Victorian Horror

Celia Renton, a poor relation, is summoned to Sorrowmoor, a gloomy estate owned by her cousin, Connall Rothwell. But all is not well at the house. A mysterious death of the master's brother, a master with demons, and a deadly enemy await Celia. Even as her heart is torn with mistrust of the master of the house, danger lurks behind handmade dolls and treacherous smiles. Will Celia live to learn the secrets of Sorrowmoor?

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.

In Victorian London, a select group of writers, led by Arthur Conan Doyle, Bram Stoker, and Henry James, held an informal dining club, the price of entry to which was the telling of a story by each invited guest. These are their stories, containing tales of revenant loved ones, lost cities, weird science, spectral appearances, and mysteries in the fog of the old city, all told by some of the foremost writers of the day. In here you'll find Verne and Wells, Tolstoy and Checkov, Stevenson and Oliphant, Kipling, Twain, Haggard, and Blavatsky alongside their hosts.

Whatever you do, don't go on to the beaches at dusk, or the Sand-Walker will come to your window at night. Such is the sinister warning given to the new lodger at the Beach Farm, a lonely house on the North Sea coast of England. But who, or what, is the Sand-Walker?

Mary Elizabeth Braddon (1835-1915), little known now, but a renowned writer in her time, gives us five tales of the "weird" as she might herself have said. Here we have five of her better known stories, peopled with jilted lovers, blood thirsty old ladies, and grand, old houses whose restless ancestors refuse to abandon them! The five tales: "The Cold Embrace", "The Shadow in the Corner", "At Chrighton Abbey", "Good Lady Ducayne", and "Eveline's Visitant".

Katherine O'Donnell was born with a disfiguring strawberry birthmark across the bottom of her face. In 1880s London, that was enough to discourage suitors. Love was something for which she yearned, but never found within her reach. Out of necessity, she became adept at hiding inside her home and behind makeups she formulated and applied herself. When tragedy upended her modest life and dumped her out onto the streets, she was bereft of options. She answered an advertisement for a mortuary assistant.

A Polish historian visiting Italy falls in love with a 16th-century femme fatale, who murdered a series of enthralled husbands and lovers. When he experiences visions of the beautiful Medea Da Carpi, it slowly turns his scholarly fascination into a fatal obsession.

Keen to improve his prospects, a man impersonates a fellow traveller who had changed his mind about an engagement to a wealthy young woman. But he begins to regret his decision when he learns every suitor must face an unknown horror that the family has harboured for generations.

A no-nonsense governess returns to the family home at Christmas to celebrate the season and an upcoming wedding but learns of a curse affecting the men of the family. 'At Chrighton Abbey' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

The American Otis family moves into the old English country house Canterville Chase. They are warned that the house is haunted before they move in but are unconcerned at first. They soon accept that the ghost is real but are not frightened by it. The ghost, who had been frightening all those who stayed at Canterville Chase for 300 years, takes the Americans' unwillingness to be scared by him as a great insult. He grows to despise them all, except for the teenage daughter, Virginia, who he feels is different from the rest of her family.

"For the love of God, cut off my head." The last request in Uncle Silas's will shocks everyone speechless, everyone except his favorite niece, Anna. More than death itself, the claustrophobic Silas fears a premature burial. Will her elders carry out his request? Anna is certain they will not. It's up to her to do the right thing, even if it is a bit grisly. Armed with butcher knife and candle, Anna heads for the crypt underneath the church in the dead of night. All does not go according to Anna's careful planning.

How do you know if you’ve seen a ghost? Maybe you’ll never know. But an American couple seeking an idyllic retirement in and English country house do find out...eventually. Afterward is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

A young man’s inheritance includes more than a house when an ebony-framed painting of a beautiful woman starts to exert a strange hold over its new owner. Could this lead to his tragic demise?

Twenty-year-old Anne Cumberfield is the new bride of Lord Wolfstone - Ignatius Wright, by his given name. As she learns more about the history of Wolfstone Manor and her mysterious husband, will she survive the challenge of being wife to him and of the perils of her isolated home on the moors? Is the beast in her bed worse than the threats that lurk on the moors?

Lost in the snow on a bleak, wide moor in Northern England, a newlywed husband begins to despair he will ever see his wife again. He finds refuge with a pair of mysterious strangers, who direct him to a remote crossroads where the night mail coach is due to pass by. Amelia Ann Blanford Edwards (1831-1892) was a prolific journalist, traveler, and Egyptologist, as well as a hugely popular English novelist of the Victorian era.

Alone in his garrett on Christmas Eve, an artist uncovers a beautiful but disturbing portrait with strange powers. 'The Old Portrait' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

Lost on the moors on a snowy night, a gentleman boards a passing coach with relief. Then he takes a closer look at his fellow passengers. 'The Phantom Coach' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

In this well-known classic, a school inspector travelling to the village of Pit End wonders whether the things he’s seeing are products of his imagination or something supernatural. There’s a rational answer, but is it the right one? Was It an Illusion is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Extracts from a diary report first-hand the uncovering of a tomb and the nightly wanderings of the vampire previously encased within. Attempts to lay her to rest are about as successful as you might expect.... The Tomb of Sarah is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

A determined and strong-minded young lady plagues Sigismund Braggett for his professional attention and friendship - then becomes very put out when he refuses to introduce her to his wife. Even her untimely death seems to be no obstacle to her intent. The Ghost of Charlotte Cray is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.