Victorian Horror

Alone in his garrett on Christmas Eve, an artist uncovers a beautiful but disturbing portrait with strange powers. 'The Old Portrait' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

A Polish historian visiting Italy falls in love with a 16th-century femme fatale, who murdered a series of enthralled husbands and lovers. When he experiences visions of the beautiful Medea Da Carpi, it slowly turns his scholarly fascination into a fatal obsession.

Keen to improve his prospects, a man impersonates a fellow traveller who had changed his mind about an engagement to a wealthy young woman. But he begins to regret his decision when he learns every suitor must face an unknown horror that the family has harboured for generations.

Stranded on some marshes, a gentleman out hunting is forced to spend Christmas Eve inside a rotting, beached shipwreck. 'A Christmas Eve on a Haunted Hulk' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

Lost on the moors on a snowy night, a gentleman boards a passing coach with relief. Then he takes a closer look at his fellow passengers. 'The Phantom Coach' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

A no-nonsense governess returns to the family home at Christmas to celebrate the season and an upcoming wedding but learns of a curse affecting the men of the family. 'At Chrighton Abbey' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

In this well-known classic, a school inspector travelling to the village of Pit End wonders whether the things he’s seeing are products of his imagination or something supernatural. There’s a rational answer, but is it the right one? Was It an Illusion is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

A determined and strong-minded young lady plagues Sigismund Braggett for his professional attention and friendship - then becomes very put out when he refuses to introduce her to his wife. Even her untimely death seems to be no obstacle to her intent. The Ghost of Charlotte Cray is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Being awoken by noises in the night is disturbing enough, but the chilling voice heard one night during Mr Browne’s Italian travels was enough to make insomnia preferable. No Living Voice is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Weigall remembers talking with Wyatt about the soul and afterlife. Wyatt states, 'If I had my way, I should stay inside my bones until the coffin had gone into its niche, that I might obviate for my poor old comrade the tragic impersonality of death.' The characters wonder about death and the destination of the human soul when it occurs. Weigall does not believe that the marshy bog, the Strid, has taken his friend, but when he sees a hand raised above the surface of the water, he knows it must be him and he desperately and quickly saves him.

Daniel, a young man and son of the late bailiff with rather superior ways of a gentleman but no money to back them up, becomes involved in a love triangle. Engaged to Maria, a plain-looking girl but with proper manners, Daniel begins stepping out on the sly with a pretty young woman from France called Harriet (really Henriette, but a name too difficult for the villagers to remember). Maria decides to have it out with him, so she follows him one night.

'The Water Ghost of Harrowby Hall' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

In the story, a young, scientifically minded college professor finds an old bronze whistle while exploring the ruins of a Knights Templars' preceptory. That night, he blows on the whistle and a vision comes to him of a dark expanse with a lonely figure in its midst. The sound also appears to call up a gust of wind, but the sensible professor dismisses it as a coincidence. More strange incidents follow, however, to shake his disbelief in the supernatural.

1851, Angel Meadow Asylum. Dr. Rutherford, principal physician to the insane, is found dead, his head bashed in, his ears cut off, his lips and eyes stitched closed. The police direct their attention towards Angel Meadow's inmates, but to Jem Flockhart and Will Quartermain the crime is an act of calculated retribution, rather than of madness. To discover the truth Jem and Will must pursue the story through the darkest corners of the city.

Il capolavoro della scrittrice inglese. Un romanzo che getta le basi della lotta femminile per il proprio diritto all'autodeterminazione. Rappresenta il ritratto di un’epoca ed il percorso di una donna. Musiche originali di Ivan Genesio.

Sullo sfondo della brughiera battuta dai venti, una ragazza umile ma volitiva trova lavoro come istitutrice nella casa di un uomo aspro e malinconico. Tra di loro nascerà inaspettata una grande passione, che dovrà però fare i conti con un segreto scabroso. Un capolavoro di una modernità dirompente, un cult che continua ad affascinare generazione dopo generazione.

Branded an outcast by the noble branch of his werewolf clan, Cort Renier had come to San Francisco seeking fortune—and revenge. What he found was a mysterious beauty who could not—or would not—reveal who she truly was. At first glance she seemed vulnerable and afraid, like so many girls caught up in the debauchery of the city's whiskey-soaked gambling dens. But one look into her stunning turquoise eyes and he knew he'd found the winning hand.

Clara grew up believing that her mother's family had disowned them. But the grandmother Clara never knew is now entreating her to visit Thurnley Hall, the family seat in Yorkshire. The old lady is on her deathbed and anxious to disclose vital family secrets before it's too late - for Clara's unborn child may be cursed with a horrible fate.

Disowned by the cruel father who has always despised her, she has nowhere to turn until she is taken under the wing of a glamorous relative she never knew: the former Duchess of Ellsworth, who has scandalized society by remarrying soon after her first husband's death. At the opulent seaside estate of Ellsmere, Oriel thinks she has found a safe haven - but the darkly handsome young duke, Herron, believes otherwise. Haunted by the death of his father, he suspects that Ellsmere is sheltering a murderer.

Can a curse strike twice in a woman's life? In 1854, 17-year-old chambermaid Clara Crofton was dismissed from Gravesend Hall for having fallen in love with Richard Blackwood, the younger son of the house. Alone in the world, Clara found a tenuous position as a seamstress, but she always blamed the Gravesend curse for the disaster that had befallen her - and for Richard's death soon after in the Crimean War.