Western Crime

There are some things in this world that can't be stopped. Like progress, a moving train, and the American Dream. When the bigwigs in Washington decide to build a transcontinental railroad to the West Coast, they need a man who's just as unstoppable to clear a path through Mexican territory. That man is Jamie MacCallister. Jamie knows it's a tough job. The territory is overrun with Apaches. The Apaches are gunning for a fight. And the first patrol sent in by the president has already been ambushed, kidnapped, and most likely killed.

Louis L'Amour's world is built on those dramatic moments when men and women cast their fears, doubts, and pasts behind them and plunge into the unknown. Nowhere is that more evident than in this latest collection of stories set on the American frontier. These selections include "The Nester and the Piute"; "Big Man"; "Waltz Him Around Again"; "Shadow"; "Barney Takes a Hand"; "When a Texan Takes Over"; and "No Trouble for the Cactus Kid".

Jack Parker knows all too well how treacherous turn-of-the-century East Texas can be. His parents did not survive a smallpox epidemic. His grandfather was murdered. Now his sister Lula has been kidnapped by a criminal who may believe wearing a dead man's clothes protects them both from death. With bounty hunter Shorty, a charismatic and cunning dwarf, and Eustace, a gravedigging son of an ex-slave, the heartbroken young Jack sets off on an epic quest to rescue his sister from the corrupt men who control much of the new territory.

Gold. Silver. Cold hard cash. Stagecoach guard Red Ryan and his driver Buttons Muldoon have ridden shotgun on some pretty valuable cargo in their day. But they're about to learn - the hard way - that the most dangerous cargo of all is human. They've been hired to escort a cowardly traitor facing an army court martial in New Orleans. Every hired killer in Texas wants him dead, including gun-handy Hannah Huckabee, a woman with a mysterious past and an agenda of her own. But she's just one of the dangers they'll face along the way.

The sight of a rotting corpse hanging from a noose is enough to stop any man in his tracks—and Luke Jensen is no exception. Sure, he could just keep riding through. He's got a prisoner to deliver, after all. But when a group of men show up with another prisoner for another hanging, Luke can't turn his back—especially when the condemned man keeps swearing he's innocent. Right up to the moment he's hung by the neck till he's dead . . . Welcome to Hannigan's Hill, Wyoming. Better known as Hangman's Hill.

Smoke Jensen sat in a cave and boiled the last of his coffee. He figured he was in Idaho - somewhere south of Montpelier - but he was certain about only two things: He was cold and he was being hunted by a small army of men. Smoke knew why he was cold - it was winter. He just didn't have a clear idea of why anyone was after him.

Dover Station, Montana, is no place for a lawman. A sheriff's badge ain't worth a nickel here - unless you've got the bullets to back it up. When he signed up to be sheriff of this dirty little boomtown, Aaron Mackey knew he was asking for trouble. Once, when Mackey was the US marshal for the whole Montana Territory, he swore no job could get any harder. But that was before he took down a few of the bank-robbing Hancock gang in Dover Station - and incurred the wrath of the gang's maniacal matriarch, Mad Nellie Hancock.

The leafy Avenue de Foch, one of the most exclusive residential streets in Nazi-occupied France, was Paris' hotbed of daring spies, murderous secret police, amoral informers, and Vichy collaborators. So when American physician Sumner Jackson, who lived with his wife and young son, Phillip, at Number 11, found himself drawn into the Liberation network of the French resistance, he knew the stakes were impossibly high.

In this first collection of short pieces, including two novella-length works, since his western anthology Tonto Woman, Leonard demonstrates the superb characterization, dead-on dialogue, vivid atmosphere, and driving plotting that have made him a household name.

After the bloody confrontation in Appaloosa, Everett Hitch heads into the afternoon sun and ends up in Resolution, an Old West town so new the dust has yet to settle. It's the kind of town that doesn't have much in the way of commerce, except for a handful of saloons and some houses of ill repute.

Ordell Robbie and Louis Gara hit it off in prison, where they were both doing time for grand theft auto. Now that they're out, they're joining forces for one big score. The plan is to kidnap the wife of a wealthy Detroit developer and hold her for ransom. But they didn't figure the lowlife husband wouldn't want his lady back. So it's time for Plan B and the opportunity to make a real killing - with the unlikely help of a beautiful, ticked-off housewife who's hungry for a large helping of sweet revenge.

After hunting down a rogue spy as part of an elite CIA counterespionage unit, Garrett Kohl returns home to Texas in hopes of settling down and carving out a normal life. While learning the ropes of fatherhood, falling deeper in love with his high school crush, and rebuilding his wildfire ravaged cattle ranch, he is approached in secret by an engineer working at a nearby nuclear weapons plant, who is in desperate need of his help.

Jim Stegner has seen his share of violence and loss. Years ago he shot a man in a bar. His marriage disintegrated. He grieved the one thing he loved. In the wake of tragedy, Jim, a well-known expressionist painter, abandoned the art scene of Santa Fe to start fresh in the valleys of rural Colorado. Now he spends his days painting and fly-fishing, trying to find a way to live with the dark impulses that sometimes overtake him. He works with a lovely model. His paintings fetch excellent prices. But one afternoon, on a dirt road, Jim comes across a man beating a small horse, and a brutal encounter rips his quiet life wide open.

Zac discovers that certain vigilantes are controlled by corrupt federal officials. He aims to bring them in, but the price for justice may be terribly steep this time.

Big secrets run deep. Former FBI agent Jack McBride took the job as chief of police for Stillwater, Texas, to start a new life with his teenage son, Ethan, away from the suspicions that surrounded his wife's disappearance a year earlier. With a low crime rate and a five-man police force, he expected it to be a nice, easy gig; hot checks, traffic violations, some drugs, occasional domestic disturbances, and petty theft. Instead, within a week he is investigating a staged murder-suicide.

Set in Arizona mining country, Hombre is the tale of a white man raised by Indians, who must come to the aid of people who hate him when their stagecoach is attacked by outlaws. As thrilling as his contemporary novels of crime, double-cross, and murder in Detroit and Miami, Hombre is Elmore Leonard at his riveting best - no less than one would expect from the creator of US Marshal Raylan Givens ( Justified).

Clarence Mulford's classic Western introduces the legendary Hopalong Cassidy and other colorful cohorts from the Bar-20 ranch. While the Hopalong Cassidy of film and TV (portrayed by the silver-haired, avuncular William Boyd) was clean-cut and polished, Mulford's original Cassidy is rough-and-tumble and foul-mouthed, thriving on brawls and gun-fights. Bar-20 depicts Cassidy as he was originally conceived, fierce and free-wheeling, and matches the cowboy hero up against Slim Travennes.

Ted Sweeney. Affable everyman in small-town Montana. Tailgate hung on with baling wire, owner of his own business. Ten minutes ago, his biggest worry had been how to pay for the engagement ring rattling around in his pocket. But that was before he came home to find a corpse tidily arranged in his favorite recliner, his "old pal of a piece of furniture". Is it a warning or a setup or what? Sweeney can't help but admire the efficiency of the work, the slice deep across the guy's throat. Somebody knew what they were doing.

In a secessionist rural state that has cut itself off completely from urban centres, where living is hardscrabble and poor but “free”, Brooke Holland runs a farm with her husband and two daughters. Their existence at the fringes of modern society is tenuous - they make barely enough from each harvest to keep going - yet Brooke cherishes the loving, peaceful life they have carved out for themselves. She has even begun to believe she is free from the violent history she has kept a secret from her family.

Carl Webster, the hot kid of the marshals service, is polite, respects his elders, and can shoot a man driving away in an Essex at 400 yards. Carl works out of the Tulsa, Oklahoma, federal courthouse during the 1930s, the period of America's most notorious bank robbers: Dillinger, Baby Face Nelson...those guys.