Victorian True Crime

As the train rattled westward on the outskirts of Dublin, James Berry didn’t stand out amongst his fellow passengers, but they couldn’t see the long, Italian silk rope coiled in the black leather bag by his side, nor the white cap and pinion straps, nor the revolver in his coat pocket. Galway, the winter of 1885. The violent murders of John Moylan, killed on a dark country lane, and Alice Burns, shot dead in the dining room of the Royal Hotel, have shaken the county. Now, following painstaking investigations and charged courtroom drama, justice beckons for the guilty parties.

A tragic death, a murder trial and a 170-year-old mystery - but what really happened? Shortly after Maria Kirwan died in a lonely inlet on Ireland’s Eye, it was decided that she had drowned accidentally during a day spent with her husband on the picturesque island. This inquest verdict appeared to conclude the melancholy events that consumed the fishing village of Howth, Co Dublin, in September 1852.

In 1898, a group of schoolboys in Bridgeport, Connecticut, discovered gruesome packages under a bridge holding the dismembered remains of a young woman. Finding that the dead woman had just undergone an abortion, prosecutors raced to establish her identity and fix blame for her death. Suspicion fell on Nancy Guilford, half of a married pair of “doctors” well known to police throughout New England. A fascinated public followed the suspect’s flight from justice, as many rooted for the fugitive.

In the summer of 1889, young Southern belle Florence Maybrick stood trial for the alleged arsenic poisoning of her much older husband, Liverpool cotton merchant James Maybrick. The ‘Maybrick Mystery’ had all the makings of a sensation and cracked the varnish of Victorian respectability. Florence’s fate was fiercely debated on the front pages of the newspapers and in parlours and backyards across the country.

It took three tortured days in 1876 for Charles Bravo to die from the poison that burned its way through his body. The subsequent investigation revealed many people with a grudge against the young barrister. The dramatic inquest was covered in sensational detail by the press, but no one was convicted of his murder. Over a century later, James Ruddick draws on new evidence to solve one of the most famous murders in criminal history.

When one hears the term “Victorian”, many images come to mind. For some, the term conjures up visions of lace and gloves and delicate fans. Others think of tight corsets and even tighter morals. Others, swayed perhaps by one too many British costume dramas, envision gentle elegance and long-lost beauty. Naturally, few people think of multiple dead bodies cast about in the streets or dark bedrooms, most mutilated to a shocking degree, and yet, those tragic images played a significant role not only in late Victorian London, but ever since.