa Urquhart. Contents: "The Phantom Coach", by Amelia B Edwards; "The Cold Embrace", by Mary Elizabeth Braddon; and "The Ghost Child", by Bernard Capes.

Maisie Thomas spends every summer at Grange House, a hotel on the coast of Maine ruled by the elegant Miss Grange. In 1896, when Maisie turns 17, her visit marks a turning point. On the morning after her arrival, local fishermen make a gruesome discovery: drowned lovers, found clasped in each other's arms. It's only the first in a series of events that casts a shadow over Maisie's summer. As she considers the attentions of two very different young men, Maisie also falls under the gaze of Miss Grange, who begins to tell her disturbing stories of her past.

Captain Stuart Monroe returns home from the Revolutionary War to find Thornton Hall threatened by a peacetime foe: debt. He knows the location of a treasure amassed to pay for the capture of Benedict Arnold that would restore his manor to its former glory. The catch: It's hidden in the graveyard and coveted by old enemies. Hettie Fairfax inherited the Sight from her Cherokee ancestors, and her otherworldly visitors warn her, and Stuart, away from the buried treasure. Half-dead from fever, she delivers a message: The treasure is cursed.

This novel has been in the works since its beginning in 2005 when a century and half old colonial style home was restored by the author and his wife, Barbara. For over twelve months, the house did an amazing transformation, the third time since its original construction in 1845. The first time it was restored was 1861. The second time in 1932 and the last time in 2005.

For most of her life, Juliet Emerline has subsisted, isolated by deafness, making hats in the solitude of her home. Now she's at risk of losing her sanctuary to Lord Nicolas Thornton, a mysterious and eccentric architect with designs on her humble estate. When she secretly witnesses him raging beside a grave, Juliet investigates, finding the name "Hawk" on the headstone and an unusual flower at the base. The moment Juliet touches the petals, a young English nobleman appears in ghostly form.

Celia Renton, a poor relation, is summoned to Sorrowmoor, a gloomy estate owned by her cousin, Connall Rothwell. But all is not well at the house. A mysterious death of the master's brother, a master with demons, and a deadly enemy await Celia. Even as her heart is torn with mistrust of the master of the house, danger lurks behind handmade dolls and treacherous smiles. Will Celia live to learn the secrets of Sorrowmoor?

'The Water Ghost of Harrowby Hall' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

Montague Rhodes James is cited as perhaps the greatest English writer of ghost stories, an opinion few would disagree with. His classic story ‘Whistle and I’ll Come to You My Lad’ exquisitely reveals how a young professor on holiday chances on a buried whistle and folklore becomes terrifying fact.

It was a ghastly horror of a house party. Miss Penelope Childe and all the others were awaiting the end of the wicked earl's rotten life. The disinherited son, the new heir, the illegitimate son - all of them are there. Murder is done. The centuries-old curse has struck again. Penelope alone heard the supernatural scream and sees the ghosts that no one else can. Penelope is a reluctant bride-to-be, contracted to wed a man she's never met before. She intensely dislikes her betrothed, the rakish Lord Taredell.

An old man lives in a Victorian house alone. Or so he thinks. When he visits his basement, he is literally haunted by his past.

Stranded on some marshes, a gentleman out hunting is forced to spend Christmas Eve inside a rotting, beached shipwreck. 'A Christmas Eve on a Haunted Hulk' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.