Visual Art

Hailed by readers/listeners and critics across the country, this engrossing biography of Mexican painter Frida Kahlo reveals a woman of extreme magnetism and originality, an artist whose sensual vibrancy came straight from her own experiences: her childhood near Mexico City during the Mexican Revolution; a devastating accident at age eighteen that left her crippled and unable to bear children; her tempestuous marriage to muralist Diego Rivera and intermittent love affairs with men as diverse as Isamu Noguchi and Leon Trotsky; her association with the Communist Party.

A study of Giacometti portraits at the National Portrait Gallery London and Frank Auerbach at Tate Britain.

A follow-up to the bestseller Sigil Witchery, Visual Alchemy takes a deeper look at the extraordinary connection between art and magic. Laura Tempest Zakroff expands on her signature sigil witchery method, an accessible and intuitive approach to crafting effective sigils. She covers numerous topics, including how to connect to the artist within, draw inspiration to you, and easily incorporate art into your ritual practice. Featuring more than fifty shared magic sigils, this book empowers you to put aside fear and unleash the full potential of your imagination.

Cv/VAR series 52 features an interview with American artist James Turrell recorded at Michael Hue Williams London in June 1996.

He was the original 20th-century enfant terrible with the looks of a Greek god who blazed like a comet across the worlds of art, photography, and fame. The scion of several old WASP fortunes, he was by instinct an adventurer, and the more dangerous the escapade, the better. Journalist and author Graham Boynton was a friend for more than 30 years, spending time with Beard at his bush camp in Africa, in London, and at his Long Island home. From hundreds of Boynton’s interviews with Beard’s closest friends, former lovers, and fellow artists comes this intimate portrait.

Cv/VAR 50 publishes an interview with the artist Helen Chadwick (1953-96), recorded at her Beck Road studio in 1989. It explores the body-action-photographic works distilled in installations such as Ego Geometria Sum and Of Mutability, and the cromalin prints of 1989: Viral Landscapes, prepared for exhibition at the Museum of Modern Art Oxford in 1990.

The Anatomy Series of 2001 was made in a quantity of eighty panels, taking three weeks to complete. The set considered the landscape of the human physical system. The panels were worked on flat, painting twelve at a time in rotation. They were laid out on an old framed work which also served as a container for the pool of colour washed over the textured surface. Two inch square wooden cubes were used to stack the panels in small towers to dry out.

With a unique blend of self-help, career strategy, and memoir-like elements, Vicki Lau speaks to the core of what it is like to work behind the scenes on some of your favorite Hollywood titles, covering strategies employed in order to maneuver her way into the upper echelons of the industry.

A review of Anselm Kiefer exhibition at White Cube Bermonday tours room by room, with analytic descriptions of the large scale works on view.

A review of the Mary Quant exhibition at the Victoria and Albert Museum London. The audiobook looks at the beginnings of the designer's practice, launched with the Kings Road boutique Bazaar in the 1950s; progressing to Quant's mini skirts and trouser suits in the 1960s, and development of a cosmetic range in the 1970s. Includes quotations from associates and biographical data.

Cv/VAR no.103 publishes an interview recorded 2010 with American artist John Dugger (b.California 1948) in which he gives an account of his art and development. He recounts 1960s America and arriving in London 1967: pioneering The Exploding Galaxy with David Medalla; 1970-2, their travels in the Philippines, Sri Lanka, India, then the China Journey of 1972 into Mao's Republic. The monograph documents the artists work for Banner Arts and other projects to date.

Cv/VAR no.100 publishes an interview with the American artist Jim Dine, recorded by cell phone from Wales to the artists Paris studio on May 11th, 2010. In this, he discusses his beginnings as an artist, his work with Claes Oldenburg and the Happenings, the Pinocchio series, 52 Books at Pace Gallery, New York, and the relationship of drawing to his graphic work.

From Palette to Pixel: A Visual History of Digital Art is an immersive journey through the captivating evolution of digital art, from its humble beginnings to its extraordinary present. This meticulously crafted book delves into the fascinating intersection of technology and artistic expression, tracing the development and transformation of digital art forms over time.

In September 1972, three graduates rented two floors above a cash and carry warehouse at 65A Lisson Street, West London. After a couple of months, one emptied his studio, the first floor front room, and opened the space for exhibitions. There followed a spate of invented artists which made humorous comments on the high-flown conceptual arena. In 1974, the gallery strengthened its identity with the Gallery London Displays, a series developed with sculptor Vaughan Grylls.

In this study, Art, Poetry, and WW1 by Edward Lucie-Smith of writing, poetry, and painting in the centenary year of the outbreak of the First World War, the author considers the historical impact on the general psyche of the calamitous events, reflected in the expression of poets and visual artists. He establishes a continuity to the theme with reference to works by Velázquez, Watteau, Goya, and others, in their treatment of the spectacle of battle and the horrors of war and human conflict.

An anthology of essays and reviews by the eminent art historian and writer, Edward Lucie-Smith. The articles cover a broad span, from the Italian Renaissance of Giotto and Antonello da Messina, Leonardo, and Michelangelo, progressing to Rubens, Velázquez, and Ingres, with essays on William Hogarth, John Constable, and John Everett Millais for British art. With the experience of his landmark publications on modern art, which remain in print, the author sweeps the listener on a fabulous journey of perception.

Presents a collection of essays by Nicholas James on classic and contemporary art: "The Trinity" by Masaccio at Santa Maria Novella, Florence; Vermeer's "The Maid" and "Woman Weighing Pearls"; Cezanne and Salvador Dali, Francis Bacon portraits, and reviews of over 70 exhibitions in public and private galleries held between 1993 and 2010.

Art has been a staple in most cultures across the world, firmly having rooted itself as a means of communicating one’s understanding of themselves and the world around them. A great number of people in the world develop a natural passion for the act of creation, irrespective of talent. However, most of those who pursue the arts start off self-taught, and when they get to the point where they can take classes, there is a mix of bad habits and misunderstood techniques that they have to unlearn in order to improve.

Daphne Odjig was a self-taught visual artist who showcased her originality, social awareness, and feminism to create masterpieces that are reflective of he Anishinaabe culture. Daphne gave the indigenous people of Canada a voice to the foreground of contemporary art. See the world through Daphne Odjig’s eyes.

A study of Aubrey Beardsley's work exhibited at Tate Britain until May 25, 2020. The author considers the darkly vigorous imagery of the short lived genius, his graphic work for the notorious Yellow Book, and sublimely erotic illustrations for Lysistrata by Aristophane and Salome by Oscar Wilde, which frank imagery even shocked the author.