Visual Art

Cv/VAR 66 interviews Dr. Michael Ryan of the National Museum Dublin recorded at the opening of the exhibition The Work of Angels at the British Museum in 1989. He describes pieces found at Derrynaflan dating from the eighth century including an ecclesiastical paten, jewelry, accessories, and domestic artifacts. It carries a detailed account of Celtic and Pictish craftsmanship and iconography.

Clare Lilley, head curator of Yorkshire Sculpture Park, gives an interview to Cv/VAR in which she describes her own career path to the YSP and gives a detailed description of the history, aims, and initiatives of Britain's largest environment for contemporary sculpture, with special projects involving artists such as David Nash, James Turrell, Jaume Plensa, and Anthony Caro.

This is an interview by Sarah Batiste with textile and ceramic artist Paramjit Takhar recorded in 1989. Here, Paramjit explains the spiritual aspects of colours, with essays on the history and influence of Mogul painting.

Cv/VAR 80 presents an interview by sculptor Tom Grimsey in 1991 with Spanish artist Glòria Ortega. She describes her work in various mediums from straw to steel. She credits the effect on her work of artists Miro, Chillida, and Ortéiza, and discusses her place in the community of Catalan artists.

Dr. Stephen Deuchar, director of the Art Fund, gives an interview to Cv/VAR, first published in Curators and Collections Volume Three 2010. He describes the history of the Art Fund, its foundation, aims and initiatives, and work as a major benefactor, enabling museums and galleries to preserve and develop their collections, including recently discovered treasure troves, and individual works saved for the future.

Cv/VAR 102 documents Leviathan, a commissioned sculpture by Anish Kapoor for the Monumenta series at the Grand Palais, Paris. It records a press presentation at his London studio. The artist describes the project, with reference to scale models, and discusses 120 metre high Orbit in construction for the 2012 London Olympics. It then visits Leviathan installed at the Grand Palais in May 2011.

Interview with John Murdoch, director of the Courtauld Gallery, Somerset House, London, recorded in 1993, describes the formation of key Impressionist works by Sam Courtauld in the early twentieth century.

A presentation by exhibition curator Catherine David in 1997 describes her plans for Documenta X Kassel; title 'Retroperspective', including works by Joseph Beuys and Walter de Maria. She proposes the ambitions of the projects, in linking strands of modern and progressive art, with aspirations of different nationalities and cultures.

Explores the structure and development of the Pre-Raphaelite movement in the mid-19th century and works that figure among the most enduring and generally popular in British art. Renowned writer and art critic Edward Lucie-Smith contributes a study of the brotherhood of seven artists and their interconnection and intricate links with the social establishment of the time. James Cahill has a special interest in the movement, having studied Dante Gabriel Rossetti and Holman Hunt. He reviews a major exhibition of 150 works at Tate Britain launched in September 2012.

Transform your filmmaking craft and enrich your stories with this complete guide to the power of music in visual media. Music holds an immense power to shape and transform your film. Every note builds atmosphere, establishes the setting, and deepens the emotions present on the screen. But how can you develop a deeper appreciation of the film scoring process and learn the subtle techniques that expert storytellers use to transform their films through music?

Você já se sentiu intrusa em algum lugar? Sentiu que, por algum motivo, sua presença provocou assunto, despertou curiosidade ou mesmo estranheza? Corpo Intruso é o que não está convidado. O que não é visto como parte. O que pode ser indigesto ao mesmo tempo que pode ter certo humor. Corpo Intruso, de Estela Lapponi, versa sobre a presença "não autorizada" - por quem?! - e, por isso, é transformadora.

A review of Nam June Paik at Tate Modern, explores the exhibition room by room. "When asked about his practice Paik replied "I am aware of Zen, but I am an artist: I react to Zen in the same way I react to the music of Johan Sebastian Bach."

Eye Contact is the story of a photographer's decade-long journey in search of meaning and manhood. An experienced freelancer with the New York Times, author Luke Sharrett treats listeners to a behind-the-scenes look at covering the White House and flying aboard Air Force One. Despite achieving professional success at a young age, he is haunted by a feeling that he simply doesn't belong. He can't seem to outrun a nagging fear that he doesn't have what it takes to succeed in life. As he navigates his career, he begins searching for answers. Who am I? Where do I belong?

Info We Trust celebrates data storytelling, as explained by one of the field's most talented creators. Both engineer and artist, R. J. Andrews draws on disciplines from across the human experience to show how to create new ways of seeing the world. And most importantly, to build powerful data-driven information that is worthy of trust.

A recorded visit to Elizabethan Treasures during the press view at the National Portrait Gallery London. Inspect miniature portraits by Nicholas Hilliard and Isaac Oliver of Sir Walter Raleigh, Sir Francis Frake, Henry Wriothesley and others, and the celebrated icon of Queen Elizabeth I.

An interview with the author J. P. Donleavy, recorded in 1989 on the occasion of his exhibition at Anna-Mei Chadwick Gallery, Chelsea. He describes his formative experience of Dublin, with exhibitions there in 1948, '50, and '51, the catalogue manifestos, for these were his first published writings, leading to work on his first renowned novel, The Ginger Man.

Unlock the full potential of your drone photography with our detailed guide on editing and post-processing. This comprehensive resource dives into essential techniques for transforming your aerial images into breathtaking masterpieces. Learn how to make basic adjustments, correct colors, enhance details, and apply advanced methods like HDR processing and panorama stitching. With step-by-step instructions and expert tips, you'll master the art of post-processing to create visually stunning and impactful photos.

Early sunlight glittered gold on the leaves. Big Meg woke when a slight rise in temperature told him it was time to move. He raised his head to taste the air. It was still cool and a slight breeze carried smells to his flickering tongue. His ears picked out no sound other than the rustle of leaves and the creak of branches high above the ground. His head swiveled, the folds and wattles of his neck that served as camouflage shifted as he did. He decided it was safe to move and that it was early enough to find food.