War Studies

Facing not onlt the astounding courage they displayed amid death and chaos but also on the triumphs and pain of their personal lives, Susanna reveals how these 11 Australian women were as influential and heroic in civil life as they were in war.

This riveting biography of a Massachusetts slave boy who fought in the Revolutionary War illuminates race relations in the Northern colonies, early battles of the revolution, and the experiences of Black soldiers on both sides of the conflict.

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist, but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company.

Contrary to popular belief, the American Revolutionary War was not a limited and restrained struggle for political self-determination. From the onset of hostilities, British authorities viewed their American foes as traitors to be punished, and British abuse of American prisoners - both tacitly condoned and at times officially sanctioned - proliferated.

Women of the American Revolution explores the trials of war and daily life for women in the United States during the War of Independence. What challenges were caused by the division within communities as some stayed loyal to the king and others became patriots? How much choice did women have as their loyalties were assumed to be that of their husbands or fathers? The lives of women of the American Revolution will be examined through an intimate look at some significant women of the era.

In 2005 a Chinook helicopter carrying 16 Special Ops soldiers crashed during a rescue mission in a remote part of Afghanistan, killing everyone on board. In that instant, machine gunner Caleb Daniels lost his best friend, Kip Jacoby, and seven members of his unit. Back in the U.S., Caleb begins to see them everywhere - dead Kip, with his Alice in Wonderland tattoos, and the rest of them, their burned bodies watching him. But there is something else haunting Caleb, too - a presence he calls the Black Thing, or the Destroyer.

Thomas B. Allen’s expertise in military history and strategy is combined with Roger MacBride Allen’s knowledge of technology to reveal a lesser-known yet fascinating side of the 16th president of the United States. Their authoritative narrative reveals Lincoln as our nation’s first hands-on commander in chief, whose appreciation for the power of technology plays a critical role in the North’s Civil War victory over the less-developed South.

In 1832, the Sauk warrior Black Hawk attempted to forge an alliance to preserve the homelands of the confederated tribes on the eastern bank of the Mississippi. Patrick J. Jung examines the causes, course, and consequences of the ensuing war with the U.S. Correcting mistakes that plagued previous histories, and drawing on recent ethno-historical interpretations, Jung shows the outcome can be understood by discussing intertribal rivalry, military ineptitude, and racial dynamics.

For American children raised exclusively in wartime - that is, a Cold War containing monolithic communism turned hot in the jungles of Southeast Asia - and the first to grow up with televised combat, Vietnam was predominately a mediated experience. Walter Cronkite was the voice of the conflict, and grim, nightly statistics the most recognizable feature. But as involvement grew, Vietnam affected numerous changes in child life, comparable to the childhood impact of previous conflicts - chiefly the Civil War and World War II - whose intensity and duration also dominated American culture.

In American History, 1877 to the Present, all main events are covered, including Reconstruction, industrialization, U.S. emergence as a world power, World Wars I and II, the Great Depression, Cold War politics, racial and sexual equality issues, Vietnam, Watergate, and threats to America at the start of the 21st century. Also covered are major personages, from George Armstrong Custer to Osama bin Laden, and much more.

According to one song, “today is only yesterday’s tomorrow” - which means that tomorrow starts today! But we aren’t going to see our future by looking at the past. Yes, we need to celebrate and honor what has brought us to where we are. However, it will not be enough to get us to what God has in store. We need to let go of the old to receive the new.

God at War explores the dark attraction between religion and warfare. Virtually every religious tradition leaves behind it a bloody trail of stories, legends, and images of war, and most wars call upon the divine for blessings in battle. This book finds the connection between religion and warfare in the alternative realities created in the human imagination in response to crises both personal and social.

Women are officially barred from combat in the American armed services, yet in today’s wars, where there are no front lines, the ban on combat is virtually meaningless. More than in any previous conflict in our history, American women are engaging with the enemy, suffering injuries, and even sacrificing their lives in the line of duty. When Janey Comes Marching Home juxtaposes forty-eight photographs by Sascha Pflaeging with oral histories collected by Laura Browder to provide a dramatic portrait of women at war.

Love and the Working Class is a unique look at the emotions of hard-living, nineteenth-century Americans who were often on the cusp of literacy. These laboring folk highly valued letters and, however difficult it was, wrote to stay connected to those they loved. This book displays the personal expression of factory hands, manual laborers, peddlers, coopers, carpenters, lumbermen, miners, tanners, haulers, tailors, seamstresses, laundresses, domestics, sharecroppers, independent farmers, and common soldiers and their wives.

Forced Out: A Nikkei Woman’s Search for a Home in America offers insight into “voluntary evacuation,” a little-known Japanese American experience during World War II, and the lasting effects of cultural trauma. Of the roughly 120,000 people forced from their homes by Executive Order 9066, around 5,000 were able to escape incarceration beforehand by fleeing inland.

During World War II, Port Chicago was a segregated naval munitions base on the outer shores of San Francisco Bay. On July 17, 1944, an explosion rocked the base, killing 320 men — 202 of whom were Black ammunition loaders. In the ensuing weeks, White officers were given leave time and commended for heroic efforts, whereas 328 of the surviving Black enlistees were sent to load ammunition on another ship. When they refused, 50 men were singled out and charged — and convicted — of mutiny. It was the largest mutiny trial in US naval history.

More than 100 US Army and Navy nurses were stationed in Guam and the Philippines at the beginning of World War II. After the Japanese attack on Pearl Harbor in December 1941, five navy nurses on Guam became the first American military women of World War II to be taken prisoner by the Japanese. More than 70 army nurses survived five months of combat conditions in the jungles of Bataan and Corregidor before being captured, only to endure more than three years in prison camps.

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If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs.

In the wake of the 1992 Los Angeles riots, Fuller Seminary theologian William Pannell decried the then-popular sentiment among White evangelicals that racism was no longer an urgent matter. In The Coming Race Wars? he meticulously unpacked reasons why our nation - and the church - needed to come to terms with our complicity in America's racial transgressions before we face a more dire reckoning. Critics in 1993 dismissed him as alarmist. Here, Pannell revisits his provocative message with an expanded edition that connects its message to current events.