Victorian Horror

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

In Victorian London, where traveling sideshows are the very pinnacle of entertainment, there is no more coveted ticket than Ashe and Pretorius' Carnivale of Curiosities. Each performance is a limited engagement, and London's elite boldly dare the dangerous streets of Southwark to witness the Carnivale's astounding assemblage of marvels. For a select few, however, the real show begins behind the curtain. Rumors abound that the show’s proprietor, Aurelius Ashe, is more than an average magician. It's said that for the right price, he can make any wish come true.

This collection of tales transports the listener to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind—or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each comes to life in this vivid rendition.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Seventeen-year-old Audrey Rose Wadsworth was born a lord's daughter, with a life of wealth and privilege stretched out before her. But between the social teas and silk dress fittings, she leads a forbidden secret life. Against her stern father's wishes and society's expectations, Audrey often slips away to her uncle's laboratory to study the gruesome practice of forensic medicine. When her work on a string of savagely killed corpses drags Audrey into the investigation of a serial murderer, her search for answers brings her close to her own sheltered world.

Before Twilight and True Blood, even before Buffy and Anne Rice and Bela Lugosi, vampires haunted the 19th century, when brilliant writers everywhere indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula. Michael Sims brings together the very best vampire stories of the Victorian era - from England, America, France, Germany, Transylvania, and even Japan - into a unique collection that highlights their cultural variety.

London, 1885. Gabriel Utterson, a 17-year-old law clerk, has returned to London for the first time since his life—and that of his dearest friend, Henry Jekyll—was derailed by a scandal that led to his and Henry's expulsion from the London Medical School. Whispers about the true nature of Gabriel and Henry's relationship have followed the boys for two years, and now Gabriel has a chance to start again. But Gabriel doesn't want to move on, not without Henry. His friend has become distant and cold since the disastrous events of the prior spring, and now his letters have stopped altogether.

Legendary thriller writer David Morrell transports listeners to the fogbound streets of London, where a killer plots to assassinate Queen Victoria. The year is 1855. The Crimean War is raging. The incompetence of British commanders causes the fall of the English government. The empire teeters. Amid this crisis comes opium-eater Thomas De Quincey, one of the most notorious and brilliant personalities of Victorian England. Along with his irrepressible daughter, Emily, and their Scotland Yard companions, finds himself confronted by an adversary who threatens the heart of the nation.

At their newly founded school, Samuel Hood and his daughter, Caroline, promise a groundbreaking education for young women. But Caroline has grave misgivings. After all, her own unconventional education has left her unmarriageable and isolated, unsuited to the narrow roles afforded women in 19th-century New England. When a mysterious flock of red birds descends on the town, Caroline alone seems to find them unsettling. But it's not long before the assembled students begin to manifest bizarre symptoms: Rashes, seizures, headaches, verbal tics, night wanderings. One by one, they sicken.

Betrayed by those she trusted, penniless and alone, Darcie Finch is forced to accept a position no one else dares as assistant to dangerously attractive Dr. Damien Cole. Ignoring the whispered warnings and rumors he's a man to fear, she takes her position at his eerie estate, where she quickly discovers nothing is at it seems, least of all her handsome and brooding employer. As Darcie struggles with her fierce attraction to Damien, she must also deal with the blood, the disappearances...and the murders.

As far as rash decisions go, it was formidable. But Lady Jocelyn Rathbourne's will remains strong. If the only way to save her family's estate and reputation is by aiming a small pistol at the Duke of Calydon, then so be it. For Lady Jocelyn demands satisfaction - and she will have it at any cost. Even if it means demanding the hand of the intense and foreboding Duke himself....

Richard Kramer, still nursing his injuries, is on his way to Germany with Lily Lefèvre to find his sister Anne and her children. Charlie Bentwith is struggling to overcome the trauma of recent events, and the enigmatic Dr. Westcott seems to be distracted by problems of his own. When a new threat arises from an unexpected source, the group of friends who had been bound together by Katherine's death are scattered and still reeling from their recent ordeal.

Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

As the age of the photograph dawns in Victorian Bath, silhouette artist Agnes is struggling to keep her business afloat. Still recovering from a serious illness herself, making enough money to support her elderly mother and her orphaned nephew Cedric has never been easy, but then one of her clients is murdered shortly after sitting for Agnes, and then another, and another. Why is the killer seemingly targeting her business?

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.

The unnamed narrator of the story lives alone in a dark, ancient castle surrounded by a dense forest. He never sees sunlight, and he has no memory of human contact. One day, desperate to see the sun, the narrator decides to climb the ruined tower which is the only part of the castle taller than the trees. After the dangerous climb to the top room of the tower, the narrator is delighted to see the moon through a grating. Soon, however, he discovers the horrible truth behind his confinement.

In one of M.R. James’ creepiest short stories, night of terror plays out with every glimpse at a static picture and the viewer is powerless to prevent a dark figure’s progress. 'The Mezzotint' is taken from the second volume of the Victorian Anthologies Horror series, featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

The narrator - the old nurse of the title - is an old family retainer who has worked in the service of the same family for three generations. She tells the young children about a dark incident that she experienced in the company of the children’s mother, when she was a young woman and visiting her mother’s ancestral home.