Women Crime

Prescription DEATH. Eight attractive, talented people, each tottering on the razor's edge of sanity. Now their psychiatrist, Dr. Elias, is dying from a ravaging cancer, and he has made his cold final judgment. Those he can't cure, he must kill.

On Easter Sunday 2015, experienced skydiver Victoria Cilliers undertook a parachute jump, a gift from her husband, British Army Sergeant Emile Cilliers. Her parachutes failed to open and she plummeted 4,000 feet to the ground, sustaining life-threatening injuries. Miraculously, she survived. Then the police arrived at her door. Someone had tampered with her parachute, and they suspected Emile.

When Philip Drem, the most feared and hated IRS auditor, is murdered, junk food junkie Jill Smith finds a long list of suspects among Berkeley's eclectic community.

Cordelia Black loves exactly three things: her chosen family, her hairdresser (worth every penny plus tip), and killing bad men. By day she's an ambitious pharma rep with a flawless reputation and designer wardrobe. By night, she culls South Louisiana of unscrupulous men—monsters who think they've evaded justice, until they meet her. Sure, the evening news may have started throwing around phrases like serial killer, but Cordelia knows that's absurd. But when Cordelia discovers a flaw in her perfectly designed system for eliminating monsters, pressure heightens.

It is sometimes difficult to remember that in war there are innocents on all sides who suffer. German citizens who had no connection to the atrocities committed by their countrymen nonetheless endured great hardships because of them.

Sex trafficking. Self-help coaching. Forced labour. Mentorship. Multi-level marketing. Gaslighting. Investigative journalist Sarah Berman explores the shocking practices of NXIVM, an organization run by Keith Raniere and his high-profile enablers (Seagram heir Clare Bronfman; Smallville actor Allison Mack; Battlestar Galactica actor Nicki Clyne). In her deeply researched account, Berman unravels how young women seeking creative coaching and networking opportunities found themselves blackmailed, literally branded, near-starved, and enslaved.

Thomas Perry's Edgar Award-winning debut novel follows a professional hitman on the run from both the mafia and the government.

Although a trip to Florida is supposed to be about rest and relaxation, there’s no such thing as a day off for Dr. Temperance Brennan. She has come to visit her friend, a dedicated ornithologist who’s researching the threat that intrusive Burmese pythons pose to indigenous bird species in the Everglades. While sorting through the stomach of an eighteen-foot specimen, they make a disturbing discovery: bones that are unmistakably human.

The case is a macabre, ritualistic murder—a teen-aged boy from a wealthy family whose body was found without a drop of blood left in it. But the murder is just the start. A high-ranking executive and daughter of one of the richest men in Spain is kidnapped, a crime which is tied to the previous murder. Behind them both is a hidden mastermind with even more sinister plans. And the only person with a chance to see the connections, solve the crimes and successfully match wits with the killer before tragedy strikes again...is Antonia Scott.

Lorna Kepler was beautiful and willful, a loner who couldn't resist flirting with danger. Maybe that's what killed her.

Lucy and her husband, Adam, have been best friends with another couple, Cora and Scott, for years. The four are practically family—they vacation together, co-own a beach cottage, and their children are inseparable. So Lucy is devastated when, while looking at a colleague’s photos of a trip to the Maldives, she spots a picture of Scott, apparently on vacation with another woman.

Former Detective Hillary Greene and her cold case team are taking a fresh look at the unsolved murder of Michael Beck, found bludgeoned over the head and dead in a river near his home in 2012. Just twenty-two at the time, he'd recently finished a history degree and had his whole life ahead of him. Everyone said he was a pleasant sort of lad with a passion for the past, quietly living with his parents until he could afford a place of his own. But it quickly turned out that there were at least two people who might have wanted him dead.

Boston detective Ellery Hathaway met FBI agent Reed Markham when he pried open a serial killer’s closet to rescue her. Years on, their relationship remains defined by that moment and by Francis Coben’s horrific crimes. To free herself from Coben’s legacy, Ellery had to walk away from Reed, too. But Coben is not letting go so easily. He has an impossible proposition: Coben will finally give up the location of the remaining bodies, on one condition ― Reed must bring him Ellery.

Reality star Erin Easton's "Wedding of the Century" may have a cable crew documenting every extravagant bridal detail, but when "Airhead Easton" disappears from the reception, it's no diva turn. Her dressing room is empty but for a blood-spattered wedding gown and signs of a struggle. Detective Kylie MacDonald of NYPD Red, already on-scene as a plus-one, loops in her partner, Detective Zach Jordan to activate Level One mobilization for this PR nightmare

Edinburgh is mourning the recent death of Queen Elizabeth II when bookseller Delaney Nichols's boss comes to her with a most unusual assignment. An old friend of his, living in an estate in the village of Roslin, has found what could be a priceless relic on her property, and Delaney is tasked with investigating. Could Jolie possibly have an item of breathtaking Scottish historical significance in her possession? But when Delaney arrives at Jolie's estate, she is greeted by a legal team with a vested interest in the property.

No one speaks the language of suspense more brilliantly than Kathy Reichs, number-one New York Times best-selling author of the acclaimed Temperance Brennan series. In Speaking in Bones, the forensic anthropologist finds herself drawn into a world of dark secrets and dangerous beliefs, where good and evil blur. Professionally, Temperance Brennan knows exactly what to do - test, analyze, identify. Her personal life is another story.

She is the perfect assassin. A Russian orphan, saved from the death penalty for the brutal revenge she took on her gangster father's killers. Ruthlessly trained. Given a new life. New names, new faces - whichever fits. Her paymasters call themselves The Twelve. But she knows nothing of them. Konstantin is the man who saved her and the one she answers to. She is Villanelle. Without conscience. Without guilt. Without weakness. Eve Polastri is the woman who hunts her. MI5, until one error of judgment costs her everything.

Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer North Norfolk police’s resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried - but only if Ruth will do the digging. Curious, but wary, Ruth agrees.

After moving back to her hometown and solving her mother's murder, Augusta (Gus) Monet thought she was finally settled. Content for the first time in her life. Done with digging into the past. But it’s not to be. Cue hard reset number whatever. When Gus makes a mistake she can’t undo, she does the only thing she can: cuts and runs. Packs all her things in the dead of night and takes off. Gus lands at The Ambassador Court, an art-deco apartment building with cheap rent in one of Ottawa’s oldest neighborhoods where no one knows her.

Recently ghosted and sick of watching her friends fade into the suburbs, thirty-something Hannah finds community in a true-crime forum that’s on a mission to solve the murders of four women in Atlanta. After William, a handsome lawyer, is arrested for the killings, Hannah begins writing him letters. It’s the perfect outlet for her pent-up frustration and rage. The exercise empowers her, and even feels healthy at first. Until William writes back.