Women Detective Mystery

Enola Holmes, the much younger sister of Sherlock and Mycroft, owns a building in the heart of 19th-century London, a place she uses under pseudonyms to front for her investigative work. Employed there is a porter - Joddy, a young boy in a uniform festooned with buttons - whose even younger brother substitutes for him when he's sick. But Paddy disappears after one day at the job, and Enola Holmes is alerted to this by the still ill Joddy.

Is there such a thing as a good sociopath? Newly minted private investigator Annalisa Vega is skeptical, but her first client, Mara Delaney, insists that some sociopaths are beneficial to society. Mara has even written a book titled The Good Sociopath that is centered around Chicago neurosurgeon Craig Canning. Dr. Canning has saved hundreds of lives so it shouldn’t matter that he doesn’t actually care about his patients, should it? But Mara has a more urgent problem, which is that she is now concerned that Canning might not be such a good sociopath after all.

One hot summer evening, 11-year-old Mikey Driscoll is on the way home from playing with friends. Two days later, his body is discovered on a bed of wildflowers by some local teenagers. The case is assigned to Detective Lottie Parker, and this time it’s personal. The victim was a close friend of her son, Sean, from the run-down Munbally estate on the other side of town. Sean tells his mother Mikey was behaving normally before he died, but Lottie can’t help but feel that her son is keeping something from her.

A young boy walks into a police station in France. He claims to be Carl Meagan - a missing child from Sheffield whose name is still whispered as a warning to kids who stay out after dark. On her way home from the supermarket, nine-year-old Keeley Armitage vanishes without trace. Her family is overcome with shock and DCI Matilda Darke can’t help but focus on memories of the Carl Meagan case that almost ruined her career.

When Inspector Witherspoon becomes the main suspect in a murder case, Scotland Yard refuses to let him investigate. But no one said anything about Mrs. Jeffries and her polished detection skills, proving that behind every great man there's a woman - and that a crime solver's work is never done.

When 18-year-old Chloe Emery returns to her West London home she finds her mother missing, the house covered in blood. Everything points to murder, except for one thing: there’s no sign of the body. London detective Maeve Kerrigan and the homicide team turn their attention to the neighbours. The ultra-religious Norrises are acting suspiciously; their teenage daughter and Chloe Emery definitely have something to hide. Then there’s William Turner, once accused of stabbing a schoolmate and the neighborhood’s favorite criminal. Is he merely a scapegoat?

DCI Matilda Darke has returned to work after a nine-month absence. A shadow of her former self, she is tasked with reopening a cold case: the terrifyingly brutal murders of Miranda and Stefan Harkness. The only witness was their 11-year-old son, Jonathan, who was too deeply traumatised to speak a word. Then a dead body is discovered, and the investigation leads back to Matilda's case. Suddenly the past and present converge, and it seems a killer may have come back for more....

This is a land of long memory and hidden corners, a land that had known Vlad the Impaler, a land from whose churchyards the shades creep. When Queen Marie calls, Mary Russell and Sherlock Holmes are as dubious as they are reluctant. But a young girl is involved, and a beautiful queen. Surely it won't take long to shine light on this unlikely case of what would seem to be strigoi? Or, as they are known in the West...vampires.

England, 1942. The Nazis' relentless Blitz may have paused, but London's nightly blackouts continue. Now, under the cover of darkness, a madman is brutally killing and mutilating young women in eerie and exact re-creations of Jack the Ripper's crimes. What's more, he's targeting women who are reporting for duty to be Winston Churchill's spies and saboteurs abroad. The officers at MI5 quickly realize they need the help of Special Agent Maggie Hope to find the killer dubbed "the Blackout Beast". A trap is set.

Meg's neighbors, the Smetkamps', have won a makeover for their old home from Marvelous Mansions, a flashy, yet dubious company, focused on making historic homes more "modern." The company already several days into its makeover of the Smetkamps' house, and tensions are running high—not only between the officious, demanding Mrs. Smetkamp and her neighbors, but also between her and the renovation crew.

The inimitable Daisy Dalrymple Fletcher and her husband Detective Chief Inspector Alec Fletcher seem to get a reprieve from their sleuthing duties when they are invited to the wedding of their friend, Lucy Fotheringay. Lucy's grandfather is hosting the ceremony at his beautiful estate and so it promises to be a typical affair with hordes of gossipy aunts and other colorful, but not necessarily pleasant, relatives. Daisy meets all these characters and observes the ensuing familial fraternization with a certain kind of amusing nonchalance.

After an eventful first few months in Provence, it seems Penelope is finally settling into her delightful new life, complete with a gorgeous love interest in the mayor of St. Merlot. When Penelope and the mayor attend a glamorous gallery opening, Penelope’s biggest worry is embarrassing herself in front of her date. But the evening takes a horrifying turn when a controversial expat painter, Roland Doncaster, chokes to death.

Ruth Lennox, housewife and mother of three, is found dead in a pool of her own blood. Detective Chief Inspector Karlsson can’t piece together a motive and calls in Frieda, hoping her talents will offer a new angle on the case. When it emerges that the mother was hiding a scandalous secret, her family closes ranks. Frieda herself is distracted, still reeling from an attempt on her life, and struggling with her own rare feelings of vulnerability. Then a patient’s chance remark sends Frieda down a dangerous path that seems to lead to a serial killer who’s long escaped detection.

An explosion outside a community dance sends Mattie Cobb and Cole Walker reeling into the night, where they discover a burning van and beside it the body of outfitter Nate Fletcher. But the explosion didn’t kill Nate - it was two gunshots to the heart.

People think being a mortuary technician is a seriously weird job. They can't understand why I choose to cut up dead bodies for a living. But they don't know what I know: The dead want to tell us what happened to them. I've eviscerated thousands of bodies, but never someone I know before-someone who meant a lot to me; someone I loved.

From idyllic small towns to claustrophobic urban landscapes, Mallory Viridian is constantly embroiled in murder cases that only she has the insight to solve. But outside of a classic mystery novel, being surrounded by death doesn’t make you a charming amateur detective, it makes you a suspect and a social pariah. So when Mallory gets the opportunity to take refuge on a sentient space station, she thinks she has the solution. Surely the murders will stop if her only company is alien beings. At first her new existence is peacefully quiet…and markedly devoid of homicide.

It’s love at first sight when Penelope Kite sees Le Chant d’Eau - The Song of Water - the stone farmhouse tucked high in the hills above the Luberon valley. For years, Penelope put her unfaithful ex-husband and her ungrateful stepchildren first. Now, she’s going to start living for herself. Though her dream house needs major renovations, Penelope impulsively buys the property and moves to St. Merlot. But Penelope’s daydreams of an adventurous life in Provence didn’t include finding a corpse floating face down in her swimming pool.

In the west end of London, an apparently crazed individual is on the loose, breaking into art galleries and private homes to slash valuable paintings of women. Despite Scotland Yard's best efforts, the criminal remains at large and continues on his destructive path. When Joanna and the Watsons are called in to solve the mystery, they soon discover that although the canvases have been slashed, their backings remain pristine, with no cuts or scratches. The criminal, it seems, is no mere vandal - he's searching for something hidden behind the portraits.

Agatha Raisin's neighboring village of Ancombe is usually the epitome of quiet rural charm, but the arrival of a new mineral-water company - which intends to tap into the village spring - sends tempers flaring and divides the parish council into two stubborn camps. When Agatha, who happens to be the PR person for the water company, finds the council chairman murdered at the spring, tongues start wagging. Could one of the council members have silenced the chairman before he could cast the deciding vote?

She keeps house for Inspector Witherspoon...and keeps him on his toes. Everyone's awed by his Scotland Yard successes - but they don't know about his secret weapon. No matter how messy the murder or how dirty the deed, Mrs. Jeffries' polished detection skills are up to the task...proving that behind every great man there's a woman - and that a crimesolver's work is never done.