Visual Art

An essay by Edward Lucie-Smith explores aspects of the mysterious and private character of the renowned American society artist John Singer Sargent.

Discover "Rx: Art!"—a transformative guide designed specifically for healthcare workers. Your dedication to caring for others is commendable, but it's crucial to remember your own well-being.

He was the original 20th-century enfant terrible with the looks of a Greek god who blazed like a comet across the worlds of art, photography, and fame. The scion of several old WASP fortunes, he was by instinct an adventurer, and the more dangerous the escapade, the better. Journalist and author Graham Boynton was a friend for more than 30 years, spending time with Beard at his bush camp in Africa, in London, and at his Long Island home. From hundreds of Boynton’s interviews with Beard’s closest friends, former lovers, and fellow artists comes this intimate portrait.

This study explores the work of celebrated artist Tracey Emin, exhibited at Turner Contemporary in Margate Kent. It reviews the figurative studies and neon calligraphic scultpures.

Art dealing today in the United States is a huge, well-organized, well-publicized industry. Probably, there has never previously been a market in art that has played such an important role in a national economy. The United States retains the preeminent position in the world market for art that it achieved immediately after World War II and seems unlikely to lose it any time soon. In addition to serving collectors and institutions based in America, the American dealing community supplies works of art to individuals and museums all over the world.

Feature by David Rose first published in Cv Journal of Art and Crafts 2/4 December 1989, in which he describes craft practices of individual makers in the county of West Cork, Ireland. The monograph also includes a survey of Dublin colleges of art and design by Margaret MacNamidhe, first published in Cv Journal 4/2 July 1991. From Cv/VAR Archive. Crafts Directory surveys practices in the applied and decorative arts in the UK and Ireland. The anthology of interviews and features was first published in the quarterly review Cv Journal of Art and Crafts 1988-91, and includes showcases of emerging practices, studies of crafts education, and a comprehensive index of specialist producers and suppliers in the flourishing arena of crafts design and distribution.

Reviews events in the London Festival of the Cultural Olympiad. Writer Alexandra James visits a variety of exhibitions, music, and performances, staged through July 2012, witnessing a range of creative voices drawn from the international arena.

Marina Vaizey and Anne Blood consider the historical impact of photography on the fine and interpretive arts, from pioneers such as Hill and Adamson, Fox Talbot and Louis Daguerre to Edward Steichen and Man Ray. The documentary power and graphic clarity of the medium challenged and persuaded artists such as Degas, Sickert, Warhol, and innumerable creative voices. In their essays Marina and Anne explore the conjunctions and variations where document and dream intermingle.

The monograph publishes a study of Rembrandt van Rijn and JMW Turner at the National Gallery and Tate Britain in exhibitions of their later works.

There is an increasing tendency to set up body artists and performance artists - the two categories are often interchangeable - as the real heroes and heroines of the contemporary avant-garde. In fact, we need to look much further back for its beginnings. The first body art performer, as well as the first professional bodybuilder, was the showman, Eugene Sandow (1867-1925). Though Sandow’s heyday occurred before the birth of the Modern Movement, there are compelling reasons for giving the primacy to him.

Edward Lucie-Smith examines Hans Holbein's famous series of prints, The Dance of Death, together with associated works, such as various artistic variations on the theme of Death and the Maiden. In addition, Lucie-Smith looks at some famous images made on the theme of war, notably the prints of Jacques Callot and the bitter social studies of Goya y Lucientes.

This is a recorded conversation with Manchester-born artist Hughie O'Donoghue, first published in Cv Journal of the Arts v2/3 September 1989. He discusses his ideas about painting and evaluates key works such as Sleeper and recent landscape The Irish Sea.

Interview with John Murdoch, director of the Courtauld Gallery, Somerset House, London, recorded in 1993, describes the formation of key Impressionist works by Sam Courtauld in the early twentieth century.

Eco-art exhibitions are part of the trend of our times. Radical Nature, the show at the Barbican Art Gallery in London, demonstrated some of the possibilities and paradoxes of enterprises of this sort. Basically what the organizers had to do is to move the outside indoors. This set them both practical and, in their own terms at least, moral problems.

Presents a collection of essays by Nicholas James on classic and contemporary art: "The Trinity" by Masaccio at Santa Maria Novella, Florence; Vermeer's "The Maid" and "Woman Weighing Pearls"; Cezanne and Salvador Dali, Francis Bacon portraits, and reviews of over 70 exhibitions in public and private galleries held between 1993 and 2010.

This is a personal view of Picasso and Paper, a major exhibition held at the Royal Academy, and explores over 300 works covering drawing, collages, and prints.

Frieze Masters, London, October 6, 2019. Into the broad arena of the covered awnings of this enormous tented gathering of leading art dealers and the first gallery space is Aquavella, with a variety of exhibits; and come face-to-face with an absolutely spiteful acid green and fluorescent pink abstract by Keith Haring (1958-1990). It’s on canvas dated 1982 and signed lower left. The green is painted in a random ventilated grid over the hyper-intense pink with a bold line of a green stripe on the top edge of the work, which is encased in a glass vitrine.

Review of the exhibition of visionary artist William Blake at Tate Britain, September 2019: The exhibition is arranged in eight rooms of the downstairs gallery spaces of Tate Britain, low-lit, maroon-painted walls, a very comprehensive collection of a highly original and complex visionary creator.

A collection of reviews made from January to June 2019 of exhibitions in museums and galleries in London and Oxford. The volume proceeds from Small Histories, published in 1996 then updated in 2011. Contents include: Mantegna/Bellini at the National Gallery, John Ruskin at Temple Place, Elizabethan Miniatures at the National Portrait Gallery, Pierre Bonnard at Tate Modern, Mary Quant at the V&A, Jeff Koons at the Ashmolean Oxford, and Anish Kapoor at the Lisson Gallery London.

A recorded visit to an exhibition by Anish Kapoor at the Lisson Gallery, London continued to 22nd June, 2019. Includes descriptions of works and bio-dara of the artist.