Victorian Horror

Young Earnest befriends another little boy on his family’s weekly trips to church. But is he an imaginary friend conjured to amuse during long sermons, or is the little stone cherub something more? 'The Marble Child' is taken from the second volume of the Victorian Anthologies Horror series, featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

The story takes place aboard a transatlantic ocean liner. A passenger named Brisbane is puzzled when the steward behaves oddly while taking his luggage to his stateroom, number 105. In the middle of the first night, Brisbane is further perplexed when his roommate suddenly leaps down from the upper berth and runs out of the cabin. In the morning, Brisbane learns that his roommate has gone overboard - and was the fourth consecutive occupant of the same upper berth to do so.

The narrator - the old nurse of the title - is an old family retainer who has worked in the service of the same family for three generations. She tells the young children about a dark incident that she experienced in the company of the children’s mother, when she was a young woman and visiting her mother’s ancestral home.

Mary Elizabeth Braddon (1835-1915), little known now, but a renowned writer in her time, gives us five tales of the "weird" as she might herself have said. Here we have five of her better known stories, peopled with jilted lovers, blood thirsty old ladies, and grand, old houses whose restless ancestors refuse to abandon them! The five tales: "The Cold Embrace", "The Shadow in the Corner", "At Chrighton Abbey", "Good Lady Ducayne", and "Eveline's Visitant".

Twenty-year-old Anne Cumberfield is the new bride of Lord Wolfstone - Ignatius Wright, by his given name. As she learns more about the history of Wolfstone Manor and her mysterious husband, will she survive the challenge of being wife to him and of the perils of her isolated home on the moors? Is the beast in her bed worse than the threats that lurk on the moors?

It is December 1888. Jack the Ripper has not killed for over a month and London is beginning to relax as Christmas approaches. When Katherine Kramer cuts herself on a strange book at a dinner party, she quickly falls ill. Her husband Richard is a professor of medicine, but even his efforts are futile as the mysterious illness blazes through her. As Katherine dies, she gives birth to something nightmarish. Something which should not exist. Something which spurs Richard to embark on a terrifying journey of discovery as he chases the answer to one question: who or what killed his wife?

Clayton Barbour, the narrator, is a protected bourgeois son just weak enough to allow himself to be overwhelmed by a sly, dissembling force of evil, just strong enough to be constantly tormented by his weakness. Invited to a séance by a casual acquaintance, Moore, who sees in him a psychic force, he becomes the inadvertent victim of Moore's wife's contact with a channeled malignant force.

Em Medicina dos horrores, a historiadora Lindsey Fitzharris narra como era o chocante mundo da cirurgia do século XIX, que estava às vésperas de uma profunda transformação. A autora evoca os primeiros anfiteatros de operações—lugares abafados onde os procedimentos eram feitos diante de plateias lotadas—e cirurgiões pioneiros, cujo ofício era saudado não pela precisão, mas pela velocidade e pela força bruta, uma vez que não havia anestesia. Não à toa, os mais célebres cirurgiões da época eram capazes de amputar uma perna em menos de trinta segundos.

Discover these horror stories of the Victorian era, with Gothic tales from J. S. Lee Fanu. This definitive audio version is narrated by Jilly Bond and brings the classic horrors of old to a new audience. Ghostly Tales by J. S. Le Fanu is brought to audio for the first time. Dim the lights and listen to these unsettling tales of Victorian horror. Fanu is described as a "master of the genre" by subsequent distinguished authors such as E. F. Bleiler. Fanu's unique approach helped to usher in a new, more psychological era of dread.

Branded an outcast by the noble branch of his werewolf clan, Cort Renier had come to San Francisco seeking fortune—and revenge. What he found was a mysterious beauty who could not—or would not—reveal who she truly was. At first glance she seemed vulnerable and afraid, like so many girls caught up in the debauchery of the city's whiskey-soaked gambling dens. But one look into her stunning turquoise eyes and he knew he'd found the winning hand.

In the first of a brand-new series set in Victorian England, a young woman returns home from India after the death of her family to discover her identity and inheritance are challenged by the man who holds her future in his hands.

Il capolavoro della scrittrice inglese. Un romanzo che getta le basi della lotta femminile per il proprio diritto all'autodeterminazione. Rappresenta il ritratto di un’epoca ed il percorso di una donna. Musiche originali di Ivan Genesio.

Sullo sfondo della brughiera battuta dai venti, una ragazza umile ma volitiva trova lavoro come istitutrice nella casa di un uomo aspro e malinconico. Tra di loro nascerà inaspettata una grande passione, che dovrà però fare i conti con un segreto scabroso. Un capolavoro di una modernità dirompente, un cult che continua ad affascinare generazione dopo generazione.

1887, the Cornwall coast. For years, rumors have flown through the village of Suttonsbury about Ashthorne Hall—that its occupants hoard pirate treasure, that a ghost walks its halls—but botanist Hyacinth Bell only cares about the estate’s extensive one-of-a-kind orchid collection. As an independent woman, she is eager to focus on her career, even if it means waiting to pursue a romantic relationship. After all, love—like an orchid—must be nurtured and tended before it can bloom. What she doesn’t expect is to be swept away by Lucas Harding, the manor’s caretaker, upon their first meeting.

1851, Angel Meadow Asylum. Dr. Rutherford, principal physician to the insane, is found dead, his head bashed in, his ears cut off, his lips and eyes stitched closed. The police direct their attention towards Angel Meadow's inmates, but to Jem Flockhart and Will Quartermain the crime is an act of calculated retribution, rather than of madness. To discover the truth Jem and Will must pursue the story through the darkest corners of the city.

Private investigator Charles Maddox is surprised when he is approached by Edward Tulkinghorn for help. The feared and shadowy attorney offers Charles a handsome price he can't refuse to do some sleuthing for a client. Charles learns that Sir Julius Cremorne has been receiving threatening letters, and now Tulkinghorn wants him to find and stop whoever is responsible. But what starts as a simple open-and-shut case swiftly escalates into something bigger and much darker. As he cascades toward a collision with powerful forces, Charles will need all the assistance he can get…

This novel has been in the works since its beginning in 2005 when a century and half old colonial style home was restored by the author and his wife, Barbara. For over twelve months, the house did an amazing transformation, the third time since its original construction in 1845. The first time it was restored was 1861. The second time in 1932 and the last time in 2005.

When lady’s maid Marian Osley and footman Valentine Hobbs assume their positions at the cliff-top estate of Valor Rise, they already share a history. Raised together as paupers in a London workhouse, they indulged in S&M games of imaginary crimes and sublime punishment. Now they’ve been unexpectedly reunited - in subservience to the brooding Wythe Bornholdt and his frail wife, Diana. A master and mistress with their own dark secrets.

Available for the first time in 125 years, the Lost Novels of Nellie Bly! Pioneering undercover journalist Nellie Bly is rightly famous for exposing society's ills. From brutal insane asylums to corrupt politicians, she exposed all manner of frauds and charlatans. She was also a skilled interviewer and reporter. What no one has known was that she was also a novelist. This is because, of the twelve novels Bly wrote between 1889 and 1895, eleven have been lost. Until now.

Forced to flee his home and his mother’s murderous rage when he removes his mask, his greatest desire is to be loved for himself. At the tender age of seven, he must fight for survival in a hostile world where the threat of starvation is the least of the abuses he suffers. Yet, time and again, in his naivety, he extends trust to someone he believes can fill his need for affection and acceptance. Betrayed in every instance, his anger grows.