Women Detective Mystery

Jenna has been working undercover for four years, and now she’s ready to take down the most dangerous man she’s ever met: her husband, Michael. But first, she must survive the most high-stakes night of her career at home. Michael is planning something deadly behind closed doors, and Jenna must find a place to hide, where she can listen to every word. Then, she must run for her life. But as night falls and guests arrive, Jenna sees a distressed young girl being dragged into the house, and she knows she can’t leave an innocent soul behind.

"Adamsberg attrapa son téléphone, écarta une pile de dossiers et posa les pieds sur sa table, s'inclinant dans son fauteuil. Il avait à peine fermé l'œil cette nuit, une de ses sœurs ayant contracté une pneumonie, dieu sait comment. - La femme du 33 bis ? demanda-t-il. Veines ouvertes dans la baignoire ? Pourquoi tu m'emmerdes avec ça à 9 heures du matin, Bourlin ? D'après les rapports internes, il s'agit d'un suicide avéré. Tu as des doutes ?"

Thea Osborne sets off to Frampton Mansell with confidence. Despite her first disastrous house-sitting venture, which drew her into a murder investigation, Thea, and her spaniel Hepzibah, are sure of a wonderful stay at the relaxed country estate of the Philipses. But it seems that she’s jinxed. Busying herself with her duties, she finds a body hanging from the rafters of one of the barns. Detective Superintendent Phil Hollis oversees the subsequent investigation and is more than a little surprised to find Thea once again at the scene.

When a local publican is murdered, Inspector Witherspoon takes Mrs. Jeffries' advice to heart. He is going to trust his own instincts - but that keeps Mrs. Jeffries in the dark. She must rouse the household staff to action and hope the Inspector doesn't arrest the wrong person before they can solve the crime.

Helena Lanark is an elderly woman, living in a luxurious care home. The heiress of an immense family fortune, she keeps the secret to the horror which once occurred within the Lanark family house. Jane Tennison is leading a murder investigation into the recent brutal death of a young girl, her decomposed starved body discovered in an old air raid shelter in the garden of the Lanark's now derelict house. Initially the focus is on identifying the victim, until another body is found, hidden in the walls of the shelter.

Harriet Andover had no intention of dying young like her silly siblings had. She intended to outlive them and outdo them as she always had. But Harriet discovers that the best intentions can lead to murder when she is strangled inside her mansion with a house full of holiday guests. As much as Inspector Witherspoon enjoys his job delivering justice, the last thing he wanted was a complicated murder case just a week before Christmas. He soon discovers that Harriet's own husband and grown stepchildren are not overcome with grief and neither are most of her friends.

Mary Connon froze out her husband, Sam, long ago. She likes the attention of other men—like the fellow members of Sam's rugby club. Naturally, when she's found dead in her sitting room with a hole in her head, Sam is a suspect. If only he hadn't suffered a dizzying scrum injury that's left everything a blur. He isn't sure that he didn't kill her. But Det. Inspector Andrew Dalziel and his partner, Peter Pascoe, are looking outside the unhappy home. Because it seems everyone within spitting distance of the suburban femme fatale wanted Mary dead.

In the quiet coastal town of Weston-super-Mare, a body is discovered at the foot of a cliff just months after a near-identical tragedy - and Detective Inspector Louise Blackwell can't believe it could be a coincidence. Next to the body, she discovers a note that echoes one found beside the first: Death is not the end. Louise is certain that behind these desperate acts someone is pulling the strings, but how many more will plunge to their demise before she can find out who - and why?

Joanna and the Watsons receive an unexpected visitor to 221B Baker Street during a nocturnal storm. A rain-drenched Dr. Alexander Verner has just returned from an unsettling trip to see a patient who he believes is being held against his will. Joanna quickly realizes Verner's patient is a high-ranking Englishman who the Germans have taken captive to pry vital information about England’s military strategies for the Great War. The police are frantic to find him before the Germans can use him to decode all of England’s undeciphered messages.

Twelve-year-old Flavia de Luce is back at Buckshaw at last, but her homecoming is overshadowed by news of her father's illness. Forbidden from visiting him in hospital, Flavia busies herself in the village, but she soon makes a macabre discovery: the corpse of a reclusive woodcarver in an empty house, except for a curiously uncurious cat. Curiosity may not kill this cat, but Flavia is energized at the prospect of a new investigation. However, what awaits Flavia will shake her to the core.

Hayley Burke has landed a dream job. She is the new curator of Lady Georgiana Fowling's First Edition library. The library is kept at Middlebank House, a lovely Georgian home in Bath, England. Hayley lives on the premises and works with the finicky Glynis Woolgar, Lady Fowling's former secretary. Mrs. Woolgar does not like Hayley's ideas to modernize The First Edition Society and bring in fresh blood. And she is not even aware of the fact that Hayley does not know the first thing about the Golden Age of Mysteries.

In 2009, Edie had New York’s social world in her thrall. Mercurial and beguiling, she was the shining star of a group of recent graduates living in a Brooklyn loft and treating New York like their playground. When Edie’s body was found near a suicide note at the end of a long, drunken night, no one could believe it. Grief, shock, and resentment scattered the group and brought the era to an abrupt end.

A prisoner languishes in a Phoenix jail cell, accused of brutally slaying his estranged wife. No one believes the man is innocent, except the new female sheriff of Cochise County, in town for a crash course in police training. Joanna Brady is out of her jurisdiction?and possibly in over her head. For a human monster is on the prowl, hiding the grisly evidence of his horrific crimes in the vast emptiness of the Arizona desert.

When Detective Maria Miller walks up creaking stairs into the attic of the old brownstone she senses this isn’t an ordinary crime scene. The brutality of the murder is enough to shock even an experienced detective like Maria. But there’s something else. An unsettling presence seems to lurk in the shadows sending a chill through Maria’s bones, making her desperate to run back down the stairs and never return. The killing is identical to the murder of an actress sixty years before, a crime that tore a family apart and sent shockwaves through New York City.

After a long Labor Day weekend, 73-year-old Eugene Washington is found dead in his Leimert Park home. At first blush, his death seems unremarkable- heat wave combined with food poisoning from a holiday barbecue. But something in the way Washington died doesn’t make sense. LAPD Homicide Detective Elouise "Lou" Norton is called to investigate the death and learns that the only family Washington had was the 6,000-member congregation of Blessed Mission Ministries, led by Bishop Solomon Tate. But something wicked is lurking among the congregants of this church.

When an American tourist is murdered with a scone in Gemma Rose's quaint English tearoom, she suddenly finds herself apron-deep in a mystery involving long-buried secrets from Oxford's past. Armed with her insider knowledge of the university and with the help of four nosy old ladies from her local Cotswolds village (not to mention a cheeky little tabby cat named Muesli), Gemma sets out to solve the mystery - all while dealing with her matchmaking mother and the return of her old college love, Devlin O'Connor, now a dashing CID detective.

One hot summer evening, 11-year-old Mikey Driscoll is on the way home from playing with friends. Two days later, his body is discovered on a bed of wildflowers by some local teenagers. The case is assigned to Detective Lottie Parker, and this time it’s personal. The victim was a close friend of her son, Sean, from the run-down Munbally estate on the other side of town. Sean tells his mother Mikey was behaving normally before he died, but Lottie can’t help but feel that her son is keeping something from her.

On leave from Canada's Community Policing department, Esa Khattak is traveling in Iran, reconnecting with his cultural heritage and seeking peace in the country's beautiful mosques and gardens. But Khattak's supposed break from work is cut short when he's approached by a Canadian government agent in Iran, asking him to look into the death of renowned Canadian-Iranian filmmaker Zahra Sobhani.

Homicide detective Frank Bennett has a new partner - dark, beautiful, coldly efficient Eden Archer. Frank doesn’t know what to make of her, or her brother Eric, who’s also on the police force. Their methods are... unusual. But when a graveyard full of large steel toolboxes filled with body parts is found at the bottom of Sydney harbor, unusual is the least of their worries. For Eden and Eric, the case holds chilling links to a scarred childhood - and the murderer who raised them. For Frank, each clue brings him closer to something he’s not sure he wants to face.

A servant girl and a priceless brooch vanish at the same time, and it doesn't take a genius to put two and two together. The Inspector finds the brooch on a dead woman - but where's the missing servant? Fortunately, Mrs. Jeffries isn't one to give up on a case just because of a few loose ends...