Women Friendship Fiction

When Jess bumps into Milan unexpectedly, sparks are reignited, and she wonders if she made a mistake finishing with him in Amberton. But matters are complicated when a film company arrives at Bentley Priory to make a morale-boosting film about the RAF. The lead actor is none other than Leonard Steele, a man from Jess’ past who could ruin everything she has worked so hard to build.

En un pequeño y céntrico barrio de la ciudad hay cinco mujeres que compran flores. Al principio ninguna lo hace para sí misma: una las compra para su amor secreto, otra para su despacho, la tercera para pintarlas, otra para sus clientas, la última... para un muerto. La última soy yo y ésta es mi historia.

In the five years since Julia last visited her aunt and uncle’s home in Malibu, her life has been turned upside down by her daughter’s death. She expects to find nothing more than peace and solitude as she house-sits with only her dog, Bonnie, for company. But she finds herself drawn to the handsome man who oversees the lemon orchard. Roberto expertly tends the trees, using the money to support his extended Mexican family. What connection could these two people share? The answer comes as Roberto reveals the heartbreaking story of his own loss – a pain Julia knows all too well, but for one striking difference: Roberto’s daughter was lost but never found. And despite the odds he cannot bear to give up hope.

Over the course of four years, the traveling love rally called Together Live brought together diverse storytellers for epic evenings of laughter, music, and hard-won wisdom to huge audiences across the country. Well-known womxn (and the occasional man) from all walks of life shared their most vulnerable truths in a radical act of love, paving the way for healing in the face of adversity.

There's always time to help out a stranger...isn't there? Supermarket delivery driver Charlie enjoys his new job, because he doesn't have to spend too long with people, who, he's found, are nothing but trouble. But when he's assigned the Hope Row street, he realises there are a lot of lonely people out there - and for some, he's their only interaction. The supermarket boss tells Charlie he's a driver, not a social worker - but Charlie can't abandon the Hope Row residents and he sets about trying to draw them out of their shells and back into the world.

Emily Main had it all: a high-powered career with a leading technology giant and a handsome fiancé bounding up the corporate ladder. Their island wedding and honeymoon were idyllic, until a tragic accident causes her retinas to detach. Her well-ordered life is shattered as all treatments are unsuccessful and she slips into blindness. How will those around her cope with her tragedy? Can she rebuild her life in this most unwelcome new normal? Meanwhile, a black Lab puppy named Garth fulfills his destiny to become that most esteemed of all creatures: a guide dog.

Mari and Elisabeth have been at the center of each other's lives for years. Close friends since university, they're now drifting through their mid-twenties, working casual jobs and living in run-down share houses. When they meet Jack, a charming academic historian twenty years their senior, they're attracted to the sophisticated, intellectual world in which he seems to move. As the summer gathers heat, Jack is drawn into their lives, and an unconventional relationship—halfway between friendship and love triangle—develops.

As an adult, National Public Radio foreign correspondent Jacki Lyden has spent her life on the front lines of some of the world's most dangerous war zones. As a child, she lived in a war zone of a different kind. Her mother, Dolores, suffered from what is now called manic depression. In her manic phases, Dolores became Marie Antoinette or the Queen of Sheba, exotically delusional, yet to young Jacki also transcendent, even inspiring. In time, Jacki grew to accept, even relish, Dolores' bizarre episodes, marveling at her mother's creative energy and using it to fuel her own.

Miranda Popkey's first novel is about desire, disgust, motherhood, loneliness, art, pain, feminism, anger, envy, guilt - written in language that sizzles with intelligence and eroticism. The novel is composed almost exclusively of conversations between women - the stories they tell each other, and the stories they tell themselves, about shame and love, infidelity and self-sabotage - and careens through 20 years in the life of an unnamed narrator hungry for experience and bent on upending her life.

Seven, who works as a cleaner at a chiropractor's office, reencounters Cecilia, a woman who has obsessed her since their school days. As the two of them board the same bus—each dubiously claiming not to be following the other—their chance meeting spurs a series of intensely vivid and corporeal memories. As past and present bleed together, Seven can feel her desire begin to unmoor her from the flow of time.

The Stories We Cannot Tell is a contemporary novel about the emotional journey of two women. Rachel is a thirty-year-old married, Jewish woman who's wanted a baby for a long time. Katie's a thirty-two-year-old single, Catholic woman who has been trying to find a man who'll stick around. We follow the women individually as they find themselves pregnant, Rachel happily, Katie, not.

Penny Rush has problems. Her marriage is over; she’s quit her job. Her mother and stepfather went missing in the Australian outback five years ago; her mentally unbalanced father provokes her; her grandmother Dr. Pincer keeps experiments in the refrigerator and something worse in the woodshed. But Penny is a virtuoso at what’s possible when all else fails. Elizabeth McKenzie, the National Book Award–nominated author of The Portable Veblen, follows Penny on her quest for a fresh start.

Childhood friends Hannah, Maya, Blue, and Renee share a bond that feels more like family. Growing up, they had difficult home lives, and the summers they spent together in Montauk were the happiest memories they ever made. Then, the summer after graduation, one terrible night changed everything. Twelve years have passed since that fateful incident, and their sisterhood has drifted apart, each woman haunted by her own lost innocence. But just as they reunite in Montauk for one last summer, hoping to find happiness once more, tragedy strikes again.

Celia Fairchild, known as advice columnist "Dear Calpurnia", has insight into everybody’s problems—except her own. Still bruised by the end of a marriage she thought was her last chance to create a family, Celia receives an unexpected answer to a “Dear Birthmother” letter. Celia throws herself into proving she’s a perfect adoptive mother material—with a stable home and income—only to lose her job. Her one option: sell the Charleston house left to her by her recently departed, estranged Aunt Calpurnia.

Danielle Parker is a gold-medal mom - the kind who volunteers in her children's classrooms, shuttles them between activities, throws legendary birthday parties, and has a remedy on hand for any emergency. Whatever her husband, Jeff, and their children need, Dani is there, always. Except for one day. On that day - the day that Dani reluctantly takes some "me time" while her mom and Jeff drive the children to the park - the unthinkable happens. The car crash leaves no survivors.

Someone is posing as the outspoken, blue-eyed, blond attorney and is wreaking havoc around town, apparently determined to destroy everything Bennie loves. Only one person can pull off this double deception: Bennie's identical twin sister, Alice Connelly. But as far as Bennie knows, Alice left Philly long ago and never looked back.

Wren and Thessaly collide when they land coveted jobs at a glamorous New York City boutique wine importer. Hardworking, by-the-book Wren comes from a modest background and has everything to prove while Thessaly hails from a family of prestigious California growers—but she is plagued by self-doubt. Thrown together at work, where they're expected to have exquisite palates, endless tolerance for alcohol and socializing, and the ability to sell, sell, sell, they regard each other with suspicion.

As a book editor, Julia Morse lived and breathed stories. Whether with her pen to a manuscript or curled up with a book while at her beloved Fire Island cottage, her imagination alight with a good tale, she could anticipate practically any ending. The ending she’d never imagined was her own. To be fair, no one expects to die at thirty-seven. So when the unthinkable happens to Julia, rather than following the light at the end of the proverbial tunnel, she chooses to spend one last summer near those she loves most.

New York, 1997. As the city’s gritty edges are being smoothed into something safer and shinier, two girls meet at a music magazine. Rose—brash and self-possessed—is a staff writer. Charlotte—hesitant, bookish—is an editor. First wary, then slowly admiring, they recognize in each other an insatiable and previously unmatched ambition. Soon they’re inseparable, falling into the kind of friendship that makes you better, makes every day an adventure, and makes you believe that you will be extraordinary.

Rhett Gallagher’s adventurous life is imploding. Just as she turns the big 4-0, her long-term relationship collapses and her gran’s death draws her back to the family farm. The only silver lining is that Rhett’s inspirational book, The Modern Pioneer Girl’s Guide to Life—written under a pseudonym—has become a wild success, so much so that when her big publicity moment comes, self-doubting Rhett panics and persuades her best friend, Jasmine, to step into the limelight in her stead.