Victorian Horror

England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly remarried to a war-traumatised husband and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex where she is to photograph the contents of the house for auction. She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to re-create the evening.

Addressing the corpse of her husband, who has just been pronounced dead, a hysterical Mrs Arne prays that 'if there be a God in heaven, and if He ever answered a prayer, let Him...give you back to me'. Shortly afterward, an amazed doctor finds that the patient he had thought dead has somehow miraculously recovered. But as time goes by, it's clear that there is something unsettling about Edward Arne, something that frightens people, including his once-adoring wife.

Really, it's too much to expect any normal man to behave like a staid accountant in order to inherit the fortune he deserves to support the lifestyle of an earl. So when Derek Saunders's favorite elderly aunt and her ill-conceived - and possibly fraudulent - Lady Travelers Society loses one of their members, what's a man to do but step up to the challenge? Now he's escorting the world's most maddening woman to the world's most romantic city to find her missing relative.

Betrayed by those she trusted, penniless and alone, Darcie Finch is forced to accept a position no one else dares as assistant to dangerously attractive Dr. Damien Cole. Ignoring the whispered warnings and rumors he's a man to fear, she takes her position at his eerie estate, where she quickly discovers nothing is at it seems, least of all her handsome and brooding employer. As Darcie struggles with her fierce attraction to Damien, she must also deal with the blood, the disappearances...and the murders.

Iseult Wince is a Victorian woman perilously close to spinsterhood whose distinctly unpleasant father is trying to marry her off. She is awkward, plain, and most pertinently, believes that her mother, who died in childbirth, lives in the scar on her neck. Iseult’s father parades a host of unsuitable candidates before her, the majority of whom Iseult wastes no time frightening away. When at last her father finds a suitor desperate enough to take Iseult off his hands - a man whose medical treatments have turned his skin silver - a true comedy of errors ensues.

Celeste struggles with finding her way from a dark past, until she gets a summer volunteer gig at the local historical fair. Enter: outrageous actors, dominating psychics, and ghosts stirred by a medium’s presence. With the help of the psychic’s son - who isn’t at all what her dream date would look like but rather endearing all the same - Celeste uncovers secrets about the village left hidden among the dilapidated buildings.

A Wicked Voice is the tale of a composer haunted by the music of the 18th century and by the exquisite voice of a singer of that period who reputedly sang so beautifully his songs could (quite literally) kill with their beauty.

At their newly founded school, Samuel Hood and his daughter, Caroline, promise a groundbreaking education for young women. But Caroline has grave misgivings. After all, her own unconventional education has left her unmarriageable and isolated, unsuited to the narrow roles afforded women in 19th-century New England. When a mysterious flock of red birds descends on the town, Caroline alone seems to find them unsettling. But it's not long before the assembled students begin to manifest bizarre symptoms: Rashes, seizures, headaches, verbal tics, night wanderings. One by one, they sicken.

The unnamed narrator of the story lives alone in a dark, ancient castle surrounded by a dense forest. He never sees sunlight, and he has no memory of human contact. One day, desperate to see the sun, the narrator decides to climb the ruined tower which is the only part of the castle taller than the trees. After the dangerous climb to the top room of the tower, the narrator is delighted to see the moon through a grating. Soon, however, he discovers the horrible truth behind his confinement.

In one of M.R. James’ creepiest short stories, night of terror plays out with every glimpse at a static picture and the viewer is powerless to prevent a dark figure’s progress. 'The Mezzotint' is taken from the second volume of the Victorian Anthologies Horror series, featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

While a door that just won’t stay closed may not seem like the most terrifying of hauntings, being alone in a silent manor for days on end certainly adds to the atmosphere. A request to discover the reason for the obstinate door includes a cash motivation and newly unemployed Theophilus Edlyd readily accepts the challenge.

The story concerns the attempts by a prince and his followers to shield themselves from a terrible plague which is devastating the surrounding area and to carry on living lives of pleasure. Their attempts ultimately prove futile. The Red Death is the name of the infectious disease which causes people to die within 30 minutes. Those who are infected bleed profusely from their skin, especially their faces, before they die. Some six months after the arrival of Prince Prospero's guests, a masked ball is held for them.

In The Wedding Knell, Mrs Dabney (a woman who married and was widowed twice) is going to be marrying Mr Ellenwood, a 65-year-old who had been attracted to Dabney in the past. When Mrs. Dabney enters the church for the wedding, the bell let out a deep knell, usually reserved for funerals. The bell continued to ring until the groom arrived. The groom arrived with a funeral precession, and claimed that Mrs Dabney's youth was given to other husbands, and he was forced to live an unhappy life because he couldn't have her.

A stay in Paris should be just the tonic for a distracted and insular German student. But it is the beginning of the French Revolution and the blood-stained guillotine is doing its grisly work every day. So when the student encounters a beautiful, distraught woman in need of comfort on its steps in the dead of night, he doesn’t consider this meeting perhaps as strange as he should. "The Adventure of the German Student" is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural.

As far as rash decisions go, it was formidable. But Lady Jocelyn Rathbourne's will remains strong. If the only way to save her family's estate and reputation is by aiming a small pistol at the Duke of Calydon, then so be it. For Lady Jocelyn demands satisfaction - and she will have it at any cost. Even if it means demanding the hand of the intense and foreboding Duke himself....

A well-known and often told tale of murder and grave robbing in Victorian Edinburgh, supposedly in the interests of science. With the desecration of the bodies, a worthy comeuppance follows. 'The Body Snatcher' is taken from the second volume of the Victorian Anthologies Horror series, featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Little might be thought of the purchase of a skeleton for use in a lab, but a prudent scientist would check its provenance - the departed wearer of those bones may yet have a score to settle. 'The Man of Science' is taken from the second volume of the Victorian Anthologies Horror series, featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

The story's protagonist and narrator is an unnamed woman whose husband, a doctor named John, makes her spend the summer in the country for her health. The woman, her baby, John, John's sister and some servants stay in a large rented house. John chooses a bedroom for himself and his wife which is large and airy but otherwise quite unpleasant. The narrator takes an immediate dislike to the room's yellow wallpaper. She soon starts to see grotesque images in its pattern. After some time, the narrator becomes convinced that the wallpaper depicts a woman trapped behind a cage.

A female passenger travelling in a by rail is intrigued and increasingly frightened by one of her companions in the compartment. Entirely covered by a cloak, are their intentions nefarious, supernatural or entirely innocent?

Traumatised by dreams and visions about the unassuming chest under the window in her bedroom, Catherine Lestrange demands it be opened; but what is found inside has the power to change her future as well as her reveal her past. 'Catherine’s Quest' is taken from the second volume of the Victorian Anthologies Horror series, featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.