Violence Girl

Eleven-year-old Parvana lives with her family in one room of a bombed-out apartment building in Kabul, Afghanistan's capital city during the Taliban rule. Parvana's father- a history teacher until his school was bombed and his health destroyed- works from a blanket on the ground in the marketplace, reading letters for people who cannot read or write. One day he is arrested for the crime of having a foreign education, and the family is left without someone who can earn money or even shop for food.

The girl does not respond to questions in any language and remains silent, even when she is threatened, harassed, and mistreated over several days. The only clue to her identity is a tattered shoulder bag containing papers that refer to people named Shauzia, Nooria, Leila, Asif, Hassan - and Parvana. As she waits for foreign military forces to determine her fate, she remembers the past four years of her life. Reunited with her mother and sisters, she has been living in a village where her mother managed to open a school for girls.

Twenty-five years ago, a young girl left home to walk to school. Her younger sister soon followed. But one of them arrived, and one of them didn’t. Her sister’s disappearance has defined Willa’s life. Everyone thinks her sister is dead, but Willa knows she isn’t. Because there are some things that only sisters know about each other—and some bonds only sisters can break. When Willa is invited to a party thrown by her first love, she has no reason to expect it will be anything other than an ordinary evening But nothing about Willa’s life has been ordinary since the day her sister disappeared.

When Alice was 10, Ray took her away from her family, her friends - her life. She learned to give up all power, to endure pain. She waited for the nightmare to be over. Now Alice is 15 and Ray still has her, but he speaks more and more of her death. He does not know it is what she longs for. She does not know he has something more terrifying than death in mind for her. This is Alice's story. It is one you have never heard, and one you will never, ever forget.

A deadly virus killed every adult on Earth, leaving only the kids behind. With her parents gone, Lisa is responsible for her little brother, Todd. She has to make sure they stay alive. Many kids are sick or starving, and fierce gangs are stealing and destroying everything they find. Lots of people have given up, but on Grand Avenue, some kids are surviving. Because of Lisa. Lisa figured out how to give the kids on Grand Avenue food, homes, and protection against the gangs.

One year after a random shooting changed their family forever, Nora and her father are exploring a slot canyon deep in the Arizona desert, hoping it will help them find peace. Nora longs for things to go back to normal, like they were when her mother was still alive, while her father keeps them isolated in fear of other people. But when they reach the bottom of the canyon, the unthinkable happens: A flash flood rips across their path, sweeping away Nora's father and all of their supplies.

Kelly Sundberg’s husband, Caleb, was a funny, warm, supportive man and a wonderful father to their little boy Reed. He was also vengeful and violent. But Sundberg did not know that when she fell in love, and for years told herself he would get better. It took a decade for her to ultimately accept that the partnership she desired could not work with such a broken man. In her remarkable book, she offers an intimate record of the joys and terrors that accompanied her long, difficult awakening, and presents a haunting, heartbreaking glimpse into why women remain too long in dangerous relationships.

Finally, Amira is 12. Old enough to wear a toob, old enough for new responsibilities. And maybe old enough to go to school in Nyala - Amira's one true dream. But life in her peaceful Sudanese village is shattered when the Janjaweed arrive. The terrifying attackers ravage the town and unleash unspeakable horrors. After she loses nearly everything, Amira needs to dig deep within herself to find the strength to make the long journey - on foot - to safety at a refugee camp.

Foster carer Maggie Hartley is finally enjoying a well-earned holiday from fostering, savouring time with her brand-new baby granddaughter. One night, though, the peace and quiet is interrupted by an urgent call from Social Services. A man has been stabbed, and Social Services need to find an emergency placement for his little girl. Maggie is used to children arriving on her doorstep at all times of the day and night, but nothing can prepare her for the sight of 11-year-old Nancy.

Jane Pool likes her safe, suburban existence just fine. She has a house, a family, (an infuriating mother-in-law,) and a quiet-if-unfulfilling administrative job at the local college. Everything is wonderfully, numbingly normal. Yet Jane remains haunted by her past: her mercurial, absent mother, her parents’ secrets, and the act of violence that transformed her life.

Ferguson might be the worst, but it is not the first. Ferguson is just the latest of hundreds of examples of Black mob violence around the country. White Girl Bleed a Lot: The Return of Racial Violence to America and How the Media Ignore It was written for the deniers: reporters and public officials and others who deny Black mob violence has reached epidemic levels.

Best friends Tamanna and Yasmine cannot believe their good fortune when a school is set up in their Afghan village; however, their dreams for the future are shattered when the Taliban burn down the school and threaten the teacher and students with death. As Tamanna faces an arranged marriage to an older man, and the Taliban target Yasmine’s Western-educated family, the girls realize they must flee.

In You Throw Like a Girl, former Syracuse University quarterback and NFL veteran Don McPherson examines how the narrow definition of masculinity adversely impacts women and creates many "blind spots" that hinder the healthy development of men. Dissecting the strict set of beliefs and behaviors that underpin our understanding of masculinity, he contends that we don't raise boys to be men, we raise them not to be women.

Ava Thomas knew leaving was the right decision. Trapped and manipulated in her relationship, and after yet another violent beating whilst she was pregnant, Ava was helped to a women's refuge with her children. Listening to the stories of other women there, Ava began thinking back to where it all started to go wrong. Brought up by a mother who never loved her, Ava sought that missing care and warmth elsewhere. Running away to her father's home as a teenager, she thought she might finally be safe. But after being abused by her own brother, she was thrown out onto the streets.

Andrea McNulty has a wonderful life: she's a high school field hockey star, a doted-upon big sister, the beloved daughter of two happy parents. But when she wakes up in a motel room the morning after her eighteenth birthday, she's covered in blood and can't remember what happened the previous night. According to the news, Andi's parents were brutally attacked in the middle of the night. Her father is dead, her mother is in a coma, her little brother Josh is missing—and Andi is the prime suspect.

Nine-year-old Ling is very comfortable in her life; her parents are both dedicated surgeons in the best hospital in Wuhan. But when Comrade Li, one of Mao's political officers, moves into a room in their apartment, Ling begins to witness the gradual disintegration of her world. In an atmosphere of increasing mistrust, Ling fears for the safety of her neighbors and, soon, for herself and family.

After parting ways with her troubled mermaid tribe, Luce just wants to live peacefully on her own. But her tranquility doesn’t last long: She receives news that the tribe is on the verge of collapse and desperately needs her leadership. The tribe’s cruel queen wants Luce dead. Dorian, the boy Luce broke mermaid law to save, is determined to make her pay for her part in the murder of his family. And while the mermaids cling to the idea that humans never suspect their existence, there are suddenly ominous signs to the contrary.

Tightly plotted and fast paced, Girl Crazy is a cinematic ride through one man’s obsession with a younger woman. Justin, a dissatisfied community college teacher, meets Jenna and is attracted at once to her mixture of toughness, vulnerability and ripe sexuality.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

In Hunting Girls, Kelly Oliver examines popular culture's fixation on representing young women as predators and prey and the implication that violence - especially sexual violence - is an inevitable, perhaps even celebrated, part of a woman's maturity. In such films as Kick-Ass (2010), The Girl with the Dragon Tattoo (2011), and Maleficent (2014), power, control, and danger drive the story, but traditional relationships of care constrict the narrative. Even the protagonist's love interest adds to her suffering.