Women Horror

One June day when Mia Jacob can no longer see a way to survive, the power of words saves her. The Scarlet Letter was written almost two hundred years earlier, but it seems to tell the story of Mia’s mother, Ivy, and their life inside the Community—an oppressive cult in western Massachusetts where contact with the outside world is forbidden. But how could this be? How could Nathaniel Hawthorne have so perfectly captured the pain and loss that Mia carries inside her?

Suzette knows her clever and manipulative seven-year-old daughter doesn’t love her. She can see the hatred and jealousy in her eyes. And as Hanna’s subtle acts of cruelty threaten to tear her and her husband apart, Suzette fears her very life may be in grave danger....

In 2008, nine mountaineers failed to return from a winter backpacking trip in the New Mexico mountains. At their final campsite, searchers found a bizarre scene: something had appeared at the door of their tent so terrifying that it impelled them to slash their way out and flee barefoot to certain death in a blizzard. Despite a diligent search, only six bodies were found, two violently crushed and inexplicably missing their eyes. The case, given the code name “Dead Mountain” by the FBI, was never solved. Now, two more bodies from the lost expedition are unexpectedly discovered in a cave.

In the town of Night Vale, there’s a faceless old woman who secretly lives in everyone’s home, but no one knows how she got there or where she came from...until now. Told in a series of eerie flashbacks, the story of The Faceless Old Woman goes back centuries to reveal an initially blissful and then tragic childhood on a Mediterranean Estate in the early 19th century, her rise in the criminal underworld of Europe, a nautical adventure with a mysterious organization of smugglers, her plot for revenge on the ones who betrayed her, and ultimately her death and its aftermath.

James and Johnny Golden were once inseparable. For as long as she can remember, James shared an almost supernatural connection with her twin brother, Johnny, that went beyond intuition—she could feel what he was feeling. So, when Johnny is killed in a tragic accident, James knows before her phone even rings that her brother is gone and that she’s alone—truly alone—for the first time in her life.

Harper Curtis is a killer who stepped out of the past. Kirby Mazrachi is the girl who was never meant to have a future. Kirby is the last shining girl, one of the bright young women, burning with potential, whose lives Harper is destined to snuff out after he stumbles on a House in Depression-era Chicago that opens on to other times.

Emmie Wilcox was only six when her sister, Roxy, was thrown out of their New York City apartment. Their stern father's military style left no room for rebellion, and Roxy was continually defiant and rebellious. Emmie is obedient, respectful. Two sisters, total opposites - yet Emmie is secretly obsessed with the mystery and imposed silence surrounding Roxy. She wants excitement, and being a good girl all the time is harder than it seems. Finally, Emmie goes behind her father's back to track down and spy on the sister she can't help but be fascinated with.

Beatrice Bird is plagued by ghosts. It’s a gift she’s had since she was a small child. Unfortunately, it’s a gift that has grown more intense, shifting from flashes and feelings to physical manifestations she can’t escape. In a desperate attempt for relief, Beatrice flees her home, her partner, and a psychology practice in San Francisco for a remote island with only nuns and a few cows for company. She sees as few people as she possibly can. She doesn’t call home. Then she meets Anne Iredale, a timid woman who has lost everything that matters to her.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

Four bodies have been discovered along Europe’s riverbanks, placed with care—and completely drained of blood. Pinpricks on their throats indicate a slender murder weapon, but DNA found in the wounds suggests something far more sinister. Tasked with investigating, the FBI recruits Agents Della Hamilton and Mason Carter to Blackbird, an international offshoot of the Krewe of Hunters. If you want to catch a vampire killer, you need agents who can speak with the dead.

Satisfy your craving for extraordinary authors and exceptional fiction: Meet the women writers who defied convention to craft some of literature’s strangest tales, from Frankenstein to The Haunting of Hill House and beyond. Frankenstein was just the beginning: horror stories and other weird fiction wouldn’t exist without the women who created it. From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction.

Seraphine Mayes and her twin brother, Danny, were born in the middle of summer at their family's estate on the Norfolk coast. Within hours of their birth, their mother threw herself from the cliffs, the au pair fled, and the village thrilled with whispers of dark cloaks, changelings, and the aloof couple who drew a young nanny into their inner circle.

After the end of her marriage, Kate Granger has retreated to her parents' home on Lake Superior to pull herself together - only to discover the body of a murdered woman washed into the shallows. Tucked in the folds of the woman's curiously vintage gown is an infant, as cold and at peace as its mother. No one can identify the woman. Except for Kate. She's seen her before. In her dreams...

In Midcoast Maine, Jamie Flint and her K-9 team search for the cognitively challenged son of a local animal hoarder, while recently licensed private investigator Jack Juarez looks into a murder related to the case. Unfortunately, each new clue Jack finds in the investigation seems to lead him back to a suspect police already have in their sights: Jamie's son. Meanwhile, Jamie fights to save a critically ill pit bull pulled from the hoarder's home who could hold the key to the woman's dark secrets.

Like any enterprising woman, Bea knows what she’s worth and is determined to get all she deserves—it just so happens that what she deserves is to marry rich. Filthy rich. After years of forced instruction by her mother in the art of swindling men, a now-solo Bea wants nothing more than to close and lock the door on their sordid partnership so she can disappear safely into old-money domesticity, sealing the final phase of her escape. When Bea chooses her ultimate target in the fully loaded, thoroughly dull and blue-blooded Collin Case, she’s ready to deploy all of her tricks one last time.

One dead body, one century-old haunted opera house, one zombie musical - one pissed-off detective - will Violet "Spooky" Parker keep her tail out of trouble, or will she end up as one of Deadwood's walking dead?

Emotionally guarded Daphne Amos always believed she’d found a kindred spirit in her fiancé, Heath. Both very private people, they’ve kept their pasts hidden from the world, and each other, until Heath’s escalating nightmares begin to put an undeniable strain on their relationship. Determined to give their impending marriage the best chance of succeeding, Heath insists that Daphne join him on a seven-day retreat with Dr. Matthew Cerny, a psychologist celebrated for getting to the root of repressed memories.

Barrie Anne Blythe and her aunt Charlotte have always known that the other residents of their small coastal community find them peculiar - two women living alone on the outskirts of town. It is the price of concealing their strange and dangerous family secret. But two events threaten to upend their lives forever. The first is the arrival of a mysterious abandoned baby with a hint of power like their own. The second is the sudden reappearance of Barrie Anne's long-lost husband - who is not quite the man she thought she married.

A war is brewing - the first battle has been waged and Savannah Levine is left standing, albeit battered and bruised. She has rescued her half-brother from supernatural medical testing, but he's fighting to stay alive. The Supernatural Liberation Movement took him hostage, and they have a maniacal plan to expose the supernatural world to the unknowing. Savannah has called upon her inner energy to summon spells with frightening strength - a strength she never knew she had - as she fights to keep her world from shattering.

Cat lives in Los Angeles, far from 36 Westeryk Road, the imposing gothic house in Edinburgh where she and her estranged twin sister, El, grew up. As kids, they invented Mirrorland, a dark, imaginary place under the pantry stairs, full of pirates, witches, and clowns. These days, Cat rarely thinks about their childhood home, or the fact that El now lives there with her husband, Ross. But when El mysteriously disappears after going out on her sailboat, Cat is forced to return to 36 Westeryk Road, which hasn’t changed in twenty years.