Violence Girl

Sixteen-year-old Beau Willet has dreams of being an artist and one day leaving the Chicago projects she’s grown up in. But after her older sister, Katia, is killed by an off-duty police officer, Beau knows she has to clear her sister’s name by finding the only witness to the murder; Katia’s no-good boyfriend, Jordan, who has gone missing. If she doesn't find him and tell the world what really happened, Katia's death will be ignored, like the deaths of so many other Black women who are wrongfully killed.

Lucy and Ruth are country girls from a broken home. When they move to the city with their mother, leaving behind their family ranch and deadbeat father, Lucy unravels. They run to their grandparents’ place, a trailer park mobile home in the barrio of San Jose. Lucy’s barrio friends have changed since her last visit. They’ve joined a gang called VC. They teach her to fight, to shank, to beat a person unconscious and play with guns.

In You Throw Like a Girl, former Syracuse University quarterback and NFL veteran Don McPherson examines how the narrow definition of masculinity adversely impacts women and creates many "blind spots" that hinder the healthy development of men. Dissecting the strict set of beliefs and behaviors that underpin our understanding of masculinity, he contends that we don't raise boys to be men, we raise them not to be women.

When 12-year-old Hershey must run away with her mother to a women's shelter, she wonders how, among other things, she'll compete in the town talent show with her best friend, Phoebe; who will take care of her cat, Augustus Gloop; and if she'll survive being on a new bus route with her sworn enemy.

After parting ways with her troubled mermaid tribe, Luce just wants to live peacefully on her own. But her tranquility doesn’t last long: She receives news that the tribe is on the verge of collapse and desperately needs her leadership. The tribe’s cruel queen wants Luce dead. Dorian, the boy Luce broke mermaid law to save, is determined to make her pay for her part in the murder of his family. And while the mermaids cling to the idea that humans never suspect their existence, there are suddenly ominous signs to the contrary.

In this 2009 National Book Award finalist, Rita Williams-Garcia proves that she has an “uncanny ability to project unique voices” ( Publishers Weekly). Jumped is told in alternating points of view between three girls as they struggle to make tough choices when they become involved in a fight at their urban high school.