Victorian Thriller

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.

Facing court-martial for disobeying orders, Lieutenant Samuel Kingston despairs when avaricious aristocrats imprison his father for a crime born of Samuel’s clash with one of their own as a boy. The young Anglo-Irishman’s only hope of freeing both is accepting a commission assisting William Walker and his filibusters win Nicaragua’s bloody civil war.

April 1865. Having been an eyewitness to the assassination of President Lincoln, Matthew Grand, a former captain of the 3rd Cavalry of the Potomac, has come to London on an undercover assignment to hunt down the assassin's coconspirators. Ambitious young journalist Jim Batchelor has been charged with writing a feature article on the visiting American. Both men are distracted from their missions by the discovery of a body in London's Soho district.

London is in flux. The clop of the hansom cab has given way to the madness of the motorcar. And Sherlock Holmes, safe in the bee-loud glades of the Sussex downs, is lured back to London when a problem is posed to him by Dr. Watson and Watson's friend, Col. Higgins. Is the transformation of Eliza Doolittle from girl of the streets to duchess more than it seems? Is it really the work of Henry Higgins's phonetics lessons, or has another girl been substituted for her, and why? Has the original girl been murdered? Even Eliza's father can't say for sure.